Roadkill Blu-ray Review
Slipcover in Original Pressing
Score: 74
from 2 reviewers
Review Date:
Roadkill starts strong with Canadian flair and music, but wanes in direction; however, the Blu-ray's outstanding AV quality and extras make it Recommended.
Disc Release Date
DTS-HD MA
Video: 71
The Blu-ray of 'Roadkill' excels with its AVC encoded image in 1.37:1 aspect, leveraging 4K restoration from the 35mm master positive. The film's gritty, low-budget 16mm black and white feel is preserved, offering impressive clarity and detail, with bright whites and inky blacks reflecting its indie aesthetic remarkably well.
Audio: 76
The 2.0 DTS-HD MA mix of Roadkill respects its original front-stage presentation, providing clear dialogue and lively soundtrack exchange without succumbing to modern reimagination, capturing the essence of its source with playful audio dynamics and appreciable atmospherics.
Extra: 86
Roadkill's Blu-ray extras offer rich insights into production challenges and the Toronto New Wave's legacy, featuring engaging interviews with key creatives like Don McKellar and Valerie Buhagiar, detailed commentaries exploring film history, and vivid anecdotes about shooting in black and white and working with icons like Joey Ramone.
Movie: 56
Bruce McDonald's 'Roadkill' is a quirky 1989 indie film blending episodic storytelling with black-and-white 16mm cinematography, reminiscent of early Jim Jarmusch. Following Ramona's erratic journey to corral a band, it weaves mockumentary elements into a pseudo-narrative, emphasizing music and absurdity over realism.
Video: 71
The video presentation of "Roadkill" on Blu-ray is a treat for enthusiasts of low-budget indie cinema, capturing the gritty essence of its black-and-white 16mm cinematography. The film has been meticulously scanned and restored in 4K from the 35mm fine-grain master positive, preserving the cinematic integrity while enhancing the visuals to contemporary standards. The AVC encoded image, with its 1.37:1 aspect ratio, maintains an appreciable balance between whites and pitch-black tones, marrying clarity with the film's inherent graininess.
Detail preservation throughout the restoration is impressive. Interiors are well-captured, offering considerable depth, while exteriors display commendable dimensionality, particularly in rural settings. The visual narrative benefits significantly from the evident clarity in character appearances and clothing textures, allowing viewers to engage deeply with each scene. Despite some jumpy splices in the source material, which are a testament to the film's original low-budget constraints, these do not detract from the overall immersive viewing experience.
The transfer does justice to Miroslaw Baszak’s cinematography, known for its appropriately grimy aesthetics reminiscent of the 80s and 90s independent film style. This nuanced approach harks back to the likes of Jim Jarmusch's work, exuding a remarkable polish that's unmistakably distinct. Both interior and exterior shots are equally striking, boasting bright whites and true black depths that underline Baszak’s expertise in crafting wintery B&W scenes with an exquisite grainy finish. For fans and newcomers alike, this presentation stands as a superb visual homage to "Roadkill’s" unique cinematic art form.
Audio: 76
The DTS-HD Master Audio 2.0 stereo mix for the Blu-ray release of "Roadkill" is expertly calibrated to emphasize the film’s inherent tonal qualities. This mix retains a sense of authenticity, honoring the original design without resorting to unnecessary enhancements such as a 5.1 upgrade. Dialogue is impeccably clear, capturing the subtleties of accents and performance choices, ensuring they remain prominent amidst the sonic landscape. While a few soundtrack tracks exhibit slight aging, the overall auditory atmosphere is enriched with scenic details that maintain engagement.
"Roadkill" thrives through a purely front-stage auditory presentation, where the interplay between sound effects and music score strategically activates across the stereo channels. Traffic noises seamlessly glide from one speaker to another, creating dynamic movement across the front stage, while Nash the Slash’s score similarly utilizes playful interaction between channels, culminating in vibrant bursts of sound. This directorial choice delivers a coherent and immersive experience, reinforcing the narrative’s context without compromising dialogue clarity, even amidst the energetic backdrop of tracks by The Ramones and Cowboy Junkies.
In summary, the audio presentation of "Roadkill" achieves a perfect balance, providing clarity for dialogue and maintaining a lively presence for both environmental noises and an eclectic soundtrack. This thoughtful design offers a faithful auditory representation of the original experience, capturing the essence of the film with an engaging front-stage stereo mix.
Extras: 86
The Blu-ray extras of "Roadkill" offer a comprehensive exploration into the film's production, capturing the unique energy of its Toronto New Wave origins. Notable features include two discerning audio commentaries: one by writer/actor Don McKellar and producer Colin Brunton, and another by film historians Paul Corupe and Jason Pichonsky, providing varied perspectives on the film’s creation. Insightful interviews highlight the contributions of key figures such as actress Valerie Buhagiar and cinematographer Miroslaw Baszak, detailing their innovative approaches and experiences on set. These interviews delve into thematic elements, like the decision to shoot in black and white despite distribution challenges, and the cultural backdrop of 1980s Toronto. A thorough discussion with director Bruce McDonald and a documentary further immerse viewers in the film's creative process, complemented by a theatrical trailer to encapsulate "Roadkill"'s enduring impact.
Extras included in this disc:
- Commentary #1: Featuring writer/actor Don McKellar and producer Colin Brunton.
- Commentary #2: Featuring film historians Paul Corupe and Jason Pichonsky.
- Rebel Cinema: Interview with Don McKellar.
- Ready for the Ride: Interview with Valerie Buhagiar.
- Rock n' Road: Interview with Colin Brunton.
- Lyrical Surrealism: Interview with cinematographer Miroslaw Baszak.
- Interview: Discussion with director Bruce McDonald.
- On Screen!: Documentary about the making of Roadkill.
- Theatrical Trailer: Promotional video.
Movie: 56
Roadkill, directed by Bruce McDonald, is a quintessential piece of late 1980s Canadian indie cinema. It follows Ramona (Valerie Buhagiar), a record intern thrust into a mission to locate a wayward band, Children of Paradise, who have vanished mid-tour around Ontario. McDonald's debut film navigates the landscape with a budget-conscious, quirky charm, prioritizing the journey over the destination. An intriguing mix of pseudo-documentary and episodic storytelling, it finds its identity in its rough aesthetic. Shot on black and white 16mm, the film echoes early works of Jim Jarmusch and injects a distinctive Canadian punk flair, reminiscent of Richard Linklater’s Slacker.
The narrative centers on a diverse array of characters Ramona encounters, each contributing to her surreal voyage. Notably, she crosses paths with Bruce, a director seeking inspiration for his documentary, and Russel, an aspiring serial killer. These interactions highlight the film's absurdity and episodic nature. Roadkill cleverly blurs narrative boundaries, effortlessly transitioning between mockumentary and narrative styles, often dipping into musical montages that feel like standalone vignettes—a stylistic predecessor to the music-driven films of the '90s like The Crow. Despite its apparent chaos, there’s an underlying commentary on societal norms versus artistic freedom.
Essentially, Roadkill is not concerned with realism. It’s an avant-garde ride that celebrates music and the counterculture ethos it encapsulates. With its presentation in 1080p high-definition from a 4K scan and a 2.0 DTS HD-MA stereo audio mix, the Blu-ray offers enthusiasts a deep dive into this peculiar gem. Its bonus content, including insightful interviews, enriches understanding of its cultural significance. Roadkill delivers an experience as much about subverting expectations as it is about embracing its inherent capriciousness.
Total: 74
"Roadkill" is both an engaging homage to a bygone era and an audacious deviation from conventional storytelling. Its narrative, while initially well-directed by McDonald and McKellar, eventually meanders into aimlessness, diminishing the allure of its premise. Despite this narrative drift, the film effectively captures the vibrant essence of Canadian locales and the gritty authenticity of the music industry, providing a rich cultural backdrop. The characters, although veering into whimsy at times, offer sufficient early momentum to engage audiences before the storyline unravels.
The Blu-ray release significantly enhances the film’s appeal with its impressive audio and visual fidelity. Viewers will appreciate the stellar quality of the transfer, which preserves the film’s aesthetic integrity, allowing the atmospheric settings and dynamic performances to shine vividly. Accompanying this are an array of high-quality special features that invite deeper exploration into the film's rebellious spirit and production nuances. These extras are a treasure trove for aficionados, enhancing the overall value of the Blu-ray edition.
In conclusion, while "Roadkill" may falter in delivering a cohesive narrative arc, the strengths in its portrayal of a distinct cultural milieu and auditory appeal are undeniable. The Blu-ray release amplifies these elements with top-tier technical execution and abundant supplementary content, making it a compelling purchase for those intrigued by its unique artistry. Highly recommended for fans seeking nostalgia with a touch of madness.
Blu-ray.com review by Brian OrndorfRead review here
Video: 70
The viewing experience retains the low-budget indie vibe of "Roadkill," which encounters various technical limitations along the way....
Audio: 80
...
Extras: 100
"Ready for the Ride" (23:23, HD) is a video conference interview with actress Valerie Buhagiar, who acquired a taste for theater while working with puppets, developing her interests in college and after....
Movie: 60
Laughs aren't present in "Roadkill," but there's a certain rough energy to the picture that's appealing, while the film itself achieves small-scale goals with decent black and white cinematography and...
Total: 80
"Roadkill" peters out, but at least it starts off somewhat strong, with McDonald and McKellar creating a defined dramatic goal for the main character, and there's appreciation for Canadian locations and...
High-Def DigestRead review here
Video: 80
I may be biased, but I’m a big fan of this particular film look: The low-budget B&W 16mm aesthetic from the 80s and 90s, setting the stage for Kevin Smiths Clerks and Chasing Amy....
Audio: 80
The front stage is, indeed, plenty playful and you’ll hear traffic noise or the whooshing of cars travel along the front speakers, from one channel to the other....
Extras: 80
The features provide context for what has been later referred to as the Toronto New Wave, including the works of other filmmakers like Atom Egoyan....
Movie: 60
The Children of Paradise, the band that she’s been tasked with finding, function more as a MacGuffin for the plot than anything else, to motivate the action into place....
Total: 80
Roadkill is a rockin’ tribute to a specific time and place with an F-you attitude to the conventions of filmmaking narrative....
Director: Bruce McDonald
Actors: Valerie Buhagiar, Gerry Quigley, Larry Hudson
PlotA struggling band has gone missing while touring across Northern Ontario, sending their frustrated manager into disarray. To resolve the situation, she enlists Ramona, a reserved but determined young woman working at the music company. Tasked with traveling to remote locations and retrieving the band, Ramona sets off on a solo road trip filled with quirky encounters. Along the journey, the striking landscapes contrast with the melancholy roads she travels. Her only companion is a borrowed car, and her journey is frequently sidetracked by unusual characters, including a charming hitchhiker, an eccentric concert promoter, and a philosophical gravedigger.
As Ramona navigates through these encounters, she gradually transforms from hesitant and uncertain to someone finding her own voice. Irony and humor arise as she juggles between reality and the surreal experiences of life on the road. Despite her inexperience, Ramona’s determination and ingenuity help her inch closer to finding the elusive band. While burdened by unexpected setbacks and strange situations, she begins questioning her motivations and aspirations, discovering more about herself along this unpredictable path. What initially seemed just a job gradually evolves into a personal odyssey, challenging her perspectives and pushing her beyond her comfort zones. Through this curious and introspective journey, she finds herself at a crossroads between duty and self-discovery.
Writers: Bruce McDonald, Don McKellar
Release Date: 09 Aug 1990
Runtime: 85 min
Rating: N/A
Country: Canada
Language: English