Inferno Blu-ray Review
Score: 54
from 3 reviewers
Review Date:
Inferno's Blu-ray offers significant visual and audio improvements, capturing Argento's unique horror style despite narrative flaws and underwhelming performances.
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Disc Release Date
DTS-HD MA
Video: 56
Inferno's Blu-ray boasts a remarkable 1080p AVC transfer with robust color reproduction and intricate detail. Restored from the original negative, it delivers a vivid and film-like image with minimal age-related artifacts. The transfer respects Argento's vision, offering rich textures, deep blacks, and excellent contrast.
Audio: 56
The DTS-HD MA 7.1 lossless track on 'Inferno' offers a slightly improved yet front-heavy sound experience, with enhanced effects such as thunder and rain, well-prioritized dialogue, and expansive musical cues. While not reaching modern mix precision, it showcases notable depth and clarity for a vintage sound design.
Extra: 40
Blue Underground's Inferno Blu-ray offers an engaging mix of new and archival extras, including in-depth interviews with star Leigh McCloskey and actress Irene Miracle, an insightful discussion with Dario Argento and Lamberto Bava, and a rare theatrical trailer, albeit with fewer features compared to Arrow's edition.
Movie: 67
Inferno's Blu-ray from Blue Underground boasts a nearly flawless AV transfer with superior image quality devoid of DNR, and a 7.1 mix slightly more involving than Arrow's 5.1, although it lacks extensive extras. While not matching the narrative prowess of Suspiria, its visual artistry and atmosphere make it a mesmerizing sequel for Argento fans.
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Video: 56
Blue Underground’s Blu-ray transfer of "Inferno" is an impressive upgrade, showcasing meticulous attention to both visual fidelity and film preservation. Presented in 1080p high definition via AVC MPEG-4 encoding (1.85:1), the image effectively captures the dreamlike aesthetic that Dario Argento’s films are known for. Restored from the original negative, the transfer displays a consistent, unobtrusive layer of grain that imparts a pleasing cinematic texture. The contrast is finely tuned, rendering bright whites and deep blacks with excellent shadow delineation. Colors are a standout aspect, with primaries exhibiting radiant saturation and secondary hues appearing stable and clean. This vibrant palette vividly conveys Argento’s bold and sometimes surreal lighting choices.
The level of detail achieved in this transfer is remarkable, highlighting everything from fine lines and skin textures to intricate environmental details. Notable sequences—including the opening shots of the book of Varelli—showcase an extraordinary clarity, with fine details such as scars and textures on surfaces coming through crisply. However, age-related weaknesses are apparent in certain scenes exhibiting slight softness and some minor background noise, but these do not detract significantly from the overall quality.
Blue Underground’s release skillfully handles Argento’s unique visual style, from its lush midnight blues and theatrical gore to its richly detailed darker scenes. The grain alternations in specific shots—like those on the staircases—add to the atmosphere without causing significant distraction. Despite minor shortcomings, like occasional speckles and slight banding, this transfer remains faithful to the film's vintage look while modernizing it for high-definition viewing, ensuring a satisfying experience for both purists and general enthusiasts.
Audio: 56
Blue Underground's audio presentation for "Inferno" features multiple track options, including English Dolby Surround and Italian mono, but it is the English DTS-HD MA 7.1 that stands out most significantly. This lossless track marginally improves on previous 5.1 versions, offering a more aggressive and dynamic soundscape. While it might not reach the levels of modern sound mixes, it provides impressive depth, range, and steerage. Specifically, the sunken room sequence exemplifies the track’s prowess with full surround usage, detailed bubbling, and underwater effects contributing to a vibrant aural environment. Despite some subtle ambient effects like whispered voices and cat hisses primarily enriching the rear soundfield, surround usage remains understated, effectively enhancing Emerson's score which commands attention with its clarity and power.
In contrast, some reviewers note limitations in the soundstage's spatiality and depth, describing an overall mushiness affecting music, dialogue, and sound effects. The track retains a center-focused nature with minimal spread across front channels. Certain effects like underwater scenes or fire lack impactful pressure and energy, leading to indistinct bass and high-pitched screams lacking realism. Nevertheless, dialogue maintains crispness through the center channel. Given the source material’s age, this mix represents its finest home video presentation yet.
Overall, Blue Underground delivers commendable work with "Inferno's" 7.1 track despite the inherent constraints of its vintage sound design. The audio remains predominantly front-heavy but boasts well-prioritized vocals and sharp detail in minor effects. While low bass levels might not impress audiophiles, the track succeeds in creating a compelling soundstage with subtle ambient cues enhancing fidelity and dynamic range where needed. Fans of Argento's work will appreciate this faithful, invigorated audio experience.
Extras: 40
The Blu-ray extras for "Inferno" from Blue Underground offer an insightful blend of new and archival content. While the collection may not be as extensive as some other editions, the featurettes deliver engaging and detailed accounts from key cast and crew members. Highlights include Leigh McCloskey's engaging "Art & Alchemy" interview, sharing his career experiences and his intriguing artwork inspired by the film. Irene Miracle's "Reflections of Rose" provides a compelling look back at her time on set, detailing significant personal and professional anecdotes. Additionally, there are interviews with director Dario Argento and assistant director Lamberto Bava, offering a glimpse into the film's visual design and production nuances. The package rounds out with a theatrical trailer and a brief intro from Argento.
Extras included in this disc:
- Art & Alchemy: Interview with Leigh McCloskey discussing his career and artwork.
- Reflections of Rose: Irene Miracle reflects on her acting career and work on "Inferno".
- Interview with Argento and Bava: Discussion on film’s visual design and production.
- Inferno Theatrical Trailer: The rarely seen preview for the film.
- Intro by Argento: A brief message from the director.
Movie: 67
Dario Argento’s "Inferno" stands as a compelling sequel to his mesmerizing "Suspiria," capturing the director's signature flair for atmospheric horror and unsettling visual storytelling. The narrative centers on Rose Elliot (Irene Miracle), who stumbles upon a dark secret through an ancient Latin book titled "The Three Mothers." As she digs deeper, her brother Mark (Leigh McCloskey) joins her harrowing journey, revealing hidden terrors that challenge their grasp on reality. Though the film's pacing can be erratic and some performances lack dynamism, Argento masterfully interweaves tension and ambiance, making up for these shortcomings through meticulous set designs, shadows, and vivid color palettes. This creates a deeply eerie and immersive experience that heightens the film’s sense of dread.
Technically, "Inferno" showcases Argento’s adept use of lighting and intricate camerawork, often evoking a dream-like quality that underscores the supernatural themes. While the plot is somewhat straightforward, much of its mystery is revealed early on, which may diminish suspense for some viewers. However, the film compensates by presenting visually stunning sequences, notably the underwater ballroom scene directed by Mario Bava. The use of vibrant primary colors and innovative optical effects lend a phantasmagoric quality to the macabre elements of the story, elevating gruesome deaths to almost artistic spectacles. The soundtrack by Keith Emerson, with its techno-electronic underpinnings, effectively complements the eerie visuals, further immersing audiences in Argento’s chilling world.
"Inferno" may not achieve the relentless drive of "Suspiria," but it is a quintessential Argento piece—rich in atmosphere, steeped in visual mastery, and unflinchingly mystical. Though the acting can be stilted and the narrative logic occasionally perplexing, fans of Argento are likely to appreciate the film’s unique aesthetic and sensory immersion. This release boasts a superior AV transfer, offering a film-like quality that enhances the viewing experience, making it an indispensable addition for horror aficionados seeking both style and substance.
Total: 54
Inferno, while not Dario Argento's magnum opus, remains a compelling showcase of his distinct vision and stylistic prowess. The film suffers from some stiff acting, a sometimes sluggish pace, and an information overload early on, yet these issues do not significantly detract from its overall appeal. For enthusiasts of moody, atmospheric horror, Inferno delivers an experience that is both eerie and deeply unsettling. Mario Bava's vibrant production design shines through, offering a visually rich backdrop that contrasts starkly with the film's graphic violence and gore.
Blue Underground's Blu-ray release of this 1980 horror classic presents a substantial improvement over previous editions, providing an upper-level 1080p transfer that significantly enhances the visual experience. The lossless audio track, while not extraordinary, complements the visuals adequately, helping to immerse viewers in Argento's nightmarish universe. However, the supplementary materials included in the package are somewhat lacking in breadth and intrigue, potentially disappointing those expecting more extensive behind-the-scenes content.
In conclusion, Inferno may not reach the heights of Argento's most acclaimed works but stands as a solid entry in his filmography and 'The Three Mothers Trilogy.' Its flaws are overshadowed by its atmospheric depth and stylistic flair. Blue Underground's Blu-ray edition is a commendable upgrade for established fans and a worthy addition to any horror aficionado's collection. For newcomers to Argento's oeuvre, renting before buying might be advisable to gauge appreciation for his unique cinematic approach.
avforums review by Chris McEneanyRead review here
Video: 80
Fine lines and hairs are definitely on show, making you realise that the soft pinkish hue that engulfs most of the skin-tones is actually much more associated with the makeup scheme, the lighting and the...
Audio: 80
It doesn't at all bad, you understand, but there is a noticeable difference in the size and timbre of the presentation that naturally reflects the positioning of the on-screen speakers....
Extras: 40
Of particular interest is the manner in which her bout with a terrible virus just before shooting began convinced Argento that she was actually dying ... and forced him to dramatically rewrite the film...
Movie: 70
This edition of Inferno may not have the all-round value for money of Arrow's, but it still offers an excellent, and very possibly superior AV transfer that eclipses almost all that have come before it,...
Total: 70
Blu-ray.com review by Martin LiebmanRead review here
Video: 80
Sure there are a few missteps -- very slight banding in one scene, a handful of non-distracting white speckles in spots, a bit of background noise -- but this is generally a rich, crisp, and classy Blu-ray...
Audio: 60
There's certainly nowhere near as much space or precision compared to more modern mixes, but then again this is a limited, decades-old track that's probably enjoying its finest overall presentation in...
Extras: 50
Interview with Writer/Director Dario Argento and Assistant Director Lamberto Bava (480p, 8:20, Italian with English subtitles)....
Movie: 80
The Italian director, whose credits include Suspiria, Opera, The Stendhal Syndrome, and The Bird With the Crystal Plumage, is an acknowledged maestro of all things terrifying, his films built around a...
Total: 70
Some stiff acting, a sometimes meandering and sluggish pace, and a bit too much information provided too fast and too early in the film may bring it down a notch, but these are certainly not deal-breaking...
High-Def DigestRead review here
Video: 60
The only drawbacks are age-related issues, such as poor resolution and softness in a few scenes, but overall, the picture looks terrific, with a vibrant and dramatic color palette that steals the show....
Audio: 80
There are some subtle ambient effects which move into the rears, like thunder or rain, which nicely enhance the soundfield and create a wider, attractive image....
Extras: 40
Reflections of Rose (HD, 14 min) — Another interview made exclusively for the company shows Irene Miracle reminiscing on her acting career and her experience working with the Italian horror director....
Movie: 60
The plot is also intended to explain and expand on the first movie, naming the witch Suzy Bannion confronted and alluding to a third entry that was never made until 2007, called 'The Mother of Tears.'...
Total: 60
Dario Argento's highly stylized sequel to 'Suspiria' is a graphic display of violence and gore handled in an unusual fashion, but one that's strangely appealing....
Director: Dario Argento
Actors: Leigh McCloskey, Irene Miracle, Eleonora Giorgi
PlotIn New York City, a young poet named Rose Elliot buys an old book titled "The Three Mothers," which suggests that three evil sisters rule the world with sorcery and pain. As Rose delves into the book's grim secrets, she suspects that her apartment building may be home to one of these evil entities, Mater Tenebrarum. She sends a letter to her brother Mark, a music student in Rome, urging him to visit her immediately. Mark becomes consumed by concern after reading Rose's message and decides to travel to New York. Before he leaves, he witnesses an unsettling series of events involving a mysterious woman during one of his classes.
Meanwhile, Rose continues to unravel the chilling mysteries of her building, encountering bizarre and terrifying manifestations. Other residents, including Rose’s neighbor Elise and a crippled scholar named Kazanian, also begin to experience strange occurrences. As Mark arrives in New York and starts his own investigation into his sister's disappearance, he discovers hidden passages and ancient secrets, confronting unimaginable horrors along the way. The more he uncovers, the deeper he sinks into a world dominated by dark, supernatural forces.
Writers: Dario Argento, Dardano Sacchetti, Thomas De Quincey
Release Date: 02 Apr 1980
Runtime: 106 min
Rating: R
Country: Italy
Language: Italian, Latin