My Man Godfrey Blu-ray Review

Kino Lorber's Blu-ray presentation of "My Man Godfrey" is a noteworthy addition to any classic film aficionado's collection. Presented in an aspect ratio of 2.35:1 and encoded with MPEG-4 AVC, this 1080p transfer benefits from a new 2K master derived from an interpositive. While the transfer is generally praised for its enhancement of clarity, depth, and sharpness, it isn't devoid of minor imperfections. The presence of subtle white specks and occasional color stability issues are observable but don't detract significantly from the overall visual experience. Notably, density fluctuations exist before and after scene transitions, but these are inherent to the original cinematography rather than flaws of the digital transfer.

The high-definition master stands apart with its vivid Pathé color and faithful rendering of the Cinemascope theatrical ratio of 2.35:1. Compared to previous home video versions, viewers will notice significant improvements in image clarity, allowing for appreciation of studio waterfront sets and other intricate production details. Unfortunately, some remnants of dust and debris persist, slightly marring what could have been a pristine presentation. Nonetheless, these minor distractions are overshadowed by the otherwise sharp and precise reproduction of visuals, capturing even the film’s stunt work with admirable detail. Viewers must note that this release is Region-A locked, requiring compatible playback hardware for access. Overall, the video presentation scores a commendable 4.25 out of 5.

The Blu-ray release of "My Man Godfrey" features an English DTS-HD Master Audio 2.0 mono track that offers a reliable auditory experience. The dialogue is consistently clear and easy to follow, maintaining a solid presence without succumbing to any significant age-induced anomalies. A few segments exhibit minor unevenness, but these instances are not distracting enough to require immediate corrective action. Given the audio's current state, any potential future remastering efforts may yield only marginal improvements.

This Blu-ray adheres to the original CinemaScope (2.35:1) aspect ratio, capturing the essence of Universal-International's historical presentations. While the audio mix may not reach the exemplary standards set by recent restorations of other 1950s films, it successfully merges Frank Skinner’s background score with dialogue and sound effects into a cohesive track. Notably, there’s an absence of hiss, crackle, pops, or flutter, allowing for an uninterrupted viewing experience.

For those needing additional accessibility, optional English SDH subtitles are available and positioned within the image frame. The entire audio presentation remains true to its time, balancing technical integrity with period-appropriate fidelity. Although the DTS-HD Master Audio execution is straightforward, it effectively underscores the film’s nostalgic charm while meeting professional archival standards.

The Blu-ray extras of "My Man Godfrey" are both informative and enlightening, offering insights into the film's production and historical context. The audio commentary by Simon Abrams is particularly noteworthy for its thorough analysis and engaging exploration of the film, comparing it to its original story and the 1936 version. Abrams provides intriguing anecdotes and references, adding depth to the understanding of Henry Koster's direction. The vintage theatrical trailer is presented in English, offering a nostalgic glimpse into the movie's original promotional strategy. These extras enrich the viewing experience, making them a valuable addition for film enthusiasts and scholars alike.

Extras included in this disc:

• Audio Commentary: Critic Simon Abrams provides detailed analysis and engaging anecdotes comparing the film to earlier versions.
• Theatrical Trailer: A vintage trailer in English, showcasing the film's original promotional style.
• Kino Trailers: A collection of classic trailers including titles like Bedtime Story and Death on the Nile.

Henry Koster's 1957 adaptation of "My Man Godfrey" presents a notable divergence from Gregory La Cava's 1936 classic. Despite both films drawing inspiration from Eric Hatch's novel "1101 Park Avenue," Koster's version crafts a distinct narrative that departs significantly in tone and thematic intent. While the original film delivered biting social criticism pertinent to the Great Depression-era context, the remake struggles with its timing amidst the 1950s economic prosperity. The remake introduces alterations that impact character dynamics; June Allyson's portrayal of Irene as a spoiled teenager shifts focus away from the social critique and adds a layer of drama that feels more contrived than impactful. David Niven's performance as Godfrey offers some redeeming qualities, yet lacks the electric chemistry necessary for a convincing romantic comedy.

The technical mastery of the film, led by director Henry Koster and cinematographer Oscar-winner William Daniels, is commendable. The Cinemascope format is skillfully employed, with Koster demonstrating proficiency in staging action across the wide frame, enhancing the film's visual appeal despite the muted comedic mise-en-scène compared to La Cava's approach. However, essential narrative elements feel rushed; key sequences resolve conflicts too quickly, undermining the emotional depth needed for audience engagement. The Everett Freeman-Peter Bermeis-William Bowers screenplay, while grounded in Hatch's original narrative, lacks the vibrant socio-economic contrast essential to elevate the story beyond a superficial romantic endeavor.

Supporting performances provide moments of levity and character-driven humor, with Jessie Royce Landis shining as the eccentric matriarch and Richard Deacon delivering a memorable cameo. However, Allyson's overwhelming presence disrupts character development, affecting overall coherence. Despite these challenges, "My Man Godfrey" manages to retain a lighthearted charm, offering an entertaining yet flawed cinematic experience that never quite matches the original’s impact or wit.

Kino Lorber's Blu-ray release of Henry Koster’s 1957 remake of "My Man Godfrey" provides a technically commendable presentation, despite the film itself lacking the vibrancy and charm of its 1936 predecessor. The Blu-ray is presented in its original CinemaScope 2.35:1 aspect ratio — typical of Universal-International titles from the period. The image benefits from a solid new 2K master that renders a generally good visual experience. However, while the remaster is an improvement, it does not match the sharpness and color depth seen in some other releases from the era.

The audio is presented in mono, enhanced with DTS-HD Master Audio, ensuring clear dialog and sound quality that upholds the period's standards. Optional English subtitles provide additional support for those who require them. While the technical specifications of the Blu-ray elevate the overall viewing experience, the film itself, unfortunately, exhibits sterile and superficial elements, overshadowing the original's screwball essence and satirical edge. June Allyson's performance, in particular, seems to be a point of contention and may have affected the film’s dramatic impact.

In conclusion, while "My Man Godfrey" (1957) might not reach the heights of Gregory La Cava's original, it still holds entertainment value when viewed with tempered expectations, especially late at night. Kino Lorber’s physical release showcases Koster’s work at its best possible quality. Fans of the era or the stars will find value in this rendition despite its narrative shortcomings. For the Blu-ray offerings alone, this edition comes recommended.