Comin' at Ya! Blu-ray Review

The Blu-ray release of "Comin' at Ya!" by MVD Visual is presented in an aspect ratio of 2.55:1, encoded with MPEG-4 AVC, and features a 1080p transfer sourced from a new 4K master. Both 2D and 3D versions are included, having been restored under the supervision of Tony Anthony and Tom Stern. The restoration efforts have yielded mixed results: the film showcases pleasing depth and vibrant colors in 2D, with exceptional primary color pops and good retention of film grain, offering a natural and detailed image. However, the source material shows its age through traces of fading, discoloration, and debris, despite efforts to rebalance the image. There are density fluctuations and some awkward movement of grain, affecting the overall consistency.

In terms of the 3D presentation, it displays impressive depth and engaging foreground pops that make the most of the film’s original 3D design. Notable are the sequences where objects convincingly project out of the screen, providing an immersive viewing experience. However, limitations inherent to the filming technology at the time, such as flatness during darker scenes and occasional contrast inconsistencies, become apparent. Ghosting issues are frequent when objects are too close to the camera, creating a blurred double-image effect that can detract from the experience. Despite these issues, the 3D elements are primarily very entertaining and visually striking.

Overall, while not without flaws, the restoration brings "Comin' at Ya!" forward with a vibrant and organic appearance in 2D and an effective, if somewhat inconsistent, 3D presentation. This Region-Free Blu-ray release makes it accessible to audiences worldwide, ensuring fans can enjoy this classic with a balanced appreciation of its technical achievements and limitations.

The Blu-ray release of "Comin' At Ya!" features both an English DTS-HD Master Audio 2.0 track and an English DTS-HD Master Audio 5.1 track. While both tracks perform admirably, the differences between them are marginal. Clarity is a strong point for both tracks, ensuring that dialogue is crisp and intelligible. Sound effects are well positioned in the mix, creating a distinct atmosphere that enhances the viewing experience as objects come flying towards the audience. However, minor fluctuations in depth and occasional light pops were noted in the 2.0 track, though these are not significant enough to detract from overall enjoyment.

The newly created 5.1 track offers a slightly improved dynamic range and marginally better separation in specific sequences, such as during the flaming arrow fight scene. This mix provides a bit more spatial imaging and adds dimension to the film’s soundscape, albeit not substantially more so than the 2.0 track. Carlos Savina's score resonates beautifully without overpowering any scenes, maintaining perfect balance with dialogue and sound effects. Levels are appropriately managed, allowing quieter moments their necessary subtlety while ensuring that action sequences, notably the explosions, have the impact they deserve.

There are no background hisses or distortions in either track, contributing to a clean sound experience. While the 5.1 track may hold a slight edge in terms of space and detail, both audio presentations are quite effective and faithful to the film’s original sound design. The lack of optional English SDH subtitles may disappoint some viewers but does not diminish the overall robust audio quality offered in this Blu-ray release.

The Blu-ray extras for "Comin' at Ya!" offer a well-curated selection that enriches the viewing experience. The Promo Piece serves as an engaging collection of highlights from the film, presented in English with a dynamic musical score that enhances the footage. It offers viewers a six-minute rollercoaster of key scenes and action sequences without subtitles, making it accessible to a broad audience. The original Trailer runs for about two minutes, providing a nostalgic and concise glimpse into the film’s diverse cinematic elements. This high-definition segment effectively captures the film's essence and energy, topped off with enthralling visual snippets. These inclusions are noteworthy for their quality and succinct presentation, adding value for collectors and aficionados alike.

Extras included in this disc:

• Promo Piece: A collection of highlights from the film in English with music.
• Trailer: Original two-minute trailer for "Comin' at Ya!".

“Comin' at Ya!” (1981) directed by Ferdinando Baldi, now available on Blu-ray from MVD Visual, is a spirited revival of spaghetti westerns with a significant twist – it aims to immerse the viewer in an extravagant 3D experience. The film follows the tumultuous journey of former bank robber H.H. Hart (Tony Anthony) who embarks on a quest for revenge and rescue after his bride, Abilene (Victoria Abril), is brutally kidnapped by the villainous Pike and Polk (Gene Quintano and Ricardo Palacios).

The plot centers around Hart's relentless pursuit, marked by intense, over-the-top shootouts and a chilling torture scene. This violence is underscored by elaborate 3D effects, which feature almost every shot designed to make objects leap off the screen, from flaming arrows to bats. While some 3D sequences reveal the technology's limitations – such as exaggerated color enhancements – these quirks lend nostalgia to the film’s period-specific ambiance. The story, although somewhat straightforward, effectively latches onto the primal theme of revenge intertwined with rescuing a loved one, making for an engaging storyline bolstered by strong performances.

Despite some minor flaws like abrupt transitions in panoramic footage, “Comin' at Ya!” successfully delivers a high-energy spectacle that marries visual innovation with genre traditions. The cast brings commendable vigor to their roles; Tony Anthony’s charisma shines through his portrayal of Hart, while Quintano and Palacios render noteworthy performances as the notorious brothers. The soundtrack, composed by Carlo Savina, channels the lush themes akin to Ennio Morricone, augmenting the film's dynamic feel. Overall, "Comin' at Ya!" thrives as a vividly adventurous film that exemplifies 1980s cinema's experimental zest in employing 3D technology within a classic western narrative framework.

'Comin' At Ya!' is a visually intriguing western from Italian director Ferdinando Baldi that leverages 3D technology to enhance its cinematic experience. While contemporary viewers might find the 3D effects modest by today's standards, they still significantly contribute to the film's engaging atmosphere. The Blu-ray release benefits from a new 4K master and supervision by Tony Anthony and Tom Stern. Despite the potential for a sharper high-definition presentation, the current technical performance is commendable. This release undeniably retains the film's unique charm and entertains its audience effectively.

Watching 'Comin' At Ya!' in 3D is undeniably the optimal way to experience the film. The added depth of the imagery intensifies the visual enjoyment, though it is worth noting that viewing it in 2D still offers substantial entertainment. The Blu-ray edition from MVD Visual delivers a robust yet imperfect 2D/3D presentation; the limitations of the 1980s technology manifest as occasional ghosting issues. Nevertheless, the audio stands out, providing an immersive and dynamic soundscape that enhances the viewing experience. However, extras on the disc are minimal, limited to promos and trailers, which might be disappointing for some collectors.

In conclusion, 'Comin' At Ya!' on Blu-ray makes for a captivating watch, particularly for enthusiasts of 3D cinema. While not free from its technical imperfections, the film's overall presentation is solid and provides a nostalgic journey to the early days of 3D filmmaking. This release comes recommended for its historical value and nostalgic appeal, albeit with a nod to its niche audience.