American Graffiti Blu-ray Review
Special Edition
Score: 57
from 3 reviewers
Review Date:
Despite nostalgic charm and strong audio fidelity, the Blu-ray release of 'American Graffiti' suffers from overzealous edge enhancement, making the video transfer lackluster.
Disc Release Date
DTS-HD MA
Video: 48
Universal's 1080p/VC-1 transfer of 'American Graffiti' suffers from significant edge enhancement and noise reduction, manifesting as visible halos, ringing, and smearing which detract from an otherwise clean presentation. Despite bold period colors and reasonable grain, issues like occasional softness, muted black levels, and heavy DNR significantly diminish its visual impact.
Audio: 58
The DTS-HD Master Audio 2.0 mix on the Blu-ray is authentic to Lucas's vision, preserving the ahead-of-its-time sound design with discernible dialogue and distinct effects. Despite occasional depth issues and moments needing sweetening, the nostalgic audio presentation remains pleasing and true to the film's essence.
Extra: 63
The Blu-ray extras for 'American Graffiti' provide a well-rounded package, highlighted by a candid 78-minute documentary, insightful video commentary with George Lucas, detailed music pop-ups, extensive screen tests, and the original theatrical trailer. While not all features are in HD, the collection is comprehensive and engaging for fans.
Movie: 77
American Graffiti, Lucas' first commercial success, captures '60s nostalgia with authentic music and décor, despite its episodic narrative and uneven acting. The film's spontaneous direction mirrors the carefree era it depicts, while iconic period songs and settings evoke vivid cultural memories.
Video: 48
The Blu-ray rendition of "American Graffiti" is notable for its missed potential largely due to technical missteps. The 1080p/VC-1 transfer, while clean and devoid of severe artifacts like banding or aliasing, falters under the weight of aggressive noise reduction (DNR) and edge enhancement (EE). Persistent halos, ringing, and a lack of fine detail mar what could be an outstanding high-definition presentation. Despite Jan D'Alquen and Ron Eveslage's evocative, albeit dark and nuanced, cinematography, the image suffers frequently from muted black levels and a lack of texture. Colors retain Lucas’s early '60s palette, displaying bold period colors with somewhat lifelike skin tones, though they occasionally veer into muddiness.
Further compounding the problems are inconsistent detail levels and frequent crush, with elements such as hair often disappearing mid-shot. Noise, while minor, combined with random bouts of softness, diminishes overall clarity. Skin tones frequently appear red and over-saturated, and mid-scene color sap further flattens the image. Edge enhancement is prevalent and strong, contributing to an artificially smoothed look devoid of texture transitions. This smearing effect detracts significantly from the viewing experience, as clothing and other details appear slathered in unappealing gunk.
In summation, this Blu-ray presentation of "American Graffiti" offers a somewhat faithful but flawed visual experience. It avoids severe artifacts but suffers critically from overzealous DNR and EE applications, ultimately falling short of its potential quality.
Audio: 58
The audio presentation of "American Graffiti" on Blu-ray features a DTS-HD Master Audio 2.0 mix that preserves the film's authentic aesthetic. While it may lack the depth and immersive experience typically associated with modern 5.1 surround tracks, it remains true to George Lucas’s original sound design. This two-channel track delivers clear and intelligible dialogue and distinct, though somewhat thin, sound effects. The absence of low-frequency effects (LFE) and rear speaker support might be a letdown for some, but it allows the film's groundbreaking, shot-from-the-hip American Zoetrope aesthetic to shine through without compromising its historical significance.
The option of an English 2.0 DTS-HD track captures the essence of the movie’s soundtrack, encapsulating the viewer with a wall of sound in scenes featuring distant radio play. This approach maintains the integrity of the original elements and ensures the music, a pivotal aspect of "American Graffiti," is experienced as intended by Lucas. However, there are noticeable limitations such as suboptimal separation and occasional inconsistencies in sound clarity. Additionally, the film’s age shows in this mix, but it's treated respectfully, making it a pleasing if not remarkable listening experience. Three subtitle options—English SDH, Spanish, and French—are also included, enhancing accessibility.
Extras: 63
The Blu-ray release of "American Graffiti" offers an engaging array of extras that enhance the viewing experience, though not all are presented in HD. The highlights include a 78-minute documentary, "The Making of American Graffiti," which provides an in-depth look at the film's production, complete with candid interviews from George Lucas and key crew members. Fans will appreciate the U-Control video commentary featuring George Lucas, although the PiP elements could be more comprehensive. The pop-up feature "The Music of American Graffiti" adds context to the film's iconic soundtrack but cannot be used simultaneously with the commentary track. Also included are original screen tests with notable cast members, and a theatrical trailer, rounding out a solid set of extras.
Extras included in this disc:
- U-Control Video Commentary: George Lucas discusses the film and production anecdotes.
- The Music of American Graffiti: Pop-up windows reveal details about the soundtrack.
- The Making of American Graffiti: A seven-part documentary with cast and crew insights.
- Screen Tests: Original screen tests featuring the main actors.
- Theatrical Trailer: The original trailer in standard definition.
Movie: 77
George Lucas' "American Graffiti" captures the essence of 1960s youth culture through an episodic narrative that blends nostalgia with a hint of realism. Set in 1962 Modesto, California, the film chronicles a night in the lives of four recent high school graduates—Curt (Richard Dreyfuss), Steve (Ron Howard), John (Paul Le Mat), and Terry (Charles Martin Smith). As these characters navigate their impending adulthood against a backdrop of cruising, sock-hops, and Thunderbirds, Lucas alludes to the era's innocence being overcast by the looming socio-political changes of the '60s. Despite a production fraught with challenges, including a limited budget and tight shooting schedule, Lucas effectively utilizes a soundtrack filled exclusively with period-accurate rock-and-roll hits to anchor his semi-autobiographical film.
The film’s strength lies in its meticulous attention to detail and authentic portrayal of the era. From believable set designs to costumes and classic cars, Lucas creates a vivid and immersive depiction of '60s Americana. Despite these strengths, performances are uneven, partly due to Lucas' shooting style which often felt spontaneous and unrehearsed. While Dreyfuss and Howard shine with natural ease, others like Le Mat and Smith occasionally struggle, reflecting Lucas' admitted discomfort with the shooting process. However, the film's innovative use of music, featuring tracks from Buddy Holly, Chuck Berry, and The Platters, combined with its nuanced sound design, compensates for these inconsistencies.
"American Graffiti" exemplifies independent cinema and stands as a cultural milestone, capturing the transitional phase of American youth with both charm and poignancy. Although not without flaws, such as some contrived character interactions and an arguably unnecessary epilogue detailing the future lives of the characters, the film’s genuine nostalgic undertone and its vibrant recreation of the past make it an enduring piece of American cinema. Through his lens, Lucas crafts a narrative that is both uniquely personal yet universally relatable.
Total: 57
George Lucas's "American Graffiti" serves as a nostalgic ode to the early 1960s, capturing the essence of an era filled with cruisin' and rock 'n' roll. This film, released before Lucas's ascent with the "Star Wars" franchise, stands apart for its vivid portrayal of teenage life and culture. The Blu-ray release of "American Graffiti" presents a mixed bag. On one hand, the video transfer retains the film's charm and authenticity, but it is marred by overzealous edge enhancement that detracts from its visual appeal. The DTS-HD Master Audio stereo mix, while faithful to the original sound design, exhibits inconsistencies that might leave audiophiles wanting more.
Despite these technical shortcomings, the Blu-ray package offers a wealth of supplemental content to engage both longtime fans and newcomers. From behind-the-scenes footage to insightful interviews, there is ample material to explore the film's production and legacy. However, it does fall short of providing a comprehensive collection that some aficionados might hope for. The film's influence in ushering in the era of the “summer blockbuster” cannot be understated, as it paved the way for future cinematic ventures by Lucas and his contemporaries like Steven Spielberg.
In conclusion, "American Graffiti" is a seminal piece of cinema that holds its place in history not only for its nostalgic resonance but also for its role in shaping modern filmmaking trends. Though Universal's Blu-ray release does have its flaws, it is nonetheless a valuable addition to any film enthusiast’s collection. The package may not be perfect, but it is sufficient to allow audiences to rediscover and appreciate the beauty and simplicity of Lucas's early work. Fans of the era, as well as cinephiles in general, will find much to celebrate in revisiting this classic film.
Blu-ray.com review by Kenneth BrownRead review here
Video: 60
I can even deal with the film's occasionally muted black levels, which also lead back to the source....
Audio: 70
Yes, a meticulously remixed 5.1 surround track could potentially make the director's desired effect that much more immersive, and yes, some additional cleanup work could possibly eliminate some glaring...
Extras: 70
True fans will still enjoy hearing from an older, wiser Lucas, now in the twilight of his career, but I would save this one for last and invest your time in "The Making of American Graffiti" first and...
Movie: 70
Though Lucas, to his credit, keeps a firm grasp on the wheel and his '70s wits about him, his innovative use of music and silence, all-encompassing sound design, and flawless selection of '50s and '60s...
Total: 70
Overzealous edge enhancement hinders an otherwise impressive video transfer, its DTS-HD Master Audio stereo mix is faithful but inconsistent, and its supplemental package offers plenty of content... just...
The Digital Bits review by Tim SalmonsRead review here
Video: 95
Audio: 95
Although I would have preferred hearing the movie in the original mono, this is a good substitute....
Extras: 90
Movie: 90
Although Universal didn’t initially understand American Graffiti, going so far as removing several scenes prior to its release, the eventual success of the film proved to be lucrative....
Total: 93
While Lucas would go on to create his great space opera and Steven Spielberg would eventually make the blockbuster Jaws, I think it’s fair to say that American Graffiti helped kick the door of convention...
High-Def DigestRead review here
Video: 40
Detail levels can vanish in a flash, with more than random softness popping up all over the flick....
Audio: 60
However, separation can be a tad bit questionable at times, while the soundtrack, which is one of the film's highlights, doesn't feel all that clear at times, even if it does benefit from the random volume...
Extras: 40
From conception and struggles in development, to relating to characters and fleshing them out, casting, filming anecdotes, and remembering the experience, we get a conclusive, thorough documentary-esque...
Movie: 80
The girlfriends, love interests, rivals, thugs, disc jockeys, and police officers all become as real as the four primary characters, with that strange sense of familiarity due to implied rather than excessively...
Total: 60
In 'American Graffiti' he cast a wookiee (who later went bald and created horrible movies of his own), but this flashback to 1962 will remind you of what you did, what your parents did, or, even, what...
Director: George Lucas
Actors: Richard Dreyfuss, Ron Howard, Paul Le Mat
PlotIt's the end of summer in 1962 in the small town of Modesto, California, and a group of recent high school graduates are grappling with their upcoming transitions to adulthood. The film focuses on a handful of these teens during a single, eventful night. Curt Henderson is a smart, introspective teen facing the prospect of leaving for college in the morning, but he's uncertain about his future and is contemplating staying behind. Meanwhile, his best friend, Steve Bolander, is also supposed to depart for college with Curt, yet he's dealing with complex feelings about his relationship with his high school sweetheart, Laurie, who is also Steve’s younger sister's friend.
Elsewhere, John Milner, the quintessential hot-rodder and the perceived king of the local drag racing scene, finds his current status challenged both by outside rivals and an unexpected female companion, the young and precocious Carol. At the same time, another friend, the geeky Terry "The Toad" Fields, finds himself improbably behind the wheel of Steve's cherished car for the night, leading him into adventures that boost his confidence. The lives and stories of these four friends interweave as they cruise the strip in their cars, listen to rock 'n' roll, encounter various other townsfolk, fall in and out of love, and make choices that will define their future paths.
Writers: George Lucas, Gloria Katz, Willard Huyck
Release Date: 11 Aug 1973
Runtime: 110 min
Rating: PG
Country: United States
Language: English