Split Second Blu-ray Review

Presented in an aspect ratio of 1.85:1 and encoded with MPEG-4 AVC, "Split Second" arrives on Blu-ray courtesy of 101 Films, utilizing what is purported to be a new 4K master sourced from a 35mm internegative. Disappointingly, the video presentation does not live up to the anticipation that a 4K remaster typically generates. Despite minor enhancements in color saturation and overall color balance, the transfer fails to deliver substantial improvements in critical areas such as depth, delineation, and clarity. This becomes particularly evident in darker scenes, where background crushing and flatness persist. Close-up shots exhibit marginally tighter visuals, but the differences are negligible on larger screens.

The grain reproduction is inconsistent, often appearing murky and minimally defined, resulting in a soft, hazy image that at times, struggles to surpass the resolution quality of a standard definition or 720p format. Although contrast is effectively managed, with well-defined neon signs and deep shadows creating a pleasingly deep image, the overall fidelity lacks the high-definition punch expected from modern remasters. The clean-up process during mastering appears to have been insufficient, as distracting elements like dirt, reel markers, and small white specks remain noticeable throughout the viewing experience. The film's striking color palette, dominated by blues alongside neon pinks and reds, manages to retain its intended futuristic aesthetic but falls short of a truly immersive experience.

The Blu-ray release of "Split Second" features a single standard audio track: English LPCM 2.0 with optional English SDH subtitles. Although there is no significant improvement in this new release over the previous LPCM 2.0 track, the lack of change isn't a drawback. The lossless track offers strong clarity, stability, and balance throughout. A remastered Dolby Atmos track might have transformed the film's auditory experience, but the existing LPCM 2.0 track competently supports the film's sound design.

Particularly notable in the sound design is the recurring heartbeat sound that plays when the creature approaches. The PCM stereo track captures this element with commendable clarity and depth, enhancing the low-end effectively. Given the film’s vintage—dating back to 1992—this emphasis on low-end frequencies stands out, especially since it isn't derived from modern action sequences or gunfire. The soundtrack maintains a centralized focus, with discrete touches being sparse. The stereo channels act more as support, subtly expanding the front channels and adding a modest sense of spaciousness primarily through the musical score.

The technical performance of the LPCM 2.0 track is generally robust, delivering a faithful and immersive auditory experience that complements the film’s narrative. While a high-definition remastering for modern surround formats like Dolby Atmos might elevate the experience further, the existing track holds its own with solid execution from beginning to end.

The "Split Second" Blu-ray extras provide an extensive and engaging exploration into the film's creation and legacy. The package includes comprehensive commentary from critic Mike Leeder and filmmaker Arne Venema, discussing everything from the visual style to promotional strategies. Additionally, viewers can access the Japanese cut, featuring extra footage and Japanese subtitles. A series of interviews provides in-depth insights into the production process, with notable contributions from producer Laura Gregory, actor Alastair Duncan, composer Stephen W. Parsons, line producer Laurie Borg, special effects artist Cliff Wallace, and cinematographer Clive Tickner.

Extras included in this disc:

• Audio Commentary: Discussion by Mike Leeder and Arne Venema on various aspects.
• Japanese Cut: Extended version with additional footage and Japanese subtitles.
• Great Big Bloody Guns!: Insights from Laura Gregory and Alastair Duncan.
• Call Me Mr. Snips!: Composer Stephen W. Parsons on the soundtrack creation.
• Stay in Line!: Laurie Borg on production practices and evolution in the industry.
• More Blood!: Cliff Wallace on the special effects and inspirations.
• Shoot Everything!: Clive Tickner on his career and experience with the film.
• Featurette One (1992): Raw footage from the film's shooting.
• Featurette Two (1992): Archival EPK featurette with interviews and highlights.
• Deleted Scenes: Additional scenes from the Japanese cut.
• U.S. Promo: Vintage promotional piece.
• Promotional TV Clips: Collection of highlight clips.
• Trailer: Original vintage trailer.
• Booklet: 30-page booklet with essays on making the film and Rutger Hauer's career.

Tony Maylam's Split Second (1992) offers a distinctive and enthralling cinematic experience, set against a dystopian vision of London submerged under water due to global warming and pollution. Rutger Hauer leads as Harley Stone, a gritty, hardened cop fixated on avenging his partner's murder by an elusive killer. The film juxtaposes a perpetual night-time aesthetic, drawing comparisons to the atmospherics of Ridley Scott’s Blade Runner and the intensity of John McTiernan’s Predator, albeit with a noticeably smaller budget. Despite this, Maylam and cinematographer Clive Tickner succeed in crafting a darkly immersive environment, dominated by cold tones and shadowy visuals that complement the narrative’s eerie paranoia.

Hauer’s portrayal is undoubtedly the linchpin of Split Second, infusing a layer of compelling depth and cool masculinity into his character that elevates the film. His performance, marked by quirky charisma and relentless determination, holds the viewer’s engagement, especially when paired with Alastair Duncan's role as Dick Durkin, who provides both comic relief and a contrasting methodical approach to Hauer's brazen demeanor. Though Kim Cattrall’s character verges on the trope of a damsel in distress, her involvement intensifies the plot’s stakes, particularly when the mysterious killer targets her.

The film’s soundtrack, orchestrated by Stephen Parsons and Francis Haines, is another standout element, perfectly encapsulating the noir-ish ambiance of a near-future teetering on chaos. Colin Blunstone’s haunting cover of Nights in White Satin adds an extra layer of emotional resonance. What sets Split Second apart is its effective use of suspense— revealing the killer sparingly to maintain an enigmatic and fearsomely oppressive presence. Ultimately, Split Second is a visually striking, genre-blending thriller that effectively uses its limitations to create an engaging and palpably tense atmosphere.

"Split Second," starring Rutger Hauer, is a sci-fi horror hybrid that deftly interweaves moody atmospherics with snippets of dark comedy, providing an engaging viewing experience. However, the highly anticipated Blu-ray release, promoted heavily for its 'new 4K restoration,' falls short of expectations. While the film's gritty, dystopian setting benefits from enhanced clarity, the overall visual presentation lacks the solid organic feel required to truly elevate the movie’s striking aesthetics.

The restoration efforts bring some improvements but expose the film's dated nature rather than rejuvenating it. Details in certain scenes appear inconsistent, and some grain structure does not translate well in the HD format. Despite these shortcomings, the release compensates with an array of exclusive new and archival bonus features that enrich the overall value for fans and collectors. These extras delve deep into the film’s production and legacy, offering insightful perspectives that enhance appreciation for this cult classic.

In conclusion, the technical presentation of "Split Second" on Blu-ray leaves much to be desired, particularly given the buzz around its restoration. While it does not achieve the definitive home video release status that collectors might hope for, the bonus content ensures that it remains a worthwhile addition to any enthusiast's collection. The film itself, buoyed by Hauer’s commanding performance and its unique genre blend, retains its entertainment value. RECOMMENDED, but waiting for a sale is advisable.