The Killing Blu-ray Review
Score: 69
from 2 reviewers
Review Date:
Criterion's Blu-ray of 'The Killing' and 'Killer's Kiss' offers superb digital restoration, making it an essential and impeccable release for Kubrick enthusiasts.
Disc Release Date
Video: 67
The Criterion Blu-ray of 'The Killing,' with its 1080p/AVC-MPEG-4 encoded transfer and 1.67:1 aspect ratio, boasts remarkable fine detail, improved clarity, and impressive color reproduction, despite minor chroma noise and aliasing, enhanced through rigorous restoration using 2K scans and systems like MTI's DRS and Pixel Farm's PFClean.
Audio: 57
Featuring English LPCM 1.0 remastered at 24-bit, the audio presentation of 'The Killing' offers a fuller and crisper sound, especially during shootouts, with clear dialogue and reduced hissing. The Dolby Digital 1.0 track, though softer with minor background hiss, remains functional but less dynamic.
Extra: 86
"The Killing" Blu-ray extras deliver compelling insights, featuring Kubrick's second film "Killer's Kiss," an informative interview with producer James B. Harris, heartfelt reflections from Sterling Hayden, and Robert Polito's analysis of Jim Thompson's influence. Critics also praise and contextualize "Killer's Kiss." Additionally, original trailers enhance the collection.
Movie: 81
Criterion's Blu-ray release of Stanley Kubrick's 'The Killing' is a meticulously crafted homage to classic film noir, featuring superb acting, brilliant narrative structure, and insightful special features—including exclusive interviews and essays—that highlight Kubrick's artistic evolution.
Video: 67
Presented in an aspect ratio of 1.67:1 and encoded with MPEG-4 AVC, the 1080p transfer of Stanley Kubrick's "The Killing" on Blu-ray, courtesy of Criterion, presents an impressive high-definition upgrade. The digital transfer, meticulously created in 2K resolution from the original 35mm camera negative, showcases exceptional attention to detail, resulting in a strikingly clean and clear image. This process involved significant restoration efforts using MTI's DRS system, Pixel Farm's PFClean system, and Digital Vision's DVNR system, effectively removing thousands of instances of dirt, debris, scratches, and flicker.
The visual presentation stands out with excellent fine object detail, especially noticeable in darker sequences like those at the racetrack. The overall clarity is significantly improved from previous releases, with outstanding depth and fluidity in scenes that previously appeared soft and hazy. The image maintains a natural film grain throughout, adding to its cinematic authenticity without any signs of overzealous sharpening or filtering. Blacks are rich and well-saturated, while the grayscale displays a pleasant range of organic qualities, creating strong contrast and excellent shadow delineation. Notably, the only minor video artifacts observed include light chroma noise in certain scenes and slight aliasing on George's jacket.
Killer's Kiss, presented in an aspect ratio of 1.34:1 and also granted a 1080p transfer, offers an equally commendable visual experience but slightly falls below the remarkable standard set by "The Killing." Fine object detail is noticeably improved, though slight inconsistencies emerge where film grain is not as well resolved. Despite this, the transfer remains free from serious stability issues and upholds Criterion's high standards with no substantial damage marks detected. Both films provide a visually captivating experience that honors their original aesthetic intentions.
Audio: 57
The Blu-ray audio presentation of "The Killing" features English LPCM 1.0 and English Dolby Digital 1.0 tracks, both remastered for optimal clarity. The LPCM 1.0 track, in particular, excels with a full-bodied and well-balanced sound profile. Notable improvements are evident during shootouts where audio clarity surpasses that of previous DVD releases. Dialogues remain consistently stable and clean, and Gerald Fried’s score enjoys a commendable boost. Importantly, the LPCM track shows minimal signs of aging, with significantly reduced hiss and an absence of pops, cracks, or dropouts.
In contrast, the Dolby Digital 1.0 track delivers a slightly softer sound, lacking some of the dynamic range found in the LPCM track. While the dialog remains comprehensible, it is less crisp. Despite some minimal background hiss, there are no disruptive audio artifacts such as pops or cracks. Overall, both tracks benefit from meticulous remastering techniques using Pro Tools HD and AudioCube’s integrated workstation, but the LPCM 1.0 track is notably superior in delivering a polished auditory experience with clear dialog and vibrant effects.
Extras: 86
The extras on the Blu Ray of "The Killing" offer a rich and insightful dive into Stanley Kubrick's early works and collaborations. The supplementary content includes director Stanley Kubrick's lesser-known 1955 film "Killer's Kiss," which provides an intriguing look into the filmmaker's nascent stage, characterized by straightforward narratives and archetypal characters. Noteworthy are the interviews and discussions that add depth to the viewing experience. These include an exclusive interview with producer James B. Harris, who shares detailed recollections of working with Kubrick, and reflections from actor Sterling Hayden on his career and affiliation with the director. The crime novelist Jim Thompson's contributions are explored by Robert Polito, highlighting Thompson's critical role in the film's success. Additionally, a critique by Geoffrey O'Brien offers an appreciative take on "Killer's Kiss," revealing its foundational influence on Kubrick's later masterpieces.
Extras included in this disc:
- Killer's Kiss: Director Stanley Kubrick's 1955 film.
- James B. Harris: Video interview with producer James B. Harris discussing collaboration with Kubrick.
- Sterling Hayden: Excerpts from two French TV interviews with Sterling Hayden.
- Polito on Thompson: Interview with Robert Polito on crime novelist Jim Thompson’s work with Kubrick.
- Trailer: Original theatrical trailer for "The Killing".
- Geoffrey O'Brien: Critic Geoffrey O'Brien's appreciation of "Killer's Kiss".
- Trailer: Trailer for "Killer's Kiss".
- Booklet: Illustrated booklet featuring an essay by Haden Guest and an interview with Marie Windsor.
Movie: 81
Stanley Kubrick's 'The Killing' (1956) is a masterclass in film noir, meticulously adapted from Lionel White's novel "Clean Break." Kubrick's direction, with dialogue contributions from Jim Thompson, infuses the film with a palpable sense of fatalism and brutal realism. The film follows Johnny Clay (Sterling Hayden) and his team of criminals as they attempt to rob a race track for $2 million. Hayden's portrayal of Johnny is authoritative, showcasing a man determined to execute the perfect heist. The supporting cast—including Elisha Cook Jr., Marie Windsor, and Joe Sawyer—delivers equally compelling performances, contributing to the narrative's tension and complexity.
Kubrick's decision to fracture the narrative into episodic vignettes allows the film to maintain an incredible pace, effectively building suspense without dragging. Each character, from the desperate cop Randy Kennan (Ted de Corsia) to the tormented cashier George Peatty (Elisha Cook Jr.), has a narrative arc that intertwines seamlessly with the overall plot. The film’s dark humor is subtly interwoven, enhancing its gritty and pragmatic tone without overshadowing the noir elements. Kubrick’s precise direction ensures that every scene is deliberate and impactful, transforming 'The Killing' into a meticulously crafted cinematic experience.
The Criterion Blu-ray release of 'The Killing' provides a polished presentation that honors Kubrick's vision. Featuring interviews with producer James B. Harris and critic Geoffrey O'Brien, as well as an illustrated booklet with essays by film historian Haden Guest, this release offers comprehensive insight into the film’s production and Kubrick's early career. The inclusion of Kubrick’s second feature, 'Killer's Kiss' (1955), allows viewers to appreciate the evolution of his directorial style. Overall, this Criterion edition is an essential acquisition for aficionados of classic film noir and Kubrick's body of work.
Total: 69
Criterion's Blu-ray release of Stanley Kubrick's "The Killing" and "Killer’s Kiss" is an exemplary showcase of film restoration. Both films, particularly "The Killing," shine in high definition, displaying meticulous attention to detail in the digital restoration process. The visual clarity and preservation of the original noir aesthetic are commendable, highlighting elements that were previously obscured in inferior transfers. The Criterion Collection has evidently poured considerable effort into ensuring the films' grain structure and contrast levels are consistent with the original film stock, resulting in the best presentation these classics have ever received.
The audio track complements the visuals, offering a clear and immersive experience that maintains the integrity of Kubrick's original sound design. The dynamic range and fidelity are impressive, pulling viewers deeper into the tension and atmosphere of these complex narratives. Additionally, Criterion bolsters this package with a wealth of supplementary materials including insightful commentaries and interviews that provide a comprehensive understanding of Kubrick’s early works and their impact on his illustrious career.
Kubrick enthusiasts will find this dual offering indispensable, especially considering the inconsistent handling of MGM’s catalog by other providers. The inclusion of "Killer’s Kiss," another notable work from Kubrick, adds significant value and context to this collection, making it an essential acquisition for fans and collectors alike.
Criterion has assembled a formidable package with "The Killing" and "Killer’s Kiss," presenting them in the finest quality yet. This release stands as an excellent companion to their previous "Paths of Glory" edition. VERY HIGHLY RECOMMENDED.
Blu-ray.com review by Dr. Svet AtanasovRead review here
Video: 90
Presented in an aspect ratio of 1.34:1 and granted a 1080p transfer, Killer's Kiss also looks mighty impressive - perhaps a notch below The Killing, but fine object detail and especially clarity are indeed...
Audio: 90
The English Dolby Digital 1.0 track delivers a slightly softer and less condensed sound -- dynamic progressions are not as effective as they are on the English LPCM 1.0 track....
Extras: 100
Sterling Hayden - excerpts from two episodes of the French program Cinema cinemas, one from April 1 and another from July 3, 1984, directed by by Philippe Garnier, in which actor Sterling Hayden recalls...
Movie: 90
His life has been a disaster, but he has been lucky to share it with a beautiful woman, Sherry (Marie Windsor, Force of Evil, The Narrow Margin)....
Total: 90
Criterion have put together a very strong package for director Stanley Kubrick's The Killing and Killer's Kiss....
High-Def DigestRead review here
Video: 80
Except for the print damage seen in race track footage during the opening title sequence, which may have been stock footage, the image looked clean throughout....
Audio: 60
Extras: 80
In the second, he talks about his regret, which comes across as sincere, over in his involvement with the HUAC and working with Kubrick....
Movie: 80
Stanley Kubrick's 'The Killing', his third feature as a director, is indicative of Criterion's thoroughness, because the inclusion of his second feature 'Killer's Kiss' allows viewers to see his growth...
Total: 80
Considering the hit or miss way MGM has been handling their catalog titles, Kubrick fans should rejoice that the Criterion Collection was able to license 'The Killing' and create such a fantastic release....
Director: Stanley Kubrick
Actors: Sterling Hayden, Coleen Gray, Vince Edwards
PlotA seasoned criminal named Johnny Clay plans one last heist before settling down with his girlfriend Fay. Targeting a racetrack, the meticulous timing of the operation and the large sum involved attract a motley crew, including a corrupt cop, a sharpshooter, a betting window teller, and a wrestler acting as a distraction. Each man is dissatisfied with his life, craving the financial freedom the heist promises. The complexity of the plan mirrors their intertwined personal dramas and motivations, with the racetrack's bustling backdrop amplifying the heist's risk.
As the day of the heist approaches, the team's meticulous planning begins to unravel. Personal entanglements and unforeseen variables add tension to the operation. A member's wife, dissatisfied with her circumstances, becomes a wild card, her ambitions threatening the heist's secrecy. Despite thorough preparation, the plan starts to show signs of strain from the unpredictability of human nature and chance, leading towards a precarious edge as the robbery unfolds.
Writers: Stanley Kubrick, Jim Thompson, Lionel White
Release Date: 06 Jun 1956
Runtime: 84 min
Rating: Approved
Country: United States
Language: English