The Big Clock Blu-ray Review
Score: 64
from 3 reviewers
Review Date:
The Big Clock expertly blends screwball noir with energetic performances, decent audio-visual quality, and robust special features, making it a must-have Arrow release.
Disc Release Date
Video: 57
The Big Clock on Blu-ray features an AVC encoded 1080p transfer in its original 1.37:1 aspect ratio with 1.0 mono audio. The transfer exhibits noticeable grain, uneven contrast, and damage including scratches and flicker, but also delivers excellent detail in close-ups. Overall, a watchable yet imperfect presentation.
Audio: 64
The Big Clock's LPCM Mono track exhibits noticeable background hiss and occasional high-end harshness, but delivers clear dialogue and a full-bodied score, making it the best preserved audio possible for its age.
Extra: 67
Adrian Martin's insightful commentary, Adrian Wootton's thematic analysis, and Simon Callow's appreciation of Charles Laughton enrich 'The Big Clock' Blu-ray. Extras include a 1948 Lux Radio adaptation, a theatrical trailer, and extensive image galleries, all supplemented by a well-crafted booklet.
Movie: 80
The Big Clock's Blu-ray impressively blends film noir and screwball comedy, highlighted by Charles Laughton’s standout performance as the tyrannical Earl Janoth and Ray Milland’s nuanced portrayal of George Stroud. With a compelling premise and stylistic direction by John Farrow, it weaves dark humor and suspense seamlessly into post-WWII capitalist critique.
Video: 57
Arrow Academy’s Blu-ray release of "The Big Clock" presents the film with an AVC encoded 1080p transfer in the original aspect ratio of 1:34:1. The master, prepared in High Definition by Universal Pictures, offers a serviceable yet inconsistent visual experience. The grain field is notably gritty and uneven, with contrast issues that occasionally impair clarity. The film is laden with optical dissolves, which contribute to some of the visual roughness. Damage such as nicks, speckling, white flecks, and intermittent scratches is recurrent, and noticeable flicker is prevalent, especially during darker sequences featuring opticals.
While there are moments of commendable detail – particularly in close-ups where the clarity can be exceptional – the overall presentation feels dated. Grain appears pronounced and somewhat chunky, possibly due to light sharpening or by virtue of an older scan. Additionally, the grayscale fails to achieve the necessary density in shadowed scenes, leaving some dramatic moments washed out and lacking impact. Despite these flaws, the transfer remains watchable and could be considered satisfactory given the age and condition of the source material. However, in comparison to modern 2K/4K restorations, this release doesn't quite meet contemporary expectations for high-definition home video presentations.
Audio: 64
The Blu-ray audio presentation of "The Big Clock" offers a serviceable LPCM Mono track, maintaining the period's characteristic boxiness while avoiding more glaring issues present in the video transfer. The track does have a noticeable background hiss, an artifact unlikely to disrupt the viewing experience significantly. Notably, Victor Young’s score sounds full-bodied, and dialogue clarity is consistently high, ensuring a coherent auditory experience despite the age of the film. One minor issue observed was an occasional audio pop right before the Universal masthead when restarting the film, although this was infrequent.
In technical terms, the original mono soundtrack is well preserved in this 1.0 PCM track. However, the piano work in the opening credits tends to strain the highs, rendering them coarse and somewhat overloaded. This harshness extends to much of the film's audio profile, maintaining a treble-heavy sound with a bit of static that runs through the center channel. It is clear that little effort was made to remaster the track substantially, leaving it feeling untouched and somewhat stale. Nonetheless, the strong dialogue clarity and robust fidelity of Victor Young’s background score contribute to making this likely the best the movie will ever sound on home video.
Extras: 67
The Extras on the Blu-Ray of "The Big Clock" are a comprehensive addition to the experience, enriching the viewer’s understanding and appreciation of the film. Adrian Martin’s audio commentary provides an insightful deep dive into the production, source material, and overarching themes of the film. Adrian Wootton’s engaging video essay offers a 23-minute nuanced appreciation and analysis of the cinematic intrigue and thematic elements. Simon Callow’s 17-minute featurette focuses on Charles Laughton’s impactful performance, offering a commendable analysis of his acting prowess. The inclusion of a 1948 Lux Radio Theater adaptation featuring original cast members Ray Milland and Maureen O’Sullivan adds a historical depth. Promotional materials such as the theatrical trailer, image galleries, and posters round off a set of extras that reflect thoughtful curation.
Extras included in this disc:
- Audio Commentary by Adrian Martin: Explores film production, source material, and themes.
- Turning Back the Clock: Adrian Wootton’s analysis and appreciation.
- A Difficult Actor: Simon Callow on Charles Laughton’s performance.
- Lux Radio Theater: The Big Clock: 1948 radio broadcast with original cast.
- Theatrical Trailer: Original trailer for the film.
- Image Gallery: Production stills and promotional posters.
Movie: 80
"The Big Clock," based on Kenneth Fearing's novel, merges film noir with screwball comedy, creating a highly engaging and multifaceted narrative. Under John Farrow’s direction and Jonathan Latimer’s screenplay adaptation, the film delivers a compelling tale with dark satire and unexpected humor. Ray Milland stars as George Stroud, a devoted family man and editor who finds himself embroiled in a frantic manhunt after a fateful night out with his boss's mistress, Pauline York (Rita Johnson), results in her murder. Stroud’s frenzied evasion within the corporate behemoth Janoth Building is masterfully shot, and Milland’s portrayal of a man caught in a sinister web he must unravel injects an effective edge of anxiety throughout the film.
Charles Laughton dominates as Earl Janoth, the tyrannical publisher whose time-obsessed, profit-driven ruthlessness embodies post-WWII corporate America’s darkest traits. Hans Dreier’s production design, especially the imposing clock within the Janoth Building, visually underscores the film’s thematic conflict with time and corporate manipulation. Secondary characters also shine, particularly Elsa Lanchester, providing comic relief as a vibrant modern artist, and George Macready as the ominous Steve Hagen, with a subtly suggested homoerotic dynamic adding layers to his character.
The meticulous attention to detail from Farrow, combined with a strong cast and intricately woven plot, respects the novel’s tone while injecting memorable humor. The film walks a fine line between genres, achieving a balance that remains dynamic and refreshingly unpredictable. The inclusion of light comedic moments amid dark suspense not only broadens its appeal but also adds depth to its critique of societal norms and corporate machinations during that era. "The Big Clock" transcends its time as an exemplary hybrid of suspense and satirical comedy, resonating deeply with audiences even today.
Total: 64
"The Big Clock" on Blu-ray is an exemplary representation of the screwball noir genre, seamlessly blending thrilling suspense with moments of genuine humor. Directed masterfully by John Farrow, the film captures the essence of a working man's life through its clever satire and endearing personal anecdotes. Ray Milland, Maureen O'Sullivan, and Charles Laughton deliver energetic performances that elevate the film’s engaging narrative.
Arrow’s Blu-ray release of "The Big Clock" stands out in terms of technical quality. While some might find the video transfer slightly inconsistent, the overall visual presentation is commendable with clear details and strong contrast. The audio tracks are pristine, providing a balanced and immersive auditory experience. Arrow has also outdone itself with an impressive range of special features, adding significant value for both new viewers and long-time fans upgrading from the previous Universal DVD release.
In conclusion, "The Big Clock" is a brilliant showcase of genre fusion, maintaining its relevance and charm through decades. Arrow's meticulous work on this Blu-ray release ensures that both newcomers and existing fans will find plenty to enjoy. Highly recommended for aficionados of classic cinema and those appreciating the blend of suspense and humor distinct to screwball noir.
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 60
Those two things said, this film has an almost insane number of optical dissolves (and dissolves within dissolves, as in an opening sequence which I assume also featured a traveling matte), so some of...
Audio: 70
There's pretty noticeable background hiss here, but that's about it in terms of anything that audiophiles might have an issue with....
Extras: 80
Audio Commentary by Adrian Martin Turning Back the Clock (1080p; 23:01) is an interesting appreciation and analysis by another Adrian, Adrian Wootton, an executive with Film London....
Movie: 90
There are a number of fun supporting turns in this film aside from Lanchester's memorable performance, including the always sinister seeming George Macready as Janoth's right hand henchman Steve Hagen...
Total: 80
A bit of cursory Googling brought up a number of interesting entries when using the search query "screwball noir", but if you want a prime example of this fanciful "combo platter" of genres, look no further...
DoBlu review by Matt PaprockiRead review here
Video: 60
Gray scale sags too, missing density in the shadows, leaving some key dramatic scenes washed out without the intended impact....
Audio: 60
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Extras: 60
For an additional 12 Big Clock screenshots, early access to all screens (plus the 20,000+ already in our library), 75+ exclusive 4K UHD reviews, and more, support us on Patreon....
Movie: 80
Indifferently stroking his mustache, oblivious to his writer’s needs, and flaunting wealth, this isn’t a subtle performance but one capturing the heated satire of Fearing’s work....
Total: 65
A clever take on a working man’s life, The Big Clock hinges on personal satire from its satire and pleasing humor to break the drama....
Home Theater Forum review by t1g3r5fanRead review here
Video: 80
The film’s original 1:37:1 aspect ratio is intact in this HD transfer taken from the original film elements, presumably from a fine grain print or interpositive....
Audio: 90
Dialogue is strong and clear throughout along with the sound mix, with solid fidelity given to Victor Young’s background score; there’s minimal cases of age-related issues making this likely the best the...
Extras: 70
Commentary by film scholar Adrian Martin – Newly recorded for this release, Martin goes over the film as well as the source material and the themes of both in addition to the production itself; overall,...
Movie: 80
As the troubled Stroud, Ray Milland is very credible as the proverbial man in the middle; he would reprise the role for a radio adaptation of the movie the same year of this film’s release....
Total: 80
Arrow has done a great job with this release, with not only great marks in both audio and visual quality, but also with a decent slate of special features....
Director: John Farrow
Actors: Ray Milland, Maureen O'Sullivan, Charles Laughton
PlotGeorge Stroud is an editor for Crimeways, a magazine owned by the powerful and dictatorial Earl Janoth. Stroud is overworked and eager for a vacation with his wife, but his plans are disrupted when Janoth demands he stay for an important assignment. Frustrated, Stroud takes advantage of his last night before the grueling job to let loose, unexpectedly crossing paths with Janoth's mistress, Pauline York. Stroud and York spend the evening together, visiting various places around the city. The next day, Stroud returns to work only to discover that Pauline has been murdered and Janoth wants to cover up his own involvement by framing someone else.
Stroud is assigned to orchestrate the investigation, unaware at first that he himself is the prime suspect. Utilizing his intimate knowledge of investigative techniques and the resources of the magazine, Stroud must navigate through clues and misleading evidence while staying ahead of Janoth’s manipulations. He struggles to maintain his innocence as Janoth tightens the net around him, leading to mounting tension and perilous close calls. Stroud's quest for truth and determination to protect himself becomes a frantic race against time and power, culminating in an intense final showdown where allegiances, intelligence, and cunning play critical roles.
Writers: Jonathan Latimer, Kenneth Fearing, Harold Goldman
Release Date: 09 Apr 1948
Runtime: 95 min
Rating: Approved
Country: United States
Language: English