The Red Light Bandit Blu-ray Review
O Bandido da Luz Vermelha
Score: 62
from 2 reviewers
Review Date:
The Red Light Bandit offers a rough yet intentional aesthetic with cult appeal, enhanced by special features that enrich its experimental narrative.
Disc Release Date
Video: 66
The Blu-ray of 'The Red Light Bandit,' featuring a 1080p transfer from a 2K scan of the original negative, faithfully retains its vintage, gritty appeal. While marred by imperfections like speckles and scratches, the presentation underscores the film's unique mix of raw realism and rich chiaroscuro cinematography.
Audio: 61
The Red Light Bandit's Blu-ray audio presentation employs a DTS-HD Master Audio 2.0 Mono track, delivering a richly layered yet faithful sound experience. Despite minor background hiss and pops, the dialogue remains clear and strong, with dynamic sound effects and music enhancing the immersive atmosphere.
Extra: 56
Severin’s Blu-Ray extras for 'The Red Light Bandit' provide insightful interviews on Brasilian cinema marginal with experts like producer Paulo Sacramento and actress Helena Ignez, along with a compelling collection of short films, including works by Rogério Sganzerla, all expertly subtitled in English.
Movie: 66
The Red Light Bandit stands as a keystone in Brazil's Cinema Marginal movement, offering an experimental, psychedelic tapestry that marries true crime with Godard-esque flair. Despite its fragmented narrative and unlikable protagonist, Rogério Sganzerla's debut boldly critiques societal ills through its sensational representation of lawlessness and media frenzy.
Video: 66
Severin Films presents "The Red Light Bandit" on Blu-ray with an intriguing mix of historical resonance and technical innovation. Utilizing an AVC encoded 1080p transfer in a 1.33:1 aspect ratio, the film has been carefully curated from a new 2K scan taken directly from the original camera negative. Notably, this release serves as the film's worldwide Blu-ray premiere, showcasing its eclectic cinematography. The transfer embodies a raw authenticity with its recurrent speckling, nicks, and occasional severe scratching resulting from the varied quality of stock footage integrated into the film.
This aesthetic approach aligns with the film's gritty and lived-in essence, befitting its exploitative grindhouse and cinéma vérité documentary-style tone. The deliberate choice not to overly sanitize the visual elements grants "The Red Light Bandit" a striking authenticity that enhances its historical charm. Despite minor defects, the presentation excels during relatively damage-free moments by highlighting unexpectedly lush detail levels and chiaroscuro-infused cinematography, offering surprisingly vibrant and crisp imagery.
Ultimately, Severin's decision to maintain the film's intrinsically gritty aesthetic results in a presentation that balances clarity with grainy authenticity. This duality enhances the film's impact, reflecting its historical journey while providing viewers with an intimate visual experience that is both dynamic and true to its original character.
Audio: 61
The audio presentation of "The Red Light Bandit" on Blu-ray features a DTS-HD Master Audio 2.0 Mono track in its original Portuguese, maintaining the film's authentic auditory experience. The sound design is notably intricate, with a richly layered and occasionally baroque quality that generally overshadows minor background noise such as hiss or pops, which are only faintly detectable in rare quiet moments. Dialogue is consistently clean and clear throughout, despite the track's occasionally boxy nature.
The blend of sound effects, such as gunshots and tire screeches, are rendered with robust strength, enhancing the film's dynamic scenes without dominating them. The musical score, along with strategically placed needle drops featuring artists like Jimi Hendrix, is integrated seamlessly, contributing effectively to the narrative while maintaining appropriate balance. Although dialogue sometimes edges on being muffled—a consequence of the technology available at the time of recording—this nuance only underscores the film's historical authenticity. Optional English subtitles are available to aid in clarity for non-Portuguese speakers.
Overall, the audio track resonates with a fidelity that is true to the film's original form. While it may not meet the sonic scope of modern audio design standards, it offers a rewarding experience for audiences seeking an accurate representation of this classic.
Extra: 56
The Blu-ray release of "The Red Light Bandit" includes a thoughtfully curated selection of extras that enhance the understanding of both the film and its cultural context. Key features include in-depth interviews that delve into the nuances of Brasilian cinema, particularly the Cinema Marginal era. These interviews, presented in high definition, feature figures like producer and film conservationist Paulo Sacramento, offering significant insights into the broader movement. Additionally, actress Helena Ignez provides a compelling perspective on Cinema Novo's foundations. A suite of short films, notably "Comics" by Rogério Sganzerla and "Horror Palace Hotel" by Jairo Ferreira, enriches this collection by showcasing critical works from the era. The inclusion of these culturally significant pieces allows viewers to appreciate the historical and artistic milieu surrounding "The Red Light Bandit."
Extras included in this disc:
- Cinema Marginal: Interview with producer and film conservationist Paulo Sacramento.
- The Anti-Muse: Interview with actress Helena Ignez.
- Trailer: Watch the teaser for the film.
- Comics: Short film by Rogério Sganzerla.
- Horror Palace Hotel: Short film by Jairo Ferreira.
- Introduction to Horror Palace Hotel: Filmmaker Dennison Ramalho introduces the film.
Movie: 66
"The Red Light Bandit" on Blu-ray serves as a vivid and provocative entry into the Brazilian Cinema Marginal movement, a radical branch that defied the aesthetically sophisticated Cinema Novo. Directed by the audacious 21-year-old Rogério Sganzerla, this film ventures deeply into subversive storytelling, presenting a fragmented narrative centered around Jorge, an unreformed criminal charged with numerous violent transgressions in São Paulo. The film, reminiscent of the raw energy typically seen in auteur-led projects, embodies the psychedelic flair of the era while exploring harsh socio-political themes. The narrative structure mirrors the chaotic tendencies of its protagonist, and Sganzerla’s hyper-stylized approach includes rapid edits and surreal interjections, synonymous with influences from Godard and Welles.
The character of Jorge breaks conventional norms seen in traditional crime cinema. Unlike charismatic anti-heroes like Tony Montana or Tommy DeVito, Jorge is painted as a thoroughly repulsive figure devoid of charm, making his portrayal markedly unglamorous and unromantic. Sganzerla strategically shifts perspectives, showcasing the broader societal repercussions of Jorge’s crimes, embedding commentary on media sensationalism and political manipulation. This narrative choice extends beyond mere depiction of a criminal mind, analyzing societal complicity and exploitation in the face of moral chaos.
The film is considered a paramount achievement within Brazilian cinema, heralded for its unapologetic boldness and experimental storytelling. While its disjunctive style might challenge conventional tastes, this film is a rewarding exploration for those open to its unconventional rhythms. Expertly transferred to Blu-ray, this release provides a comprehensive dive into the vibrant yet unsettling world Sganzerla evokes, complete with supplemental features enhancing understanding of its historical and cultural significance.
Total: 62
"The Red Light Bandit" Blu-ray offers a thought-provoking journey into Brazilian cinema, capturing the dynamic energy of the country's experimental film movement. Severin's release delivers a carefully curated experience that combines intentional roughness in audio and video with a narrative that thrives on its chaotic, dynamic style. Such choices add a layer of authenticity to the film, reflecting the socio-cultural critiques embedded within its storyline. The Blu-ray package is further enriched by comprehensive special features that enhance the viewer's appreciation of the film's significance and its role in shaping experimental storytelling conventions.
The characteristically raw video and audio presentation might detract from conventional expectations but simultaneously provide a poignant parallel to the film’s subject matter. These qualities serve to immerse audiences in the Brazilian ambiance, worthy of attention both from Art House aficionados and those unfamiliar with this unique cinema style. Viewers can expect occasional age-related imperfections, yet these should not overshadow the vibrant energy and stylistic boldness inherent in "The Red Light Bandit."
In conclusion, "The Red Light Bandit" on Blu-ray is a compelling homage to Brazil’s cinematic history. While challenging in aesthetic presentation, the film’s energy and style offer an engaging experience for those keen on international and experimental cinema. Special features included in the release serve as valuable resources, offering deeper insights into this culturally significant work. For viewers intrigued by Brazil's ever-enchanting filmic offerings, this Blu-ray set is an essential acquisition, promising both entertainment and intellectual enrichment.
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 60
Of the three perceived "cult movies" Severin has released simultaneously (the other two being Don't Change Hands and The Mad Bomber), this has by far the most problematic source element, one that is not...
Audio: 70
Otherwise, the track is really rather nicely full bodied, if boxy, in its treatment of some recurrent narration and/or voiceover (as in the kind of funny "any resemblance to people living or dead" disclaimer...
Extras: 60
The Anti-Muse (HD; 24:35) is another very engaging piece featuring an interview with actress Helena Ignez, herself one of the founding members of Cinema Novo....
Movie: 60
Rather interestingly, especially for those who may have actually begun to fall in love with Brasilian films courtesy of Black Orpheus, a movie which famously started to introduce audiences to the seductive...
Total: 60
Brasil's culture has always had an almost peculiar hold over me for reasons I'm not able to adequately account for, other than in both film and music in particular I have frequently found myself almost...
High-Def DigestRead review here
Video: 80
The final product is true to the film’s nitty-gritty aesthetic, while the images beneath the dirt and grit and lines of age and distress are crystal clear, bright, and quite striking in how amazing they...
Audio: 60
Dialogue can sometimes come through a little muffled on the edges, which is clearly due to recording equipment available at the time, for such a limited budget....
Extras: 60
Interview with producer and film conservationist Paulo Sacramento The Anti-Muse (HD 24:35) –...
Movie: 80
I think Sganzerla realizes how painful of a film it would be to simply spend 90 minutes with Jorge, so he jazzes up the narrative with a sensationalistic narrative from the perspective of blood-thirsty...
Total: 80
And special features do a great job at deepening viewers’ understanding of the film and the role it played in an experimental movement in a time and place noted for embracing experimental storytelling...
Director: Rogério Sganzerla
Actors: Helena Ignez, Paulo Villaça, Pagano Sobrinho
PlotIn a chaotic and fast-paced narrative, the story unfolds in a gritty Brazilian urban setting where a notorious criminal, known for leaving a red light bulb at each crime scene, becomes infamous throughout the city. This enigmatic figure, driven by a mix of desperation and defiance against the injustices of his world, embarks on a spree of robberies, targeting affluent homes. The criminal's methods are unique and unpredictable, leaving the police force baffled and frustrated by his audacity and cunning. Flashbacks provide glimpses into his troubled past, revealing a life marked by poverty and neglect, which fuels his anger and motivates his life of crime. The city becomes a character in itself, reflecting the social and economic disparities that drive his relentless pursuit of chaos.
As the police investigation intensifies, the authorities struggle to keep up with his audacious heists while grappling with their own internal corruption. Meanwhile, the media sensationalizes the story, amplifying the bandit's mystique and inadvertently turning him into an anti-hero for some. The cat-and-mouse chase between law enforcement and the elusive outlaw grows increasingly tense, creating an atmosphere of paranoia and suspense. The narrative is interspersed with dark humor and surreal elements, highlighting the absurdity of a society on the brink of collapse. As the story progresses, layers of complexity around the main character are revealed, examining themes of rebellion and societal breakdown as the pursuit escalates and pushes everyone involved to their limits.
Writers: Rogério Sganzerla
Release Date: 02 Dec 1968
Runtime: 92 min
Rating: N/A
Country: Brazil
Language: Portuguese