Extreme Prejudice Blu-ray Review
Score: 77
from 2 reviewers
Review Date:
Exciting and chaotic, 'Extreme Prejudice' on Blu-ray excels with solid technical merits and valuable extras, placing it above previous releases.
Disc Release Date
DTS-HD MA
Video: 76
The Blu-ray release of 'Extreme Prejudice' offers a striking AVC encoded 1080p transfer with commendable detail levels, particularly in brightly lit scenes, though it suffers from softness and limited contrast due to older scanning and diffused set smoke. Still, it marks a significant upgrade from the DVD.
Audio: 76
Extreme Prejudice offers a DTS-HD Master Audio 2.0 track that adeptly delivers clean dialogue and animates action scenes, including explosions and a thunderstorm, with restrained yet effective surround channels. Jerry Goldsmith's score, though lacking deep bass, remains full-bodied and propulsive throughout.
Extra: 81
Extras on the 'Extreme Prejudice' Blu-Ray offer insightful commentary, including detailed analyses by historians Joyner and Parke, a director interview filled with Hill's anecdotes, and engaging interviews with Ironside and Brown, while showcasing the film's patchwork development and notable cinematic influences.
Movie: 76
Extreme Prejudice is a testosterone-charged spectacle of grit and style, blending dusty Texas locales with a dynamic ensemble cast led by Nolte and Boothe. Despite potential plot eccentricities and multiple narrative threads, the film remains cohesive, delivering an elevated homage to classic Peckinpah themes with Hill's distinctive flair for action.
Video: 76
The video presentation of "Extreme Prejudice" on Blu-ray, part of Lionsgate Film's Vestron Video Collector's Series, is an intriguing yet mixed rendition. The transfer boasts an AVC encoded 1080p resolution in the original 1.85:1 aspect ratio, with StudioCanal handling the restoration efforts. While specific technical details about the transfer process are not provided, the release features a strikingly suffused palette. The detail preservation is particularly impressive in brightly lit outdoor scenes, where intricate textures such as the stubble on characters' faces are visible. However, variations arise as the film progresses, noted by a shift in the color grading towards a dowdier brown tone in some parts and slightly coarser grain in darker scenes. Clarity also fluctuates sporadically, but the transfer remains largely free from significant compression issues.
Shot on 35 mm using Ultracam 35 cameras with spherical lenses by cinematographer Matthew F. Leonetti, the integrity of the original cinematic experience is somewhat challenged by several factors. The Blu-ray lacks details on whether a recent scan was utilized, and noticeable instability during the opening credits suggests reliance on an older master. This results in an overall softness, limited contrast, and suboptimal shadow detail, compounded by the on-set smoke diffusion affecting sharpness. Despite these shortcomings, the Blu-ray does mark a substantial enhancement over previous DVD versions, offering satisfactory fine detail without significant damage.
Overall, while the Blu-ray presentation of "Extreme Prejudice" benefits from high-definition clarity and improved color palette, it is encumbered by inconsistent detail rendering and aging source material. The absence of compression issues is a positive aspect amidst occasional lapses in visual stability and sharpness.
Audio: 76
The Blu-ray release of "Extreme Prejudice" features a commendable DTS-HD Master Audio 2.0 track that effectively captures the film's dynamic elements. This track, a four-channel mix matrixed into two from its original theatrical Dolby Stereo format, handles the audio landscape with precision. While the surround elements are generally reserved, they become notably engaging during high-octane sequences and certain atmospheric moments, such as the evocative thunderstorms. Explosions and gunfire are managed well, steering appropriately to the rear channels, which enhances the action scenes with added depth and spatial resonance.
Jerry Goldsmith's energetic score is presented with clarity and vigor, maintaining a balanced auditory presence throughout the film. The track ensures dialogue remains pristine and easily discernible, a crucial feature for preserving the narrative flow. There is, however, a modest shortfall in bass response, which slightly undercuts the potential impact of the musical score’s low-end frequencies. Still, occasional sound effects like explosions deliver some punch, albeit infrequently.
Overall, this presentation aligns with expectations for an Eighties Dolby Stereo mix. Despite its limitations in bass depth, the track maintains an engaging auditory experience that complements the onscreen action and drama. Additionally, optional English, English SDH, and Spanish subtitles provide further accessibility, catering to a broader audience. This audio presentation is competent in capturing the film's essence while allowing for some nostalgic audiovisual immersion.
Extras: 81
The Blu-ray release of "Extreme Prejudice" offers an engaging collection of extras that provide depth and insight into the film's production and legacy. The audio commentary with film historians C. Courtney Joyner and Henry Parke stands out, revealing intricate details of the film's development, highlighting its initial concept and unfulfilled plot elements. An isolated score with music historian John Takis offers a unique auditory experience. Interviews with director Walter Hill and actors Michael Ironside and Clancy Brown deliver captivating stories about their careers and interactions with influential figures in cinema. The spotlight on director of photography Matthew F. Leonetti delves into the film's visual style. Complemented by trailers, TV spots, a vintage EPK, and a still gallery, these extras collectively enrich the viewer's appreciation for Walter Hill's complex narrative and directorial finesse.
Extras included in this disc:
- Audio Commentary with Film Historians C. Courtney Joyner and Henry Parke: Provides detailed insights into the film’s development and production.
- Isolated Score Selections with Audio Interview from Music Historian John Takis: Offers a unique auditory experience.
- Interview with Director Walter Hill: Anecdotal insights into his career and the film.
- The Major's Agenda: Michael Ironside's reflective interview.
- The War Within: Clancy Brown shares his thoughts.
- Capturing the Chaos: Discussion with Director of Photography Matthew F. Leonetti.
- Teaser Trailer: Promotional material.
- Theatrical Trailer: Official theatrical version.
- TV Spots: Television promotional clips.
- Vintage EPK: Behind-the-scenes electronic press kit.
- Still Gallery: A collection of production stills.
Movie: 76
The Blu-ray release of "Extreme Prejudice" showcases Walter Hill's adrenaline-fueled homage to Sam Peckinpah with a narrative reminiscent of classic crime dramas and action spectacles. The plot's convoluted development path is palpable, featuring elements that initially may seem disparate but ultimately coalesce under the careful orchestration of Hill's directorial prowess. The film notably interlaces the introduction of a covert team of operatives—allegedly deceased and known as the "Zombie Unit"—with a subplot following Texas Ranger Jack Benteen (Nick Nolte) and his complex relationship with former friend-turned-nemesis, drug smuggler Cash Bailey (Powers Boothe). This narrative framework draws inspiration from both old-school gangster films and action-packed series like "Mission: Impossible," culminating in a gritty Texan tableau delivered with Hill's trademark testosterone-soaked panache.
The film adheres closely to archetypical tropes, such as the estranged friendship between Benteen and Bailey, which echoes classic tales of loyalty and betrayal. The dynamic between Nolte and Boothe is a cornerstone of the film, portraying semi-respectful adversaries against a vividly captured backdrop of dusty Texas landscapes. Coupled with standout performances from a strong supporting cast including Michael Ironside, Rip Torn, Clancy Brown, and William Forsythe, the actors bring varied textures of menace, humor, and intensity to their roles. The engagement with these characters is bolstered by Hill's ability to choreograph action sequences with an emphasis on explosive confrontations and rugged atmospheres.
Ultimately, "Extreme Prejudice" navigates its potential inconsistencies through robust character portrayals and thematic cohesions within its narrative complexity. While Joyner and Parke’s commentary acknowledges notable plot holes and a multi-faceted production process, it's the film's remarkable ability to hold together that defines its enduring grip on audiences. The aesthetic echoes of Peckinpah merged with Hill's directorial signature ensure "Extreme Prejudice" remains an engaging testament to 1980s action cinema.
Total: 77
The Blu-ray release of "Extreme Prejudice" by Vestron Video is a notable addition to anyone's collection, capturing the raw intensity and thrill that the film embodies. Walter Hill's direction shines through in this high-octane narrative, which, although occasionally veering into illogical territory, remains a visually and auditorily impressive experience. The Blu-ray presentation is marked by commendable technical merits, offering crisp picture quality and robust sound delivery, enhancing the gritty aesthetic Hill is renowned for. The release also features a diverse array of supplements which contribute meaningfully to the viewer’s understanding and enjoyment of the film's complex backstory.
While this release doesn't include certain features found in the StudioCanal version, such as the "Make My Day" introduction or the comprehensive documentary "Walter Hill: A Cowboy in Hollywood," it compensates with exclusive commentaries and interviews which are unique to this edition. These additional features allow fans and new viewers alike to delve deeper into the visionary world of Hill’s filmmaking. Given that "Extreme Prejudice" has largely been absent from Blu-ray releases in the North American market, this version stands as a significant offering, celebrating the filmmaker's work in all its grizzled glory.
In conclusion, Vestron Video's rendition of "Extreme Prejudice" revives the film for modern audiences, offering a balanced blend of exhilarating entertainment and detailed supplemental content. This release is not only recommended but essential for any physical media enthusiast looking to explore unsung cinematic gems. Despite the decline of physical media in today's digital era, this release proves that there is still much value to be found, particularly for those discerning enough to appreciate its unique auditory and visual appeal.
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 80
As usual with these Vestron Video releases, there's unfortunately no real technical information given about the transfer, though if you search our news articles (see the tab above), you'll notice we posted...
Audio: 80
Extreme Prejudice has a well wrought DTS-HD Master Audio 2.0 track that capably supports some of the film's more gonzo elements, like an explosion that just erupts out of nowhere early in the film (Joyner...
Extras: 80
Capturing the Chaos (HD; 15:11) focuses (pun unavoidable) on Director of Photography Matthew F. Leonetti....
Movie: 70
Now Joyner and Parke are not above admitting that as much as they enjoy the film, there are certain plot holes left wide open and a "too many chefs in the kitchen" approach to the production may have resulted...
Total: 70
This is a viscerally exciting film a lot of the time even when it's not making a whale of a lot of sense, but this Vestron Video release ups the ante by providing enough supplements that fill in some of...
The Digital Bits review by Stephen BjorkRead review here
Video: 85
It’s worth noting that there was a lot of smoke on the set, and the diffusion from that reduces the sharpness, but it still seems like there would be room for improvement with a fresh scan....
Audio: 85
The surrounds are pretty restrained, but they spring to life during any action scenes, and also during suitable moments like a thunderstorm early in the film....
Extras: 90
They note material missing from the final cut, like Andy Robinson’s role as Michael Ironside’s partner, and also identify references to The Wild Bunch and more surprising films such as Bullitt....
Movie: 90
They all take things to 11 in their own unique ways: Boothe is oilier, Ironside is nastier, Torn is ornerier, Forsythe is more perverse, Brown, Lister, and Mulhern are all more hulking, and Mickey Jones...
Total: 88
On the whole, Vestron’s version has an edge over both of those releases due to the commentaries and the extra interviews....
Director: Walter Hill
Actors: Nick Nolte, Powers Boothe, Michael Ironside
PlotIn the rugged Texas-Mexico border town of El Paso, tough Texas Ranger Jack Benteen finds himself caught between duty and personal ties as he battles the spreading influence of drugs. His childhood friend, Cash Bailey, a notorious drug lord operating from just across the border, threatens the peace and stability of the region. Their friendship is strained by their respective paths, as Jack is determined to uphold the law while Cash thrives in lawlessness. Adding to Jack's troubles, his relationship with Sarita, a woman linked to both men, complicates matters further. Her divided loyalties make Jack's pursuit of justice even more personal and ardent.
Simultaneously, a mysterious group of soldiers led by Major Paul Hackett is deployed secretly by the federal government with orders to eliminate Cash and his operations. While posing as bank robbers, Hackett and his men devise a complex plan targeting Cash's illicit empire. Unbeknownst to Jack, their covert mission ramps up tensions in the already volatile region. As Jack grapples with his responsibilities as a lawman and his connections with Cash, the countdown to a showdown looms large. The brewing conflict forces Jack to navigate treacherous waters where loyalty, morality, and the pursuit of justice collide on the harsh Texas terrain.
Writers: John Milius, Fred Rexer, Deric Washburn
Release Date: 24 Apr 1987
Runtime: 105 min
Rating: R
Country: United States
Language: English, Spanish