Suburbia Blu-ray Review

The Blu-ray release of "Suburbia" features an AVC encoded 1080p image presented in a 1.85:1 aspect ratio derived from a new 4K scan of the original film elements. However, it is crucial to manage expectations as the presentation shows inherent limitations from the source material. The overall detail and resolution are somewhat disappointing, given the promotion of a high-quality scan. The image tends to be on the softer side, with an endemic flatness and lack of depth typical of its low-budget 1983 origins. Frame stabilization is employed throughout, which results in occasional blurriness and a slightly shaky visual quality.

Despite these drawbacks, some elements do shine through. Colors are tastefully refreshed, with vivid reds and blues giving a notable boost to city scenes and punk clubs, while household spray paint work brings out bolder hues. Skin textures and the general weariness of the characters are captured adequately in certain close-ups, adding to the film's gritty, realistic atmosphere. Black levels are competent, though there are instances of diminished shadow delineation, and contrast remains fairly consistent.

Ultimately, while this transfer is an improvement over previous DVD versions, it remains a middling effort for an 80’s movie Blu-ray release. Those expecting a significantly revitalized video experience may find it lackluster but fans of the film will appreciate the modest visual improvements made through this high-definition release.

The audio presentation of the Blu-ray release of "Suburbia" features a 2.0 DTS-HD MA mix that aligns with the raw, unpolished nature of the film, adhering to a punk ethos. While the mix is not designed for extensive spatial detail and remains predominantly mono in experience, it aptly captures the essence of the film. Dialogue exchanges are somewhat muffled, owing to the limited recording fidelity and the naturalistic delivery of the actors. Nonetheless, performances remain intelligible enough to follow, preserving the film’s rough-around-the-edges charm.

Music, particularly during live punk performances, stands out with aggressive energy, often approaching distorted highs but never quite disintegrating. This raucous audio experience perfectly complements the anarchic atmosphere of the movie. While sound effects, such as body blows and squealing tires, are noted, they lack sharpness and occasionally fall victim to pops and hiss inherent in the original tracks. Despite these limitations, the audio quality is serviceable, faithfully representing the lo-fi, high-energy aesthetic intrinsic to punk culture.

For those interested in the technical specifics, it's noteworthy that there have been variations in past releases regarding the soundtrack, with some previous DVDs purportedly featuring a stereo mix. However, the original theatrical experience was in mono. Optional English SDH subtitles are clear and readable in a white font, ensuring accessibility for a broader audience despite the occasionally challenging dialogue clarity.

The extras on the Blu-ray release of "Suburbia" include a set of standard, yet insightful features borrowed from the 2010 DVD edition, contributing to a comprehensive, if not particularly innovative, package. Both audio commentaries with director Penelope Spheeris, one including producer Bert Dragin and actress Jennifer Clay, offer moderate insights into the film's production, though they suffer from occasional lulls. The still gallery is brief but provides a nostalgic look at some publicity snaps, while the TV spots and theatrical trailer invoke a sense of the era's promotional style. Despite its promotion as a collector’s edition, it lacks novel content, making it feel more like a reiteration than a significant upgrade.

Extras included in this disc:

• Commentary With Director Penelope Spheeris: Insightful yet patchy with discussion lulls.
• Commentary With Spheeris, Producer Bert Dragin, And Actress Jennifer Clay: Provides context and background, but not highly engaging.
• Still Gallery: Brief gallery of publicity snaps.
• T.V. Spots: Two commercials titled "Rebel Streets."
• Theatrical Trailer: Original trailer in SD.

Penelope Spheeris' "Suburbia" offers an unflinching exploration of the punk rock scene in early 1980s Los Angeles, capturing the turmoil and camaraderie within a group of runaways living as squatters. The film's raw energy and gritty realism, reminiscent of Spheeris' seminal documentary "The Decline of Western Civilization," underscore her deep understanding of the subculture. Spheeris uses dramatic elements to delve into the lives of her young characters, though her portrayal can be heavy-handed and the narrative often clumsy. The film’s erratic tonal shifts, starkly epitomized by its shocking opening sequence involving a young child and wild dogs, set a brutal tone that might alienate some viewers but effectively highlights the grim realities faced by these youths.

The plot centers around the T.R. gang, led by Jack (Chris Pedersen) and Skinner (Flea), who provide a semblance of family for runaways fleeing abusive homes. Their life is marked by theft, punk rock concerts, and a fierce sense of identity as "The Rejected." The film's narrative showcases their struggle against societal rejection and hostility, embodied by figures like Jim and Bob from Citizens Against Crime. The screenplay captures the community spirit among the gang members, providing poignant insights into their fractured lives. The inclusion of live punk performances by bands like T.S.O.L., The Vandals, and D.I. enriches the film's authentic portrayal of the scene.

While "Suburbia" is unrefined and often bleak, its rough edges contribute to its authenticity. The portrayal of tragic events and the depiction of survival mechanisms like drugs and theft are not for the faint-hearted. However, Spheeris' direction evokes compelling performances from her mostly teenage cast, embodying the allure of the punk lifestyle amidst the chaos. "Suburbia" is a powerful time capsule of its era, offering a heart-wrenching yet insightful glimpse into the lives of L.A.'s alienated youth.

Penelope Spheeris' "Suburbia" captures a raw, authentic snapshot of the L.A. punk scene, diving deeply into the chaotic allure that pulls youth into this subculture. Her directorial vision presents a candid look at a marginalized group, offering insights on their rebellion, disenfranchisement, and the camaraderie they find amidst societal rejection. Through rough-edged cinematography and unpolished acting, which both add to its gritty realism, the film portrays kids openly engaging in theft and antagonism, and it doesn’t shy away from exposing their moral ambiguities and questionable actions.

The screenplay judiciously delivers a narrative that blurs the lines between good and bad, positioning characters like Jim and Bob as antagonists while presenting figures like William, a fatigued yet well-meaning cop, in a more sympathetic light. Despite the film's sometimes incoherent execution and its tendency to swing between extremes, there's an underlying vibrancy and urgency. The film's energetic soundtrack encapsulates the intensity and unity felt within punk culture, illustrating the palpable tension between these youths and a society that neglects them.

However, while Spheeris succeeds in portraying the harsh realities faced by these individuals, "Suburbia" occasionally falters due to its amateurish elements. The raw power of certain scenes is undeniable, showcasing Spheeris’ genuine concern for her characters as they navigate a world steeped in alienation and anger. Although its execution can be scattered, the earnest attempt to give voice to an often-ignored population is potent and reflective.

In conclusion, Spheeris makes Jim and Bob the antagonists, but the line of proper conduct is blurred throughout "Suburbia." The film’s raw edges contribute to its authenticity but also hamper its clarity. It’s a film fueled by punk music’s driving force, distinct yet hindered by amateur production aspects. Despite these flaws, its portrayal of character struggle in an unforgiving world resonates powerfully.