Purple Noon Blu-ray Review

Criterion's Blu-ray presentation of René Clément's Purple Noon is a spectacular high-definition transfer that showcases the film's lush Mediterranean visuals with impressive fidelity. The 1080p AVC/MPEG-4 encoded transfer retains the original aspect ratio of 1.67:1 and stems from a meticulous 2K restoration using the original camera negative and two original 35mm prints for color reference. The restoration process was comprehensive, involving MTI's DRS and Pixel Farm's PFClean for dirt, debris, and scratch removal, as well as Image Systems' Phoenix for minor grain and noise reduction. The result is an image that looks notably pristine for a film from 1960.

The overall detail and depth in this transfer are commendable, especially evident during close-up shots where natural light accentuates textures and hues. The scenic beauty of the Mediterranean coastline is enriched with vibrant yellows, blues, greens, and browns, making Henri Decaë's cinematography visually enticing. Light grain throughout the film provides a pleasing, organic feel that serves as a delightful reminder of its age, avoiding any distraction. While there are instances of minor color fluttering and contrast fluctuations in the latter half of the film, these do not detract significantly from the viewing experience and appear to be source-related rather than a flaw in the transfer.

Skin tones are rendered with a natural warmth, devoid of excessive sharpening or denoising effects, which lends authenticity to the on-screen visuals. Contrast and black levels are consistently high, maintaining image clarity even in low light scenes. Criterion's careful restoration ensures that debris, dirt, specks, and large scratches have been effectively eliminated, resulting in an almost immaculate image quality. The transfer demonstrates Criterion's high standard, delivering stunning clarity and a cinematic experience that honors the film’s original aesthetic.

The Blu-ray audio presentation of "Purple Noon" features a solitary track: French LPCM 1.0, with bits of Italian and English, supplemented by optional English subtitles. This linear PCM mono track, remastered at 24-bit from a 35 mm optical soundtrack print, is remarkably robust for a film of its age. The lossless track boasts impressive depth and a fine dynamic range, which enhances Nino Rota's atmospheric score and provides a well-balanced and fluid auditory experience. Dialogues are consistently crisp, clear, and easy to follow, absent of any inconvenient background hiss, pops, dropouts, or distortions.

Criterion has meticulously removed clicks, thumps, hiss, and hum using Pro Tools HD and attenuated crackle via AudioCube’s integrated workstation. This precise audio clean-up elevates the viewing experience, ensuring pure and stable sound reproduction centered perfectly in the mono setup. Dramatic sequences, such as the tempestuous scene where Tom Ripley grapples with Philippe's boat, are rendered with palpable intensity, giving a sense of the on-screen calamity. Though the film does not heavily rely on an expansive soundstage, the provided mono mix suffices aptly to suit the film’s auditory needs, maintaining clarity and precision throughout.

Overall, the audio track of "Purple Noon" is more than adequate given its monaural limitations, preserving dialogue clarity without static or distortion and allowing musical cues to complement rather than overtake spoken content. This balanced approach in sound restoration makes "Purple Noon" a compelling audio experience, harmonizing seamlessly with the film's visuals on this well-prepared Blu-ray release.

The extras included in the Blu-ray of "Purple Noon" are particularly enriching for cinephiles and scholars alike. Notable highlights include a comprehensive interview with Rene Clement expert Denitza Bantcheva, providing insight into the director's oeuvre and methodologies. Archival materials feature engaging discussions with star Alain Delon, who reflects on his experience in the film industry and working with Clement, and novelist Patricia Highsmith, who offers candid thoughts on her writing process and adaptations of her work. An original English-language trailer and a booklet featuring essays and interviews with Clement further enhance the package.

Extras included in this disc:

• Denitza Bantcheva on Rene Clement: Insightful interview on the director's career, work, and themes.
• Alain Delon: Archival interview discussing his acting career and relationship with Clement.
• Patricia Highsmith: Archival interview about her writing process and film adaptations.
• Trailer: Original English-language promotional material.
• Booklet: Includes an essay by Geoffrey O'Brien and an interview with Rene Clement.

Rene Clement’s “Purple Noon,” a masterful adaptation of Patricia Highsmith’s “The Talented Mr. Ripley,” is an exemplary thriller that highlights the evocative interplay between sun-soaked visuals and dark, psychological tension. Alain Delon’s mesmerizing performance as Tom Ripley -- a handsome American tasked with luring his wealthy friend Philippe Greenleaf (Maurice Ronet) back to the States -- is the linchpin of the film. Delon emanates charm and relatability, making Ripley’s moral decay and ultimate transgressions disturbingly engaging. The film orchestrates a fine balance of suspense and allure, showcased especially in scenes set around the idyllic Tyrrhenian Sea, expertly captured by cinematographer Henri Decae.

Clement’s direction ensures the story’s transitions are anything but predictable, drawing viewers into Ripley’s world of opulence and deceit. Tom’s parasitic relationship with Philippe is brought into sharp relief during their luxurious escapades, which include yacht trips and lavish parties. This dream-like sequence heightens the film’s tension once Philippe's prank sets off a chain of catastrophic events. Adding to the film’s layered emotional palette is Nino Rota’s subtle yet memorable score, which enhances key moments without overshadowing them. The end result is an atmosphere of escalating dread underpinned by Ripley’s consuming ambitions.

“Purple Noon” is not merely about its plot twists but also a deep dive into the fragile boundaries between desire and morality. The inherent voyeurism in Ripley's journey resonates through Clement's meticulous framing and pacing. As Tom dons Philippe's persona both literally and metaphorically, his ultimate punishment feels simultaneously inevitable and tragic. What makes this cinematic experience especially poignant is its thematic exploration of impermanence and existential longing, reflected in Tom's futile grasp at a world always just out of reach. This Criterion Blu-ray release further enriches the film with meaningful supplements, providing a comprehensive understanding of its historical and cultural significance.

The Criterion Collection’s Blu-ray release of "Purple Noon" impeccably restores René Clément's classic European thriller, ensuring that Henri Decae’s exquisite cinematography and Nino Rota’s haunting soundtrack are experienced in their full glory. This adaptation of Patricia Highsmith’s novel brings a nuanced and ambiguous portrayal of Tom Ripley, significantly different from Anthony Minghella’s later adaptation, "The Talented Mr. Ripley." Alain Delon’s breakout performance is captured beautifully, showcasing his transformation into an international star.

Criterion excels in the technical presentation, with the transfer maintaining high fidelity to the original film, presenting a pristine visual experience and well-balanced audio. The painstaking restoration allows both seasoned fans and new viewers to immerse themselves in the film’s slow-burn narrative and gripping noir elements. Special features complement the viewing experience, although some may find them moderate in scope compared to other Criterion releases.

To conclude, Purple Noon is a definitive must-have for any film enthusiast’s collection. The restoration truly brings forth the film's timeless beauty and suspense, making it an essential viewing experience. Highly recommended for both lovers of classic cinema and new audiences alike.