On the Waterfront Blu-ray Review
DigiPack Includes Elia Kazan: Outsider 1982 Documentary
Score: 84
from 3 reviewers
Review Date:
Criterion's 4K Blu-ray release of 'On the Waterfront' is a stunningly restored masterpiece, boasting top-notch video, audio, and exclusive extras; it's a definitive must-own.
Disc Release Date
DTS-HD MA
Video: 78
The Criterion Blu-ray of 'On the Waterfront' offers a superb 4K restoration with 1080p transfers, presented in three aspect ratios (1.67:1, 1.85:1, 1.33:1), delivering exceptional detail, contrast, and clarity that honor the film's original cinematography, while maintaining evenly distributed grain and eliminating previous imperfections.
Audio: 78
Two high-quality audio tracks, English LPCM 1.0 and DTS-HD Master Audio 5.1, grace 'On the Waterfront'. The LPCM 1.0 offers a crisp, well-balanced experience, particularly enhancing Bernstein's score and dialogue. The DTS-HD 5.1 adds depth and broader nuances, providing an enriched sound landscape. Both options are free of noticeable distortions and cater excellently to purists and modern audiences alike.
Extra: 97
The Blu-ray extras for 'On the Waterfront' offer a comprehensive examination of the film through insightful documentaries, interviews with Martin Scorsese, Kent Jones, and Eva Marie Saint, illuminating audio commentary, and an analysis of Leonard Bernstein's score and multiple aspect ratios, making it an essential resource for film scholars and enthusiasts alike.
Movie: 97
Criterion’s Blu-ray release of 'On the Waterfront' elevates Kazan's timeless masterpiece through meticulous restoration, rich supplements including interviews and visual essays, and a powerful LPCM monoaural and DTS-HD Master Audio 5.1 soundtrack, showcasing Brando’s iconic performance and Bernstein's evocative score.
Video: 78
The Criterion release of On the Waterfront on Blu-ray presents an exceptional video restoration, maintaining the film’s historical cinematic purity while offering remarkable technical enhancements. Presented in three aspect ratios – 1.66:1, 1.85:1, and 1.33:1 – and encoded with MPEG-4 AVC, this edition is anchored by a new 4K digital transfer from the original 35mm camera negative. The restoration, supervised by Grover Crisp at Sony Pictures and executed by Cineric using Oxbury Scanner equipped with wetgate processing, ensures that fidelity to the original film is maintained while achieving the highest quality visuals possible.
The restoration work impressively addresses previous shortcomings, such as blockiness and sharpening artifacts seen in earlier releases, creating a flawless contrast and depth. Nighttime sequences, which were previously problematic, now boast improved shadow definition and clarity. Furthermore, the consistent grain enhances the film’s texture without being intrusive. Critically, the clean source material shows no debris, scratches, or damage marks, enhancing visual immersion without digital distractions.
Boris Kaufman's Oscar-winning cinematography has been faithfully preserved and highlights Criterion's meticulous attention to detail in highlighting the frigid winter scenes, atmospheric street views, and gritty dockside exteriors. Despite occasional minor noise in some solid backgrounds and slight softness in certain scenes, the overall image quality remains superior. The grayscale consistency and denser blacks especially enrich indoor shots, while external night scenes benefit from shadowy depth. Close-ups reveal stunning details, from Brando's emotive expressions to the intricate textures of the laborers' attire and the surrounding environments. Criterion's presentation of On the Waterfront in this Blu-ray release ensures an unmatched visual experience for both film purists and modern audiences.
Audio: 78
Criterion's Blu-ray release of "On the Waterfront" features two audio tracks: English LPCM 1.0 and English DTS-HD Master Audio 5.1. Both tracks provide distinctly unique audio experiences, allowing viewers to select based on preference. The English LPCM 1.0 track retains the film's original mono sound, which many purists favor for its authentic representation of the movie's initial release. This track offers a balanced combination of Leonard Bernstein's score and dialogue, free from distortions, hiss, pops, or dropouts. The dynamic movement is particularly well-presented, making the LPCM 1.0 track highly satisfying, especially in its ability to handle Bernstein's complex musical compositions.
The DTS-HD Master Audio 5.1 track, also derived from the original 35mm magnetic tracks and stereo music recordings, provides a more modernized sound experience. Although it mostly anchors the audio upfront, it utilizes rear speakers to add ambient nuances such as bar noises and exterior atmospherics. This track sounds smoother and warmer compared to the monaural option. Elements like bass frequencies from foghorns and truck rumbles, along with accents like shattering glass and screeching tires, are delivered with exceptional clarity and weight. The broader soundstage offered by the DTS-HD Master Audio 5.1 enhances the film score's richness and adds depth to the overall sound landscape, offering a slightly different auditory dimension.
Both audio tracks are meticulously crafted and maintain high fidelity to the original film score by Leonard Bernstein. The dialogue is clear and stable on both tracks, although occasional mumbling due to actor accents and certain crescendos in the music might pose minor challenges. Overall, Criterion has succeeded in providing high-quality audio options that complement this cinematic classic. Selecting between the LPCM 1.0 and DTS-HD Master Audio 5.1 tracks will largely depend on whether one prefers a more traditional or an enriched modern audio experience.
Extras: 97
Criterion's Blu-ray release of "On the Waterfront" comes with a substantial array of supplemental content that provides an exhaustive exploration of the film's historical, technical, and cultural contexts. These extras include insightful interviews and documentaries with luminaries such as Martin Scorsese and Eva Marie Saint, offering in-depth analyses of director Elia Kazan's methods, the film's production nuances, and the impact of Method acting. Further, notable figures like film historian Richard Schickel and critic Kent Jones share their expertise, enriching the viewer’s understanding of this classic movie. Furthermore, the inclusion of contextual features on the multiple aspect ratios and Leonard Bernstein’s score highlights Criterion’s dedication to film preservation and education.
Extras included in this disc:
- Martin Scorsese and Kent Jones: Discussion on Elia Kazan's film and its impact.
- Elia Kazan: An Outsider: 1982 documentary on Kazan’s life and career.
- I'm Standin' Over Here Now: Documentary with film scholars discussing the film.
- Eva Marie Saint: Interview with the actress on her experiences during production.
- Elia Kazan: Archival interview with Kazan.
- Thomas Hanley: Interview with a local actor from the film.
- Who is Mr. Big?: Insight into the real-life influences behind the story.
- Contender: Mastering the Method: Examination of the famous taxicab scene.
- Leonard Bernstein's Score: Analysis of Bernstein's only film score.
- On the Aspect Ratio: Explanation of the film's multiple aspect ratios.
- Trailer: Original theatrical trailer.
- Commentary: Audio commentary by Richard Schickel and Jeff Young.
- Booklet: Featuring an essay and historical documents related to the film.
Movie: 97
Elia Kazan’s 1954 film, On the Waterfront, is an exemplar of classic cinema, significantly contributing to the landscape of American film with its potent narrative and brilliant direction. This cinematic gem centers on Terry Malloy, portrayed by Marlon Brando, an ex-boxer whose life lacks direction until he unwittingly becomes involved in a murder orchestrated by the corrupt union boss, Johnny Friendly. The film depicts Terry's intensifying moral struggle, accentuated by his interactions with Edie Doyle, the victim's sister, and Father Barry, a determined local priest. The film's layered narrative, inspired by Budd Schulberg’s original story and Malcolm Johnson’s investigative articles, unravels amidst the gritty realities of Hoboken’s docks. It's a riveting exploration of conscience, loyalty, and redemption.
Visually, the film bears the hallmarks of Italian neorealism, with Boris Kaufman’s adept cinematography capturing the raw and sometimes bleak essence of dockside life. The film’s authenticity is heightened by its use of real longshoremen as extras and its on-location shoots in Hoboken. This documentary-like realism melds seamlessly with film noir elements, creating high emotional stakes and suspense. In concert with this is Leonard Bernstein’s poignant score—his only work composed for a non-musical film—which fuses melancholic horn solos with dynamic jazz themes, amplifying the film’s emotional landscape.
The performances are universally lauded, with Marlon Brando delivering what is widely considered one of his finest roles. Brando’s Terry Malloy is a complex mix of toughness and vulnerability that resonates deeply. Eva Marie Saint's portrayal as Edie Doyle is both tender and resolute, establishing her as a significant talent. Karl Malden, Rod Steiger, and Lee J. Cobb provide stellar support, creating vivid portrayals that contribute to the film’s tense, emotionally charged atmosphere. This blend of realistic performances, meticulous direction, and compelling narrative cements On the Waterfront as an enduring cinematic masterpiece.
Total: 84
Criterion’s rendition of Elia Kazan's "On the Waterfront" on Blu-ray is nothing short of a triumph. The restoration in 4K brings an unparalleled visual quality, ensuring that the film appears more vibrant and crisp than ever before. The meticulous attention to detail in the transfer highlights the film’s naturalistic photography, from its extensive location shooting to the compelling close-ups that underscore Marlon Brando's career-defining performance. This two-disc set not only preserves the integrity of a cinematic masterpiece but enhances it, spotlighting the film’s authentic look and feel, which echoes its powerful themes of corruption and redemption.
The Blu-ray set comes packed with an impressive array of supplemental features, many of which are brand new and exclusive to this release. These extras provide a deep dive into the film’s production, context, and lasting impact, making it an invaluable addition for fans and scholars alike. The high-def presentation features exceptional video and audio transfers, further reinforcing Criterion's commitment to quality. Viewers are not only treated to a visual feast but also gain extensive insights into the film's significance and the craftsmanship behind it, enhancing the overall viewing experience.
In conclusion, Criterion's presentation of "On the Waterfront" stands as one of the best releases in recent memory. It is a masterfully produced package that does justice to one of American cinema’s true greats, ensuring its relevance for contemporary audiences while honoring its historical importance. Highly recommended, this Blu-ray release is more than just a collector's item; it is an absolute must-own for anyone serious about film. Enjoy.
Blu-ray.com review by Dr. Svet AtanasovRead review here
Video: 100
Additionally, the 1.67:1 version of On the Waterfront appears on Disc 1 with all of the supplemental features, while the 1.85:1 and 1.33:1 versions appear on Disc 2....
Audio: 100
Despite some obvious improvements in terms of depth on the English DTS-HD Master Audio 5.1 track, I still prefer the English LPCM 1.0 track....
Extras: 100
Martin Scorsese and Kent Jones - in this conversation, recorded exclusively for Criterion in 2012, director Martin Scorsese and critic Kent Jones discuss Elia Kazan's On the Waterfront, its production...
Movie: 100
Assisted by Father "Pete" Corrigan, a labor priest and associate director of the Xavier Institute of Industrial Relations, Johnson was able to expose the dirty dealings of the man who controlled the entire...
Total: 100
This two-disc Blu-ray set also arrives with an impressive selection of supplemental features, many of them brand new and exclusive, easily making the release one of the best produced by a North American...
The Digital Bits review by Tim SalmonsRead review here
Video: 100
Audio: 100
While the 5.1 track does add some new depth to the overall sound landscape, the purist in me prefers the original mono track, which is about as perfect as mono can get....
Extras: 100
Movie: 100
It not only helped its director by renewing his integrity with his peers after his cooperation with the House Un-American Activities Committee (HUAC), but it also made its star a pillar of respected talent...
Total: 100
The film was already a masterpiece, but Criterion went the extra step and gave it even more special treatment....
High-Def DigestRead review here
Video: 80
Some of the solid backgrounds, especially the sky, appear a little noisy at times, and a few scenes suffer from a nagging bit of softness, but on the whole, the image is clear and well modulated....
Audio: 80
Aside from a bit of surface noise afflicting the opening credit sequence, the track is free of any age-related imperfections, such as hiss, pops, and crackles, and pumps out solid audio....
Extras: 100
Kazan remembers "hanging out in Hoboken" to absorb the attitudes of the dock workers and meeting a real-life prototype of Terry Malloy; how producer Darryl F. Zanuck, despite his penchant for socially...
Movie: 100
A forerunner of the kind of independent picture that would one day become Oscar's darling, 'On the Waterfront' used its low budget, stark locations, and blue collar actors to its advantage, weaving them...
Total: 80
From the opening frames straight through to its brutal and inspiring finish, 'On the Waterfront' proves it's way more than a contender; it's one of Hollywood's truly great films, and an absolute must own....
Director: Elia Kazan
Actors: Marlon Brando, Karl Malden, Lee J. Cobb
PlotTerry Malloy, a former prizefighter, works as a longshoreman on the docks of Hoboken, New Jersey, ruled by the corrupt and brutal mob boss Johnny Friendly. Terry's brother Charley is Friendly’s right-hand man, which complicates Terry's loyalty to the gang. After witnessing the murder of a fellow worker who was planning to testify against the mob, Terry grapples with his conscience and his role in the violence that dominates the docks. Edie Doyle, the murdered worker's sister, urges Terry to pursue justice, which makes him reevaluate his life choices and the company he keeps.
Meanwhile, Father Barry, a local priest, becomes a staunch advocate for the exploited dockworkers and encourages them to stand up against the corruption that controls their lives. As Terry becomes increasingly close to Edie and influenced by Father Barry's moral guidance, he faces mounting pressure from Friendly's gang to remain silent. Torn between loyalty to his brother and the desire to do what is right, Terry must decide whether to protect himself by conforming to the corrupt surroundings or to risk everything by taking a stand against the violence and corruption that plague the waterfront.
Writers: Budd Schulberg, Malcolm Johnson, Robert Siodmak
Release Date: 22 Jun 1954
Runtime: 108 min
Rating: Approved
Country: United States
Language: English, Latin