One, Two, Three Blu-ray Review

The Blu Ray presentation of "One, Two, Three" employs the AVC codec in a stunning 1080p transfer, preserving the Panavision aspect ratio of 2.35:1. While not particularly a visually immersive movie, this transfer excels in highlighting performances over cinematographic style. It successfully captures depths within open sets and urban locations, maintaining a sharp visual fidelity that allows for detailed scrutiny of the actors' performances and costuming, though some minor blurriness is evident in close-ups. The film's source print is in commendable shape, showing no significant damage, though occasional flecks, debris, flickering, and line twitters remind viewers of its age.

The grayscale rendition in this transfer is notably commendable, offering robust black levels and clean whites, giving the image a strong contrast that enhances the overall visual experience. Delineation is largely preserved, although it doesn’t always fully solidify. However, what it lacks in high-definition sharpness it compensates for with an authentic cinematic texture that does justice to the film's period. The Blu Ray has thoughtfully been broken down into 8 chapters, facilitating navigation through this timeless classic. Overall, despite a few minuscule flaws, the meticulous approach to the video's preservation and presentation results in a visually satisfying experience for viewers.

The DTS-HD Master Audio 2.0 sound mix on the Blu-ray release of "One, Two, Three" exhibits a remarkably balanced audio performance, managing to avoid distortive extremes despite the film's inherently high-energy delivery. The comedic pacing and timing are precisely captured, offering clear and distinct individual performances while maintaining a well-ordered group dynamic. The dialogue is delivered with strong clarity, ensuring that each interaction contributes effectively to the comedic experience. Although the scoring isn't exceptionally precise, it admirably supports the film's spirited tone, showcasing Andre Previn’s adaptations, including “Sabre Dance” and novelty tunes like “Yes, We Have No Bananas,” with reasonably defined instrumentation.

Atmospherically, the mix provides a satisfying experience with a slight echo that gives a sense of space without overwhelming the audio landscape. Sound effects are appropriately placed, enhancing critical moments without distracting from the dialogue or performances. The instrumental backing complements the on-screen action well, amplifying the manic energy of the feature without any noticeable age-related artifacts such as hiss or crackle. Overall, the DTS-HD MA 2.0 mono mix maintains a high standard of audio fidelity for its era, making it an enjoyable auditory experience for viewers.

The Blu-Ray extras for "One, Two, Three" provide a rich and insightful deep dive into the film's production, its political backdrop, and commentary from key figures. Film historian Michael Schlesinger's audio commentary is particularly noteworthy, offering valuable context about the leading players, production challenges, and the reception of the film. Supplementary interviews with Billy Wilder reveal fascinating insights into his directorial approach and political views, adding depth to the understanding of the film's creation and its historical context. The inclusion of trailers further enhances the historical value of this collection.

Extras included in this disc:

• Audio Commentary: Michael Schlesinger delivers detailed insights into production and reception.
• Billy Wilder and Volker Schlondorff Discussing 'One, Two, Three': Brief interview clips exploring the making of the movie.
• Billy Wilder on Politics and 'One, Two, Three': Highlights production issues related to the Berlin Wall and shares Wilder's humorous reflections.
• Theatrical Trailer: Original promotional trailer for "One, Two, Three."
• Promo Trailers: Trailers for "Witness for the Prosecution," "The Private Life of Sherlock Holmes," and "The Gallant Hours."

Billy Wilder’s "One, Two, Three" presents a vibrant fusion of frenetic pacing and Cold War satire, positioning itself as a unique follow-up to the acclaimed "The Apartment." Scripted by Wilder and I.A.L. Diamond, this farcical comedy unfolds in pre-Berlin Wall Germany and capitalizes on the razor-sharp timing of its dialogue. The narrative focuses on C.R. MacNamara, a Coca-Cola executive played by James Cagney, whose ambitions are derailed by the political climate and the antics of his boss’s daughter. The film’s theatrical feel, driven by rapid interplay and broad performances, ensures that the absurdity remains relentless, with Wilder skillfully refusing to introduce any lull in the action.

Cagney’s portrayal of MacNamara is particularly compelling, demonstrating an impeccable ability to maintain the relentless speed required by the role. Known for his dynamic energy, Cagney propels the narrative through a series of escalating complications, from dealing with a rebellious protégé to navigating the perils of Soviet relations. The interplay between Cagney and Horst Buchholz’s Otto Piffl, a fervent Communist-turned-capitalist, adds depth and humor, though some transformations may stretch credibility. Filmed in Berlin, with Aram Khachaturian’s “Sabre Dance” amplifying the pace, Wilder's comedic masterpiece is as exhausting to watch as it must have been to perform, reflecting why Cagney retired for two decades shortly after.

Beyond its rapid-fire dialogue, "One, Two, Three" leverages iconic Cold War imagery to amplify its satirical edge. References to Khrushchev, Castro, and Stalin alongside serious cultural symbols like Sputnik and Yuri Gagarin lend authenticity and underscore the era's tension. The film balances its verbal gymnastics with physical comedy, particularly in scenes where characters race through Berlin amid police chases. Notably, supporting performances—such as Arlene Francis as MacNamara’s wife and Hanns Lothar as his loyal assistant—enhance the chaotic charm, ensuring the film remains a whirlwind tour-de-force of 1960s cinematic satire.

Billy Wilder's "One, Two, Three" presents an exquisite blend of rapid-fire comedy and incisive satire that warrants multiple viewings to fully appreciate its nuanced humor and pointed commentary on Cold War politics. This Blu-ray release from Kino Lorber is a true gem, delivering pristine video quality and impeccable sound that enhance the viewing experience. The meticulous attention to detail in the restoration process ensures that every scene bursts with clarity, capturing Wilder's dynamic direction and the vibrant performances of the cast. The visual sharpness and excellent sound design facilitate an immersive revisitation of this 1961 classic.

The film’s intricate layers of comedy derive from a script dense with puns and political jabs, observing the absurdities of both Eastern and Western ideologies during the Cold War era. James Cagney’s energetic performance, coupled with Wilder's brisk pacing, ensures that viewers are kept thoroughly engaged, even if the relentless tempo occasionally borders on overwhelming. This Blu-ray edition highlights these qualities superbly, with supplementary materials that provide valuable context and enhance the appreciation of Wilder’s deft touch.

Perhaps "One, Two, Three" may come across as slightly outdated in its humor and potentially offensive in its caricature of historical elements such as Nazi influences and torture tactics. However, these elements are presented in an overtly exaggerated manner, underscoring the film's satirical nature rather than delivering any serious critique. While the comedy may not elicit constant laughter, its cleverness and Wildean wit make it a fascinating study in post-World War II filmmaking.

In conclusion, "One, Two, Three" stands as a testament to Billy Wilder's ingenuity and boldness in tackling politically sensitive themes through satire. Although not everyone may find it laugh-out-loud funny, its wit and pace are commendable. The Blu-ray release by Kino Lorber enhances every aspect of this film, making it a valuable addition to any collection and well worth multiple viewings.