Kansas City Blu-ray Review

Arrow Academy's Blu-ray presentation of "Kansas City" comes with an AVC encoded 1080p transfer in a 1.78:1 aspect ratio, derived from a 2K master supplied by MK2. The transfer excels in delivering considerable detail, particularly evident in textural elements such as the intricate patterns on characters' clothing and the wear on saxophones. However, the color palette feels somewhat subdued at times, which can be attributed to the film’s darker lighting conditions. More lively tones emerge in scenes set during the day, providing a stark contrast to the film's generally dim aesthetic. Grain management is natural throughout, though some of the darkest scenes are marred by periodic crush. Impressively, compression anomalies remain minimal.

Despite its strengths, the transfer is not without flaws. The outdated master exhibits DVD-era artifacts including small sharpening enhancements that affect grain structure, leading to visible halos. Processing smearing is present but not overwhelmingly so, although these imperfections impede potential detail and texture vibrancy, rendering some scenes less natural. Nevertheless, color reproduction remains strong. The primary hues stand out against the film’s overall gloomy visual style, enhanced by robust black levels and pleasing contrast peaks, particularly within club scenes where light sources delicately penetrate shadowy backgrounds.

The soundtrack of "Kansas City" is meticulously crafted to enhance its musical elements, with both LPCM 2.0 and DTS-HD Master Audio 5.1 tracks meticulously supporting the film’s intricate audio landscape. The surround track expands the soundstage, offering not just superior music quality but also capturing the ambience of background conversations within club scenes. Dialogue is rendered with clarity and precision throughout, with no detectable issues such as distortion or dropouts.

The English 5.1 DTS-HD and English 2.0 LPCM tracks each offer distinct auditory experiences with English SDH subtitles available as an option. While the 5.1 track extends audio distribution across more channels, it primarily functions as a stereo fold-out and doesn’t significantly enhance surround effects. Dialogue remains strong, ensuring that speech is consistently audible and clear. The jazz elements are crisp, contributing vibrancy to the film's aural presentation. However, sound effects such as gunfire lack authoritative punch, which though understandable given the film's nature, could be seen as a missed opportunity for greater immersion.

Although both stereo and 5.1 tracks in DTS-HD deliver high fidelity, the 5.1 track subtly assists in diversifying auditory elements like thunder and rain, which enhances the jazz music's placement within scenes. Nevertheless, overall mixing lacks depth, with bass response failing to fully energize the soundtrack, leading to potential diminishment of the musical experience which is pivotal in "Kansas City". This oversight in providing a robust, energetic mix might be considered a shortfall, especially given the film's reliance on its musical dynamism.

The extras on the "Kansas City" Blu-ray provide an expansive and in-depth look into the film’s production, themes, and the broader career of director Robert Altman. Highlights include an insightful audio commentary by Altman himself, re-edited from an interview, covering everything from production details to music and performance critiques. Geoff Andrew's 25-minute feature discusses not just the film but Altman's entire career trajectory. Luc Lagier's visual essay "Gare, Trains et Déraillements" offers a French perspective on the film, complete with English subtitles. The Electronic Press Kit adds further depth with interviews of Altman and the cast, alongside behind-the-scenes footage. Fans will appreciate the diverse range of trailers and image galleries, showcasing on-set photos and promotional artwork.

Extras included in this disc:

• Commentary by Robert Altman: Edited interview covering production, music, performances.
• Geoff Andrew on Kansas City: Critic’s thoughts on film and Altman's career.
• Introduction: Brief French introduction to the film.
• Gare, Trains et Déraillements: French visual essay with English subtitles.
• Robert Altman Goes to the Heart of America: Part of the EPK, brief feature.
• Kansas City: The Music: EPK feature centered on the film’s music.
• Interviews: With Altman, Jennifer Jason Leigh, Miranda Richardson, Harry Belafonte, Joshua Redman.
• Behind the Scenes: Short EPK footage.
• Trailers and TV Spots: Various international and US versions.
• Image Gallery: Collection of 26 behind-the-scenes photos and promotional items.

Robert Altman's "Kansas City," often considered a minor work in his filmography, offers a meticulously crafted look into Depression-era Kansas City. Released in 1996, this film transcends a simple kidnapping narrative to capture a complex American zeitgeist. The primary storyline features Blondie O'Hara (Jennifer Jason Leigh), a tough character whose husband Johnny (Dermot Mulroney) is taken by local gangster Seldom Seen (Harry Belafonte) due to a foiled robbery attempt. Blondie kidnaps Carolyn Stilton (Miranda Richardson), the wife of politician Henry Stilton (Michael Murphy), hoping to leverage her capture for Johnny's release. The film's jazz-infused score, embodied by excellent performances from Joshua Redman, Craig Handy, and James Carter, adds a layer of authenticity and vibrancy to the narrative.

Visually and aesthetically, "Kansas City" feels rooted in its 1930s setting, eschewing any '90s cinematic trends. The film's methodical pacing, lush production design, and atmospheric details vividly recreate the period. Jazz music serves as the film’s lifeblood, complementing the noir-esque ambiance set against billowing cigarette smoke and the seedy backdrop of The Hey-Hey Club. Altman’s ensemble approach pans across various subplots, incorporating tangents that enrich but sometimes overshadow the primary narrative. Notably, Jennifer Jason Leigh’s distinctly mannered performance sharply contrasts with Miranda Richardson’s subdued portrayal of Carolyn, creating a dynamic interplay that underscores themes of trust and desperation.

Altman's aim is not only to portray a captivating story but also to present a broader commentary on socio-political dynamics and historical events. The film intricately weaves in elements of racial tension, political intrigue, and personal despair. While opinions may vary on the cohesiveness and entertainment value of the narrative structure, Altman's dedication to authentic storytelling and era-specific detail provides an immersive cinematic experience. The film may not have been widely acclaimed, but its richly layered character interactions and evocative period setting make it a significant entry in Altman's oeuvre.

Robert Altman's "Kansas City" is a captivating exploration of the 1930s jazz scene, imbued with a rich atmosphere of nostalgia and undercurrents of socio-political tension. The Blu-ray release by Arrow offers a commendable technical package that showcases Altman’s meticulous attention to auditory detail. The audio, in particular, stands out, providing an immersive experience that accentuates the film’s Jazz Age setting.

The supplementary materials on this release are substantial and well-curated. A re-edited interview commentary with Robert Altman delves into various aspects of the film’s production, music, and performances. Geoff Andrew’s analysis offers a balanced critique of Altman’s career and the film's nuances. Luc Lagier’s French video essay, "Gare, Trains et Deraillements," offers an additional perspective on the film’s themes. The EPK material and extensive image gallery further allow viewers to gain insight into the behind-the-scenes activities and the enthusiastic cast and crew.

Altman completists will certainly want to check out "Kansas City," but, as Geoff Andrew notes, this is one Altman effort that doesn't seem to hit the bullseye for many viewers. However, the technical merits, especially the audio, are solid, and the supplementary package provides intriguing material, maintaining Arrow’s high standards.