Boy Blu-ray Review
Score: 64
from 3 reviewers
Review Date:
"Boy" on Blu-ray showcases Taika Waititi's growth as a filmmaker, offering a personal, affecting narrative with quality supplements—highly recommended despite varied reception.
Disc Release Date
DTS-HD MA
Video: 62
Kino-Lorber's Blu-ray of 'Boy' delivers a clean and natural 1080p/AVC-encoded transfer with unobtrusive film grain, excellent clarity, and vivid colors that highlight the film's settings. Despite occasional issues with contrast in the first half, the image becomes consistent and clear by the end, enhancing Waititi's vision.
Audio: 63
Boy's audio presentation offers two DTS-HD Master Audio options, a 5.1 surround mix and a 2.0 stereo track, with the 5.1 mix preferred for its ambient use of rear channels and balanced clarity. However, dialogue can be challenging due to heavy accents, and the absence of subtitles is a notable drawback.
Extra: 63
The Blu-ray Extras of 'Boy' present Waititi's Academy Award-nominated short, 'Two Cars, One Night,' as a precursor to 'Boy,' emphasizing key themes in a brief 12-minute span, while offering extensive behind-the-scenes interviews and B-Roll footage providing in-depth insights into the film's creation, casting, and the director’s background.
Movie: 72
Boy is a heartfelt and whimsical coming-of-age film by Taika Waititi that brilliantly merges humor, nostalgia, and melancholy, capturing the complexities of father-son relationships and the bittersweet transition from childhood to adulthood against the backdrop of 1980s rural New Zealand.
Video: 62
The Blu-ray release of Boy boasts a 1080p/AVC-encoded transfer that remains clean, natural, and faithful to its 35mm origins. A key highlight is the preservation of film grain, which enhances rather than detracts from the viewing experience. The picture, untouched by DNR, is free of edge enhancement and other filtering artifacts, maintaining a genuine film-like appearance. While there are occasional specks and shadow noise, these imperfections are minimal and hardly distracting. The transfer reflects a hands-off approach, typical of Kino Lorber, which works well for a relatively modern film like this. Despite some instances of softness, clarity remains commendable, particularly in closeups, revealing fine textures and details.
However, contrast consistency emerges as a minor issue. In the first half of the film, there are moments where contrast levels appear low, resulting in a slightly hazy image with somewhat washed-out colors. These issues largely resolve themselves in the latter half, transitioning into a clearer and more consistent image. The grading leans towards a neutral palette, delivering a realistic and beachy aesthetic that aligns perfectly with the film's tone and setting. Vivid colors and depth are present, especially in outdoor scenes and closeups where fine detail shines through. Overall, despite its minor drawbacks, the Blu-ray presents Boy with a level of visual fidelity that does justice to Taika Waititi's vision and the distinct environment depicted in the film.
Audio: 63
Kino Lorber offers two audio options for "Boy" on Blu-ray: a 5.1 surround mix and a 2.0 stereo track, both presented in the DTS-HD Master Audio codec. While the 2.0 track performs adequately, the 5.1 presentation stands out, provided you have an appropriate home theater setup. Despite not being an action-heavy film, the surround sound excels in creating an immersive experience with ambient effects such as lapping water, distant thunder, and ambient party noises. The audio mix also benefits greatly from the film's poignant score by New Zealand indie band The Phoenix Foundation and era-appropriate music, enhancing the overall atmosphere of the film.
The sound design is balanced, ensuring dialogue remains consistently clear and comprehensible. However, viewers unfamiliar with New Zealand accents might find some dialogue challenging to understand, as no subtitles are provided. While generally impressive, the 5.1 mix occasionally lacks robustness, particularly due to the natural limitations of child actors' vocal range. Nevertheless, the surround sound effectively uses the rear channels to create depth and spatial dynamics, especially noticeable in musical sequences.
On a technical level, although the film leans heavily on dialogue with minimal use of dramatic sound effects, it manages to maintain clarity and presence throughout the soundtrack. Dialogue-driven scenes benefit from clean channel outputs, with the music standing out as rich and immersive across the audio spectrum. Despite minor shortcomings in terms of energy and power, the mix is well-balanced, allowing for volume adjustments without distortion. Overall, the audio presentation in "Boy" demonstrates thoughtful sound design that complements its narrative and visual elements effectively.
Extras: 63
The Blu-ray extras of "Boy" offer a revealing glimpse into Taika Waititi's creative process and the film’s development. Two Cars, One Night: A Short by Taika Waititi is an Academy Award-nominated black-and-white short that explores an early version of characters similar to those in "Boy," providing insight into Waititi's thematic intentions. The Interviews and B-Roll Footage deliver in-depth conversations with Waititi and the cast, including insights from producer Cliff Curtis, enhancing understanding of the film’s casting and development despite somewhat disorganized editing. The Theatrical Trailer rounds off the extras with a promotional overview of the film.
Extras included in this disc:
- Two Cars, One Night: A Short by Taika Waititi: An Oscar-nominated black-and-white short offering a thematic precursor to "Boy."
- Interviews and B-Roll Footage: Extensive behind-the-scenes material featuring interviews with Taika Waititi, the cast, and producer Cliff Curtis.
- Theatrical Trailer: Promotional trailer for the film.
Movie: 72
Taika Waititi's "Boy" stands as an emotionally resonant coming-of-age tale set against the vibrancy and desolation of 1984 rural New Zealand. The narrative unfolds with an eleven-year-old Maori boy named Boy (James Rolleston), who is tasked with caring for his younger brother and several cousins in the absence of their Nana, who is away attending a funeral. Boy idolizes his estranged father, Alamein (Waititi), and the connection they share with Michael Jackson. However, Alamein's return, ostensibly to reconnect, is actually driven by his search for stolen money buried on their property. Waititi skillfully interweaves humor and poignancy, capturing Boy's tumultuous journey from hero worship to a heartbreaking confrontation with his father's true nature.
Waititi draws heavily from semi-autobiographical elements, imbuing the film with a rich sense of place and time. The film masterfully highlights the stark contrasts of rural poverty set against New Zealand's stunning landscapes. This contrast accentuates the grim reality of Boy's life, juxtaposed with his imaginative escapism through daydreams styled after Michael Jackson music videos. Waititi's portrayal of Alamein as a charismatic yet deeply flawed figure offers a compelling study in the immature desperation to reclaim fatherhood. This nuanced depiction prevents the character from becoming a caricature, allowing for profound character dynamics that explore themes of loss, identity, and maturation.
The film's unique charm also lies in its stylistic choices—animated sequences resembling children's drawings and whimsical re-enactments that bring Boy's imaginative world to life. The blend of sentimentality and humor ensures the story remains engaging without tipping into saccharine territory. Rolleston’s performance anchors the film, providing an earnest portrayal of an innocent boy grappling with adult disillusionment. Ultimately, "Boy" emerges not just as a personal narrative for Waititi but as a universal exploration of childhood and familial bonds, enhanced by its historical and cultural specificity.
Total: 64
Kino Lorber’s Blu-ray release of Boy marks the long-awaited arrival of Taika Waititi’s 2010 New Zealand coming-of-age film to the U.S. market. This film masterfully balances humor and emotion, drawing comparisons to Beat Takeshi’s Kikujiro while showcasing Waititi’s growth as a skilled storyteller and filmmaker. Waititi’s unique voice, shaped by his heritage and personal experiences, is evident throughout the narrative, adding layers of authenticity that elevate the film beyond its straightforward plot. The disc also includes Waititi's acclaimed Academy Award-nominated short, Two Cars, One Night, which is a delightful bonus.
For those with a more cynical disposition, Boy might need a little extra effort to fully win them over. While it isn't a groundbreaking film, it certainly has a potent emotional impact that resonates with many viewers. The film’s charm lies in its simplicity and the genuine feelings it evokes. Regardless of initial expectations, it’s worth giving this Blu-ray a spin and forming your own opinion.
Kino Lorber has curated a well-crafted package with limited but high-quality supplements that enhance the viewing experience. While not everyone may find the film appealing, there is an undeniable charm and authenticity that can cater to a wide range of tastes. The nuanced storytelling and cultural richness make this Blu-ray release an intriguing addition to any collection.
In conclusion, Boy is a poignant, humorous, and personal film that showcases Taika Waititi's evolving talents as a filmmaker. Despite varying receptions, its emotional depth and simple charm make it a memorable viewing experience. Kino Lorber’s Blu-ray release, bolstered by excellent additional content, comes highly recommended for both fans and newcomers alike. It stands out as a noteworthy release this month.
Blu-ray.com review by Casey BroadwaterRead review here
Video: 80
As usual, Kino's approach is very hands-off here, and while that can occasionally be a bad thing for some of their older titleswhich could use a little digital restoration and polishit's the ideal tact...
Audio: 80
This isn't an action or effects-heavy film by any means, but the sound design does make frequent use of the rear channels for scene-setting ambience, from lapping water and distant thunder to party noise...
Extras: 60
Two Cars, One Night: A Short by Taika Waititi (HD, 11:45): Waititi's Academy Award-nominated short is a fleeting interaction between a young boy and girl waiting in respective cars for their parents outside...
Movie: 80
the two briefly become a kind of Lone Wolf and Cub duo, hanging out together, pretending to be soldiers storming a beachfront, and generally enjoying one another's company....
Total: 80
This is a movie that's funny and affecting in equal measureat times, it reminded me of Kikujiro, the great 1999 family comedy/drama from Beat Takeshiand...
The Digital Bits review by Tim SalmonsRead review here
Video: 90
Audio: 95
This isn’t about great sweeping surround activity from speaker to speaker, but there’s some very nice ambience to be heard, as well as the film’s music....
Extras: 80
Movie: 85
Boy idolizes his father (and Michael Jackson), but over the course of the film, Boy grows up and learns to deal with his uncaring father and be a stronger person....
Total: 88
I know it’s not meant to be anything more than what it is and that you’re meant to feel something, and you do, make no mistake, but I took the disc out of my disc drive feeling a bit indifferent towards...
High-Def DigestRead review here
Video: 60
Still, given the limitations the production likely faced, this Blu-ray comes through with a nice looking, but sometimes-inconsistent image that manages to highlight the specific locations of the film in...
Audio: 60
That being said, and although this is primarily a dialogue driven film, there are some nice instances where the sound comes through crystal clear, and even spreads out across the various channels to create...
Extras: 60
– This is a rather extensive behind the scenes/making of that offers considerable insight from Waititi as to how the film came about, his casting process (in which he details that Rolleston only landed...
Movie: 60
Boy and Alamein are initially drawn to one another through the appeal of firsts: Alamein gets to act like a father for the first time and enjoy the unrelenting adulation that role is granted by one's children,...
Total: 60
'Boy' probably isn't autobiographical, but it does illustrate the director's understanding of where he comes from and how it shaped his view of the larger world, so, in that sense, the film may be more...
Director: Taika Waititi
Actors: James Rolleston, Te Aho Eketone-Whitu, Taika Waititi
PlotIn 1984 on the east coast of New Zealand, an imaginative and Maori boy named Boy idolizes his absent father, Alamein, and the legendary feats he believes his father has accomplished. Living with his younger brother Rocky and his grandmother, Boy creates an idealistic image of Alamein to cope with the pain of abandonment. His days are filled with adventures, mischief with friends, and fantasies of reconnecting with his father. However, their lives take an unexpected turn when Alamein unexpectedly returns home after a stint in jail. Boy initially views this as the moment all his dreams come true, believing Alamein's return will bring excitement and change their lives for the better.
Alamein's homecoming, however, turns out to be less about family and more about finding a bag of money supposedly buried in the backyard. As Boy begins to spend more time with his father, he slowly realizes the man he has idolized is flawed and self-centered. Despite this, Boy desperately tries to reconcile the reality of who Alamein is with the hero he envisioned. While also dealing with the everyday challenges of growing up and taking care of Rocky, Boy faces the harsh truth about his father and what it means for his future. Throughout this period of revelation, Boy learns critical lessons about himself, family, and the importance of facing reality with resilience.
Writers: Taika Waititi
Release Date: 25 Mar 2010
Runtime: 87 min
Rating: Not Rated
Country: New Zealand
Language: English, Maori