Seconds Blu-ray Review

Criterion's release of John Frankenheimer's "Seconds" is presented in its original aspect ratio of 1.75:1 with a 1080p transfer, exhibiting the impeccable work of a recent 4K restoration. Encoded with MPEG-4 AVC, this high-definition transfer was developed from the original camera negative using a SCANITY film scanner and underwent restoration at 2K resolution. The attention to detail is impressive; fine elements such as pores, wrinkles, and textures on clothing are rendered with fantastic precision. This meticulously restored version removes almost every instance of dirt, debris, scratches, and flicker, resulting in a visually pristine experience.

James Wong Howe's cinematography is magnificently showcased, revealing an extraordinary depth and richness in the black and white palette. Blacks are deep and inky, whites are bright and pristine, and a broad range of greys provides a natural seamless flow that enhances each scene's aesthetic appeal. Whether in close-ups or wide shots, the clarity remains consistently high, displaying remarkable contrast levels throughout the film. The grain structure adds an organic and noir-like texture that complements the thematic elements masterfully, further enhancing the overall viewing experience.

Overall, Criterion's Blu-ray transfer of "Seconds" is a top-tier example of how classic film should be presented in the modern high-definition format. The 4K restoration efforts have paid off significantly, as the film exudes an incredible depth of detail and tonal brilliance that stands out among Criterion's other notable black and white restorations like "Marketa Lazarová" and "A Man Escaped". This release underscores Criterion's dedication to preserving cinematic history while leveraging cutting-edge technology to deliver an exceptional viewing experience.

The audio presentation of "Seconds" on this Blu-ray release is remarkably well-executed, featuring an English LPCM 1.0 standard track. Criterion has also thoughtfully included optional English SDH subtitles for the main feature. The uncompressed monaural soundtrack functions superbly, enhancing the film's quiet and brooding atmosphere, which is primarily driven by dialogue rather than sound effects or score. Jerry Goldsmith’s ominous soundtrack plays a crucial role in key sequences, and the audio clarity and depth indicate significant remastering efforts. Dialogues are exceptionally crisp, clean, and stable, devoid of background noise, pops, or distortions.

The audio mixing is meticulously balanced, ensuring that every line of dialogue is clear and distinct. This clarity is evident to the extent that actors' voices, like that of Murray Hamilton, are immediately recognizable even without visual cues. Although there are occasional sound or atmospheric effects to heighten specific moments, these are integrated seamlessly into the overall mix without losing any detail. While some might miss the dynamics of a 5.1 mix, the monaural track effectively gets the job done without any auditory distractions or artifacts often associated with older films.

The Blu-ray extras for "Seconds" offer a comprehensive and engaging deep dive into the film's artistry and production. Alec Baldwin’s interview illuminates John Frankenheimer's unique directorial style and on-set relationships. The detailed documentary "A Second Look" with Evans Frankenheimer and Salome Jens provides insightful anecdotes about casting choices and the production history. Palmer and Pomerance’s visual essay critically dissects the film’s themes and historical context. The archival footage includes John Frankenheimer’s 1971 Canadian television interview discussing directorial challenges, and a 1965 WNBC news special where Rock Hudson shares his experiences. These extras are rounded off with a thoughtful commentary track by Frankenheimer, initially recorded in 1997, along with an illustrated booklet featuring an essay by David Sterritt.

Extras included in this disc:

• Alec Baldwin on Seconds: Baldwin discusses the unique qualities of the film and Frankenheimer's directing style.
• A Second Look: Documentary featuring interviews with Evans Frankenheimer and actress Salome Jens.
• Palmer and Pomerance on Seconds: Visual essay by R. Barton Palmer and Murray Pomerance.
• John Frankenheimer: Archival interview from Canadian television, 1971.
• Hollywood on the Hudson: Rare WNBC news special featuring Rock Hudson.
• Commentary: Audio commentary with director John Frankenheimer.
• Booklet: Illustrated booklet with an essay by critic David Sterritt.

John Frankenheimer's "Seconds" is an evocative 1966 thriller that delves into existential questions, exploring themes of youth, success, and identity through a narrative that remains hauntingly relevant. Shot in striking black and white by the legendary James Wong Howe, the film begins with Arthur Hamilton (John Randolph), a discontented middle-aged banker who stumbles upon an opportunity to reinvent himself entirely. After a cryptic interaction at Grand Central Station and coercive phone calls from a supposedly dead friend, Arthur is led to a clandestine organization known only as "The Company." Paying a substantial sum, he undergoes rigorous surgeries and identity transformations, emerging as the rejuvenated Tony Wilson (Rock Hudson).

The transformation scene is undeniably powerful, illustrating the eerie effectiveness of The Company's procedures. Hudson portrays Tony Wilson with profound disillusionment, his supposedly new life in Malibu Beach—complemented by a new identity and attractive companion Nora Marcus (Salome Jens)—eventually feeling as hollow as the former. Frankenheimer elicits discomfort brilliantly, particularly in the Bacchanalian grape-stomping sequence, which compels Tony to question the nature of his supposed happiness. Cinematographic techniques, including hand-held camera work by Howe, significantly heighten the sense of claustrophobic paranoia that underpins the film.

"Seconds" not only stands as an entry in Frankenheimer's acclaimed "paranoia trilogy" but also as a potent indictment of the consumerist pursuit of superficial notions of youth and success. Complemented by Jerry Goldsmith's hauntingly dark soundtrack, the film effectively instills an unsettling atmosphere. The superb performances by Randolph and Hudson, alongside Jens' memorable role, further elevate the narrative. Parallels to modern existential dilemmas emphasize the film's enduring relevance, making it a crucial study in how deeply personal crises can be masked by superficial transformations. Criterion's Blu-ray release does justice to this masterpiece, ensuring its technical brilliance and thematic depth resonate with contemporary audiences.

Criterion's Blu-ray release of John Frankenheimer's Seconds offers an unparalleled home viewing experience, living up to the high expectations set by previous Criterion releases like Elia Kazan's On the Waterfront. The technical presentation is remarkable, with outstanding visual and audio quality that captures every nuance of James Wong Howe’s eerie cinematography and Jerry Goldsmith’s atmospheric score. Fans who have long awaited a definitive version of this cult classic are in for a special treat, as Criterion delivers an exceptional package.

Seconds stands as a compelling psychological thriller that explores themes of identity and societal norms through its engaging narrative and strong performances, particularly Rock Hudson’s haunting portrayal. Frankenheimer's direction is masterful, weaving tension and paranoia throughout the film, aided by Saul Bass’s iconic opening credits. Originally underappreciated at the box office, it is evident why it was nominated for a Palme d’Or at Cannes—it resonates profoundly with audiences and critics alike for its daring and innovative approach.

The supplements included, albeit sparse, are both informative and engaging, enhancing the viewing experience without overwhelming it. This Criterion edition solidifies Seconds within the pantheon of must-have Blu-rays, especially for those who appreciate thought-provoking, dystopian cinema and classic filmmaking techniques.

I could not be happier with Criterion’s Blu-ray release of director John Frankenheimer’s Seconds. The technical presentation is every bit as impressive as that of Elia Kazan's On the Waterfront. Fans of Seconds who have been asking and waiting for a solid Blu-ray release are in for a very, very special treat. Buy with confidence, folks. VERY HIGHLY RECOMMENDED.