The Evil Eye Blu-ray Review
Featuring The Girl Who Knew Too Much La ragazza che sapeva troppo
Score: 60
from 2 reviewers
Review Date:
Kino Lorber's Blu-ray of Mario Bava's 'The Evil Eye' shines with distinct thriller versions, compelling commentary, and strong A/V presentation. Highly recommended.
Disc Release Date
Video: 61
Mario Bava's The Evil Eye on Blu-ray, presented in 1080p with an aspect ratio of 1.67:1, delivers pleasing depth and clarity, retaining film grain and balanced blacks, grays, and whites. Small specks, scratches, and occasional stability issues are present but don't drastically detract from the overall quality.
Audio: 66
The Blu-ray of 'The Evil Eye' boasts strong LPCM 2.0 audio tracks in both Italian and English, with excellent clarity and balance. The English track does have light background hiss and limited dynamic intensity, while the Italian track is well-balanced and free of hiss. No audio dropouts or distortions are present.
Extra: 41
The extras on The Evil Eye Blu-ray include insightful audio commentary by Tim Lucas on production history and film techniques, and original theatrical trailers for both versions of the film. Trailers are visually captivating albeit spoiler-heavy, with the Italian trailer offering a dark, atmospheric glimpse.
Movie: 71
Featuring two distinctive versions of Mario Bava's influential thriller, 'The Girl Who Knew Too Much' and 'Evil Eye,' this Region-A locked Blu-ray delivers a compelling blend of Hitchcockian suspense and Fritz Lang-inspired paranoia. With excellent performances and unique visual style, the release is both chilling and engaging.
Video: 61
Presented in an aspect ratio of 1.67:1 and encoded with MPEG-4 AVC, "The Evil Eye" on Blu-ray from Kino Video offers a visually engaging experience that largely satisfies. The 1080p transfer showcases Mario Bava's classic in high quality, with depth and clarity that are consistently pleasing. Notably, well-lit close-ups deliver excellent detail, while the darker scenes benefit significantly from improved shadow definition. Fine film grain is visibly retained throughout, ensuring that the cinematic texture remains authentic. However, viewers may notice occasional density fluctuations in the grain, though these do not detract significantly from the overall image depth. The blacks, grays, and whites are well balanced, avoiding any problematic boosting, and edge-enhancement is not a concern.
Additionally, both "The Girl Who Knew Too Much" and "Evil Eye" maintain similar technical characteristics, with minor scratches, damage marks, and dirt specks present on both transfers. The large line splitting the image during the opening credits and minor stability and transition issues are carried over from the Region-B release. Despite these minor flaws, the encoding is proficient, securing a commendable presentation of the films. The 1.77:1 framing of "The Evil Eye" allows it to shine with crystal clear visuals and detailed black-and-white cinematography, despite occasional softness and some image jitter.
"The Girl Who Knew Too Much" (framed at 1.66:1) presents a darker visual tone that enhances its ominous mood. Inky blacks and retained film grain contribute to its strong detail levels, although more specks and scratches are noticeable compared to the "Evil Eye" print. Yet, these imperfections do not significantly diminish the viewing experience. Both films make a fine transition to Blu-ray, with their respective unique visual aesthetics well-preserved for modern audiences. Overall, this Blu-ray release delivers solid video quality, balancing minor imperfections with beautiful cinematography and attention to detail.
Audio: 66
The Blu-ray release of "The Evil Eye" offers two standard LPCM 2.0 audio tracks: an Italian track for "The Girl Who Knew Too Much" and an English track for "Evil Eye." Both tracks deliver impressive aural experiences. The Italian track stands out with its excellent balance, depth, and clarity, unmarred by background hiss and digital distortions. Despite minor unevenness in areas where music enhances the tension, these fluctuations stem from the film's original sound design.
The English LPCM 2.0 track, while exhibiting some light background hiss and occasional tiny pops, maintains good clarity and depth. The music is well-balanced but lacks dynamic intensity due to production limitations. Regardless, both tracks allow dialogue, music, and sound effects to breathe naturally. "Evil Eye" feels louder and more energetic, whereas "The Girl Who Knew Too Much" has a lower register tone, adding to its dissonant and suspenseful atmosphere. Overall, the audio presentations for both films are strong, vibrant, and true to their auditory roots.
Extras: 41
The extras on the Blu-ray release of "The Evil Eye" are a valuable addition that offer a comprehensive look into the film’s production and its nuanced differences across various versions. The highlight is the audio commentary by Tim Lucas, which delves deeply into the production history, key filming locations, artistic framing and lighting techniques, and the symbolism inherent in character nomenclature and set decorations. The trailers for both the Italian and English versions are included, each offering a distinct promotional perspective, with the Italian trailer being dark and atmospheric while the English version takes a more drive-in double feature approach. These extras provide insightful context and enhance the viewing experience.
Extras included in this disc:
- Audio Commentary: In-depth discussion by Tim Lucas on the film's production and artistic elements.
- The Girl Who Knew Too Much Trailer: Atmospheric Italian trailer with imposed English subtitles.
- Evil Eye Trailer: English trailer with a drive-in double feature promotional style.
Movie: 71
Mario Bava’s The Girl Who Knew Too Much arrives on Blu-ray as a quintessential giallo thriller that expertly interlaces elements of Hitchcockian suspense and Langian paranoia. The narrative follows young Nora Davis (Letícia Román), who travels to Rome expecting a pleasant stay but becomes embroiled in a labyrinthine murder mystery. Soon after her aunt's sudden death, Nora is mugged and witnesses a murder, only for the authorities to dismiss her claims as mere imagination. With the assistance of Dr. Marcello Bassi (John Saxon) and later investigative reporter Andrea Landini (Dante DiPaolo), she embarks on a perilous quest to uncover the truth about the Alphabet Killer—a serial murderer terrorizing Rome.
Both the original Italian version and the American re-edit, Evil Eye, are included in Kino Lorber's release. The Italian original, underscored by Roberto Nicolosi, provides a more sinister and surreal experience firmly rooted in classic thriller traditions. By contrast, Evil Eye departs from this tone, incorporating new scenes and a score by Les Baxter to infuse a playful, tongue-in-cheek atmosphere reminiscent of Hitchcock.
Bava's meticulous direction shines through his use of light and shadow, cultivating an ambience that oscillates between reality and the surreal. This distinctive style set the precedent for future giallo luminaries like Dario Argento and Umberto Lenzi. With compelling performances from Román, Saxon, and Valentina Cortese, the film captivates through its blend of terror and whimsy.
Ultimately, whether one prefers the darker and more focused narrative of The Girl Who Knew Too Much or the lighter, more character-driven Evil Eye, Kino Lorber’s Blu-ray release offers a versatile viewing experience that honors Bava's influential vision. The set serves as a key piece for any serious collector or lover of classic cinema, especially those with an appreciation for the intricate storytelling and atmospheric mastery that define the giallo genre.
Total: 60
The Blu-ray release of Mario Bava's "The Evil Eye" offers a significant restoration of this influential work, bringing it to life with a stunning audiovisual presentation. Kino Lorber has skillfully included both the original Italian version, “The Girl Who Knew Too Much,” and the American re-edit, “Evil Eye”, allowing viewers to appreciate the dual sensibilities this film embodies. This unique inclusion bolsters the educational value for audiences exploring cinematic history and the evolution of thriller genre staples.
Technically, the Blu-ray provides an exceptional experience. The image restoration ensures that Bava’s distinctive style is showcased with vibrant clarity, highlighting the atmospheric nuances of his cinematography. The accompanying audio track maintains its integrity, capturing both the suspenseful and lighter moments convincingly. Of particular note is the informative commentary by Tim Lucas; his insights are invaluable for enthusiasts and film scholars alike, adding depth and context to Bava’s stylistic choices.
In conclusion, it is easy to see why Mario Bava's film "The Girl Who Knew Too Much" had such a profound impact on a number of young Italian directors -- its atmosphere was drastically different. I think that it has aged quite well, although it is clearly not as well polished as some of Bava's later films. Kino Lorber's Blu-ray release also includes the re-edited and re-scored American version of the film, "Evil Eye," but you should see it only after you have already experienced the Italian version. Whether you check out "Evil Eye" or "The Girl Who Knew Too Much," you're in for one heck of a great time. The best part of having two cuts of the same film is how differently they play to thriller sensibilities. Take your pick! With the strong A/V presentation and the incredibly informative commentary track from Tim Lucas - Kino Lorber delivers a great movie to Blu-ray in grand fashion. Highly recommended for those ready and willing to have a good time!
Blu-ray.com review by Dr. Svet AtanasovRead review here
Video: 70
Also, exactly the same minor stability and transition issues that are visible on the Region-B release are present here....
Audio: 80
There is some minor unevenness in select areas where the music is used to further enhance the tense atmosphere and the overdubbing is added up, but the fluctuations are part of the film's original sound...
Extras: 50
Audio Commentary - in this audio commentary, Tim Lucas, author of Mario Bava: All the Colors of the Dark, discusses the production history of Mario Bava's film, the key differences between the Italian...
Movie: 70
The narrative construction and the lensing, and in particular the manner in which light and shadow are treated, also suggest that Bava was very much inspired by Fritz Lang's films about Dr. Mabuse....
Total: 70
It is easy to see why Mario Bava's film The Girl Who Knew Too Much had such a profound impact on a number of young Italian directors -- its atmosphere was drastically different....
High-Def DigestRead review here
Video: 80
There is some occasional softness to the image here and there, but largely everything looks fantastic....
Audio: 80
Dialogue, music, and sound effects have plenty of room to breathe and retain that auditory delightful "Italian" feel to them....
Extras: 40
Evil Eye Trailer: (HD 2:10) this trailer is very rough, but tons of fun and does a great job marketing it like it's supposed to be part of a drive in double feature....
Movie: 80
On the other hand, 'Evil Eye' runs about eight minutes longer and restores a lot of the playful vibe to the film giving the audience a little breather to the tension....
Total: 60
The best part of having two cuts of the same film is how differently they play to thriller sensibilities....
Director: Mario Bava
Actors: John Saxon, Letícia Román, Valentina Cortese
PlotA young American woman named Nora arrives in Rome and unexpectedly witnesses a brutal murder in her hotel room. Shocked and disoriented, she reports the crime but the police dismiss her claims due to a lack of evidence. Determined to uncover the truth, Nora discovers a connection between the murder she saw and a series of unsolved killings targeting young women. As she delves deeper into the mystery, she becomes entangled with various suspicious characters, including a charming writer named Marcello and a secretive artist with a penchant for violent classic literature.
As the tension mounts, Nora's sense of paranoia intensifies; sinister events follow her every move. She uncovers clues that seem to point to an ancient curse and a deranged serial killer. Her relentless pursuit for answers puts her in grave danger, making it increasingly difficult to distinguish between friend and foe. Time is running out, forcing Nora to confront the terrifying truth hidden within the labyrinthine streets of Rome.
Writers: Ennio De Concini, Sergio Corbucci, Eliana de Sabata
Release Date: 20 May 1964
Runtime: 86 min
Rating: Not Rated
Country: Italy
Language: Italian, English