Who Killed Teddy Bear 4K Ultra HD Blu-ray Review
Vinegar Syndrome Exclusive Mediabook Limited - 5,000 copies
Score: 78
from 2 reviewers
Review Date:
Who Killed Teddy Bear shines in a stunning 4K release, capturing Cates' unique style and NYC's moody backdrop for a study of hidden human horrors.
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Disc Release Date
True 4K
HDR10
DTS-HD MA
Video: 86
Who Killed Teddy Bear's UHD release showcases a meticulous restoration from original 35mm negatives, offering detailed skin textures and intricate costuming. The balanced black-and-white imagery maintains shadowy nuances and depth, effectively capturing 1965's boundary-pushing themes with a film-like grain.
Audio: 76
The 4K UHD Blu Ray's audio presentation, offered in English 2.0 mono DTS-HD Master Audio, delivers clear dialogue and expressive soundtrack details, despite some age-related crackles and sharp sibilants; notable music by Charles Calello remains well reproduced, though with steep low-end roll-off.
Extra: 74
The 4K UHD Blu-ray extras for 'Who Killed Teddy Bear' captivate with a rich commentary by film historians Elizabeth Purchell and KJ Shepherd, exploring its cultural significance, censorship history, and intricacies of the filmmaking. Complementary features deepen the intrigue through insightful interviews, a Times Square retrospective, and a thematic video essay.
Movie: 66
Who Killed Teddy Bear is both a gritty exploration of obsession and a historic snapshot of New York's past, skillfully blending noir-style tension with socio-political elements of the 1960s sexual revolution, though its abrupt mystery reveal and editorial slackness dilute suspense. Despite its low budget, the film captures Times Square's bygone grittiness with candidly filmed urban sequences.
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Video: 86
The 4K UHD presentation of "Who Killed Teddy Bear" demonstrates a meticulous restoration process from original 35mm negatives, harnessing the high-resolution format to deliver an exquisite viewing experience. The film showcases profound detail, bringing out the nuances of skin textures and the intricate nature of costumes, offering viewers an immersive experience with its maintained dimensionality in club and apartment interiors. The external New York City locations accentuate depth, aligning with the balanced black and white imagery that underlines the cinematographic choices while maintaining consistent delineation of shadows and highlights. Noteworthy is the film's preservation of fine grain, delivering a pleasing film-like authenticity that reflects the source's condition.
This restoration captures the boundary-pushing nature of "Who Killed Teddy Bear" as it grapples with provocative themes such as voyeurism, pornography, and more delicate subject matter from its time of release in 1965. The UHD format ensures that each element, from the costumes down to the risqué thematic displays, is crisply and vividly reproduced. The restoration’s handling of the grayscale provides a tasteful reproduction of the stylistic elements that originally faced censorship challenges under the then-fading Production Code. The 4K edition resurrects nearly lost cinematic edginess, encapsulating every prurient detail initially subdued post-premiere, thus serving both film historians and new audiences with an unflinching look at its daring content through technologically advanced clarity.
Overall, the video quality is a testament to modern restoration capabilities, ensuring that the stylistic nuances and defiant themes are presented with precision in an impressive Ultra HD format.
Audio: 76
The audio presentation of "Who Killed Teddy Bear" is delivered in a 2.0 mono DTS-HD Master Audio format, rendering an unexpectedly clear and precise track. Despite some signs of age, such as intermittent crackles and a sharpness at the high end that can occasionally make sibilants sound harsh, the overall clarity is commendable. Vocals and instrumentation are prominently distinguished, providing an engaging auditory experience that maintains the emotive intricacies of dialogue exchanges. This clarity ensures that both arch dialogue and emotional nuances come through effectively, enhancing the viewers' connection to charged encounters within the narrative.
The soundtrack, composed by Charles Calello with contributions from songwriters Al Kasha and Bob Gaudio, is reproduced with decent fidelity. While the higher frequencies are handled well, there's a noticeable roll-off at the low end, slightly limiting the depth of bass-heavy elements. Nevertheless, the audio mix strikes a balance that allows soundtrack selections to remain appreciable without overpowering dialogue or other key audio elements. Optional English SDH subtitles are included, supporting accessibility needs and ensuring that every line of dialogue is comprehensible, enhancing the overall viewing experience for all audiences.
Extras: 74
The Extras section of the 4K UHD Blu Ray for "Who Killed Teddy Bear" presents a nuanced exploration of the film through insightful and well-researched features. The main commentary track with film historians Elizabeth Purchell and KJ Shepherd offers an engaging analysis of the film’s historical context, discussing censorship, thematic interpretation, and addressing the legacy of actor Sal Mineo, albeit ignoring conspiracy theories about his death. The included interviews, featurettes, and essays enhance understanding of the film's cultural impact and visual style, combining historical anecdote with contemporary critique, making the extras a substantial addition for film enthusiasts.
Extras included in this disc:
- Commentary: Insightful discussion by Elizabeth Purchell and KJ Shepherd on various topics surrounding the film.
- From Left Field: Mike Thomas shares his journey to release the film to a wider audience.
- Who Filmed Times Square: Michael Gingold examines the film's locations relative to modern NYC.
- The Murder of Innocence: Chris O'Neill’s exploration via video essay.
- Theatrical Trailer: Original preview of the film.
Movie: 66
"Who Killed Teddy Bear," directed by Joseph Cates, presents a compelling narrative shaped by a noir influence that challenges its audience with unsettling themes of obsession and paranoia. The screenplay, crafted by Leon Tokatyan and Arnold Drake, intricately explores the psychological unraveling caused by traumatic experiences. While Cates is primarily recognized for his work in game and variety shows, his venture into the realm of psychological thrillers through this 1965 film is marked by an audacious exploration of sexuality juxtaposed with a tangible sense of dread. Though the editorial execution falters at times, resulting in a cumbersome conclusion, the film is notable for its adept handling of distressing material, conjuring an atmosphere thick with the tension of unsavory subjects.
Set against the backdrop of a gritty New York City, the film follows Norah (played by Juliet Prowse), a newcomer eager to navigate her new life but quickly ensnared by escalating predatory behavior in the form of menacing phone calls. Cates captures this narrative through clandestine camera work to portray Manhattan's raw exterior without permits, adding an authentic layer to the film’s setting. Characters such as fellow club employee Lawrence (Sal Mineo) and overbearing boss Marian (Elaine Stritch) provide depth, each entwined in their own complex psychological battles. The tension heightens as Norah's anguish deepens, leading to an engaging dynamic with Lt. Dave, played by Jan Murray, whose motivations remain ambiguously veiled.
Despite its low-budget roots and unpolished elements, "Who Killed Teddy Bear" serves as a reflective piece of its era. It inadvertently documents the transitional period of New York City during the mid-1960s while serving as a provocative commentary on the loosening social mores of the time. The film captures a bygone era of Times Square's infamous decadence, punctuated by physicality and raw emotion, offering viewers not only a thrilling narrative but a cultural history lesson as well.
Total: 78
"Who Killed Teddy Bear" receives a meticulous revival in its 4K UHD Blu-Ray release, orchestrated with careful attention to both technical and stylistic elements. Directed by Cates, the film distinguishes itself through a sharp sense of style, probing into the dark recesses of human desire amidst violent events and flirtatious encounters. The cast performs admirably, portraying the nuanced struggles with internal horrors and guilt. Sal Mineo and Juliet Prowse deliver captivating performances, with Prowse’s character arc vividly illustrating a descent into fear. Set against the gritty backdrop of NYC, the film effectively uses its location to heighten feelings of temptation and intimidation. Despite its sometimes languid pacing, this feature offers a voyeuristic journey into complexity and moral decay.
The 4K presentation is breathtakingly vivid, marking a first-time uncut release for U.S. audiences and internationally. Although prior versions like the UK Network edition included additional features such as an episode of "Court Martial" and an LSD PSA with Mineo, their absence here does not detract from the primary offering. Cinematographe's dedication to showcasing overlooked American cinema pays off, as "Who Killed Teddy Bear" emerges with enhanced clarity and presents a newfound appreciation of its artistic and narrative qualities.
This release stands as a testament to Cinematographe's commitment to restoring forgotten cinematic gems, beautifully invigorating "Who Killed Teddy Bear" for new audiences and collectors alike. This 4K edition provides a visually stunning experience that breathes new life into Cates' intriguing exploration of psychological horrors, making it an essential addition to any film aficionado’s collection.
Blu-ray.com review by Brian OrndorfRead review here
Video: 90
Black and white imagery remains balanced throughout the viewing experience, preserving style choices, and delineation is steady, preserving shadowy encounters and evening events....
Audio: 80
The 2.0 DTS-HD MA mix handles with some age, but soundtrack selections remain appreciable, securing decently clear vocals and instrumentation....
Extras: 70
"From Left Field" (17:59, HD) is an interview with Mike Thomas, who recalls his formative years spent in San Francisco, patronizing the local revival theaters, drawn to screenings of "Who Killed Teddy...
Movie: 70
There's potential in sustaining a whodunit until the last act, but the material breaks away early, revealing illness to all, taking the tale into torment as the stalker deals with sexual urges and unfulfilled...
Total: 80
He has a strong cast as well, as the ensemble contributes interesting takes on distress and observation, pulling compelling misery out of Mineo and Prowse, with the latter working an arc that has Norah...
The Digital Bits review by Stephen BjorkRead review here
Video: 90
There’s no real nudity, aside from some indirect glimpses of it in the adult magazines that Lawrence peruses, but both Prowse and Mineo strip down to their underwear repeatedly, and Mineo gets to perform...
Audio: 80
The arch dialogue is still comprehensible throughout, and the music by Charles Calello (with songs Al Kasha and Bob Gaudio) is reproduced reasonably well, although the low end rolls off steeply....
Extras: 85
They discuss the history of the film (including the censorship issues), and also question what it’s trying to be—they even address whether or not the title should have a question mark, which may reflect...
Movie: 70
Despite the presence of A-list actors like Sal Mineo and Juliet Prowse, it was a low-budget affair, so director Joseph Cates had to film all of his Manhattan exteriors on the sly with no permits....
Total: 81
has never before received this kind of love on a home video release, although to be fair, it’s never had a U.S. release at all, and it’s never been released uncut anywhere (the Network disc was the censored...
Director: Joseph Cates
Actors: Sal Mineo, Juliet Prowse, Jan Murray
PlotIn a seedy nightclub in New York City, aspiring dancer Norah Dain juggles her aspirations alongside her job as a hostess. Her life takes a dark turn when she begins receiving disturbing, anonymous phone calls. The caller's obsession grows increasingly menacing, leaving her feeling both violated and terrified. Determined to uncover the identity of her harasser, Norah enlists the help of Lt. Dave Madden, a hardened detective with his own burdens. As Dave attempts to solve the mystery, he becomes entangled in the complexities of Norah's world and the nightclub's unsavory atmosphere, bringing up past traumas that heighten the stakes.
Simultaneously, we delve into the life of Lawrence Sherman, an emotionally disturbed busboy at the nightclub. Struggling with dark secrets from his upbringing, Lawrence becomes fixated on Norah, caught between his fascination and internal torment. His relationship with his overbearing sister complicates his already fragile mental state. As the investigation progresses, Norah's fear amplifies with each unsettling encounter and anonymous threat. Tension mounts, intertwining themes of loneliness and exploitation in a gritty urban landscape. Meanwhile, the oppressive world of the nightclub and its patrons provide a constant backdrop of unease. As Dave edges closer to uncovering the truth, both he and Norah are forced to confront their deepest fears and desires, setting the stage for an inevitable confrontation that will reveal the sinister motive behind the torment.
Writers: Leon Tokatyan, Arnold Drake
Release Date: 14 Aug 1967
Runtime: 94 min
Rating: Not Rated
Country: United States
Language: English, French, Russian