Nightkill Blu-ray Review

The 1080p AVC encoded Blu-ray transfer of "Nightkill" presents its 1.85:1 aspect ratio with mixed results. The image grapples with the evident signs of age, and while it is noted as being newly mastered in HD, it often doesn't live up to expectations. Colors sometimes appear muted, as if a slight sepia filter is applied, with stronger hues emerging primarily in scenes depicting the Atwell household's period costuming and decoration. Skintones are frequently drained of their natural appeal, and the detail remains soft, struggling to capture the nuances of skin textures and the southwestern outfits. Contrast issues occasionally arise, leading to challenges with delineation and frame solidity.

Despite these issues, the transfer does exhibit some strengths. The film grain is apparent but stable, providing a sense of authenticity while maintaining good detail levels, particularly in facial features and the intricate design of the Atwell mansion. Rich primary colors and healthy flesh tones are present when the material allows. Black levels are managed well, offering a substantial sense of depth. However, the transfer is marred by periodic banding, edge enhancement, and mild speckling, all of which detract from the overall visual experience. Despite these flaws, the presentation is solid enough to effectively convey the film's late '70s and early '80s production design.

The audio presentation of "Nightkill" on Blu-ray, featuring a 2.0 DTS-HD MA sound mix, reveals limitations tied to the film's age and original mono format. Reviewers note that the sound mix suffers from persistent hiss and occasional pops, which may detract from the overall listening experience. Additionally, the track lacks sharpness, contributing to a muddier sound profile that sometimes challenges dialogue clarity. While scoring cues are present, they do not achieve a level of definition that would be considered fully satisfying.

Despite these issues, dialogue remains generally intelligible throughout the film, with minimal disruptions. The flatness inherent in the original mono design contributes to a certain lifelessness in the audio, particularly during dialogue-heavy scenes that appear to have been recorded in post-production. Hiss is noticeable but does not significantly mar the experience. Overall, while serviceable and capable of delivering the essential elements of the soundtrack, Nightkill’s audio presentation fails to offer any remarkable or immersive auditory experience.

The Blu-ray release of "Nightkill" by Kino Lorber Studio Classics may not be overflowing with extras, but what it does include is of a high caliber and enriches the viewing experience. The audio commentary by film historians Howard S. Berger and Nathaniel Thompson provides valuable insights into the film's nuances and context. Additionally, the interview with star Jaclyn Smith is a standout feature, offering engaging anecdotes and reflections on her career and the film's production. Her candid discussion of her transition from "Charlie's Angels" to more challenging roles adds depth. The inclusion of various trailers enhances the nostalgic value, rounding out a concise yet satisfying array of bonus content.

Extras included in this disc:

• Audio Commentary: Featuring film historians Howard S. Berger and Nathaniel Thompson.
• Jaclyn Smith Interview: Discusses her career choices, experiences on set, and co-stars.
• Heart of Midnight Trailer: An additional trailer in HD.
• Stone Cold Dead Trailer: Another classic trailer in SD.
• Still of the Night Trailer: Further promotional material in HD.
• T.V. Spot: Brief promotional blip in SD.

"Nightkill" presents a mixed bag, aiming for Hitchcockian thrills with a story full of murder, betrayal, and deception. Unfortunately, the film largely underdelivers, with director Ted Post struggling to maintain suspense over its 90-minute runtime. The film often veers into melodrama, highlighted by Jaclyn Smith’s portrayal of Katherine Atwell, who oscillates between agitation and confusion. The pacing is sluggish, rendering the film's attempts at tension ineffective. While the plot unfolds methodically, it doesn't quite grasp the intended psychological thrill, leading to an experience that feels more procedural than thrilling.

The narrative revolves around Katherine’s troubled marriage to Wendell (Mike Connors), who is embroiled in shady dealings. Her illicit affair with Steve (James Franciscus) sets off a chain of events culminating in Wendell's murder. However, the execution of this plotline suffers from a pace that frequently stalls. Robert Mitchum’s Detective Donner adds some much-needed intrigue, applying pressure on Katherine as he investigates Wendell’s disappearance, but even his presence isn't enough to maintain consistent engagement. The film seems more concerned with stretching out its runtime than delivering potent shocks or twists.

Despite its shortcomings, "Nightkill" does offer moments of compelling drama and performances. Smith and Mitchum stand out as the beleaguered wife and the persistent detective, respectively. The movie's climax rewards viewer patience but doesn’t wholly redeem its earlier pacing issues. Additionally, the aesthetic and technical aspects contribute to a made-for-TV feel that detracts from its cinematic aspirations. With borrowed elements from classic thrillers like "Diabolique," "Nightkill" has potential but is marred by execution flaws that keep it from attaining greatness. Nonetheless, for fans of late-night TV thrillers, it provides sufficient entertainment value.

The Blu-ray release of "Nightkill" offers a mix of strengths and weaknesses that make for a compelling, albeit flawed, viewing experience. Set against the expansive backdrop of late 1970s Phoenix, the film commands attention with a setting ripe for atmospheric tension. Jaclyn Smith delivers a committed performance as Katherine, capturing her character's gradual unraveling with conviction. The supporting cast adds depth, particularly Cameron Mitchell whose portrayal of Wendell injects much-needed vitality into the narrative. However, despite these strengths, the production often falls into a sluggish pace. Director Ted Post integrates giallo-like elements—black-gloved threats and flashes of surrealism—which tease more than they deliver, often reverting back to more conventional emotional beats.

The technical presentation on this Blu-ray is commendable. Kino Lorber Studio Classics has facilitated a strong A/V performance that does justice to the film's visual composition. The high-definition transfer effectively brings out the moody, shadow-laden cinematography that serves as one of "Nightkill’s" redeeming qualities. Audio quality is equally solid, with clear dialogue and well-balanced sound design. Additionally, the Blu-ray includes several bonus features that offer some additional context to the film's production.

In conclusion, "Nightkill" may not emerge as an unforgettable thriller, but it has enough engaging elements to warrant a viewing, especially on a cold, rainy fall night. While the movie struggles to fully capitalize on its potential, highlights include a stellar turn by Robert Mitchum and an intriguing Phoenix setting. This Blu-ray release ensures that "Nightkill" can be appreciated in its best possible form, making it a worthwhile addition to any thriller enthusiast's collection.