Rosencrantz & Guildenstern Are Dead Blu-ray Review
Score: 57
from 3 reviewers
Review Date:
A clever tragicomic spin with solid video and audio, engaging extras, making it a highly recommended, albeit not for everyone, 25th Anniversary release.
Disc Release Date
DTS-HD MA
Video: 51
The 1080p AVC-encoded Blu-ray presentation of "Rosencrantz & Guildenstern Are Dead" offers a solid, film-like transfer with good contrast and appropriate black levels. However, it suffers from occasional video noise, fluctuations in clarity and grain, and minor artifacts, yet captures the muted, period-appropriate color palette well.
Audio: 51
Presented with an English DTS-HD MA 2.0 surround track, the audio of 'Rosencrantz & Guildenstern Are Dead' boasts clearly recorded dialogue, well-prioritized speech, and subtle yet effective atmospheric enhancements, ensuring Stoppard's witty lines come through distinctly amid natural imaging and occasional stereo effects.
Extra: 70
The Blu-ray extras for "Rosencrantz & Guildenstern Are Dead" provide valuable insights through a new HD interview with Tom Stoppard and comprehensive SD archive interviews with Gary Oldman, Tim Roth, and Richard Dreyfuss, warranting a purchase despite the absence of additional new features.
Movie: 73
"‘Rosencrantz & Guildenstern Are Dead’ on Blu-ray delivers a thought-provoking, metafictional twist on ‘Hamlet’ with standout performances by Gary Oldman and Tim Roth, showcasing existentialist themes, clever dialogue, and playful absurdity; however, its extended runtime and dense wordplay might feel overdrawn.”
Video: 51
RLJ/Image Entertainment's Blu-ray release of "Rosencrantz & Guildenstern Are Dead" presents a pleasing 1080p, AVC-encoded transfer that captures the film’s lush yet austere visuals. The transfer retains the filmic quality of the original 35mm print, highlighting the detailed rock formations and woodlands, as well as the ornate decor of the royal court. The film’s grain is pronounced, especially in low-light scenes or shots that may have been blown up in post-production, which some viewers might find objectionably heavy. Early outdoor and night scenes show notable variations in grain structure and minor haloing around characters, but these inconsistencies are less pronounced in the indoor castle shots, where the detail remains fairly soft but acceptable. The color palette is muted and drab with earthy tones of grays, browns, and greens, enhancing the period piece aesthetic.
Technically, the Blu-ray is mastered with an average bitrate of 24.89 Mbps, and is framed in the 1.85:1 aspect ratio. Although there are signs of the film’s age such as faint scratches, lines, and dirt, these do not overly detract from the viewing experience. Contrast and sharpness are natural; there's some edge enhancement and occasional video noise, but these anomalies are minor. Black levels crush slightly, particularly towards the edges of the frame where they skew towards a noisy blue, but overall consistency improves in brightly lit scenes. Color reproduction is intentionally subdued to suit the narrative’s tone, with a nearly sepia-like quality that fits well with Peter Biziou’s Oscar-winning cinematography. Despite minor artifacts and inconsistencies stemming from either source material conditions or budgetary constraints during production, the Blu-ray delivers a faithful representation of this classic film.
Audio: 51
The audio presentation of "Rosencrantz & Guildenstern Are Dead" on Blu-ray is encoded in lossless DTS-HD MA 2.0, making it a respectable showcase for the film's original stereo soundtrack. The dialogue is crisply recorded, offering exceptional clarity and ensuring that Tom Stoppard's witty and insightful lines are delivered with precision. The mix subtly enhances the atmosphere, and though the sound effects are sparse, they are effectively employed to create a natural soundscape. For instance, nature ambiance—including the distant cry of a wild animal—adds to the immersive experience.
Complemented with an English DTS-HD MA 2.0 Surround track, the audio mix excels in utilizing stereo separation to enhance various environmental sounds, especially during the scenes within the castle where background noises like crackling fire become evident. The modest use of low-frequency effects is noticeable during specific instances such as galloping horses and canon fire in the climax, though LFE activity remains restrained compared to full surround sound action mixes. Despite this, voices and directional effects pan smoothly between speakers with natural imaging, maintaining a balanced sound field throughout.
Overall, the DTS-HD MA 2.0 mix delivers dynamics that are both subtle and impressive for a dialogue-driven film like "Rosencrantz & Guildenstern Are Dead." The modest yet effective sound design ensures that no element feels missing or cluttered despite the limited sound field. This makes for a compelling audio experience that does justice to the film's articulation and ambient details.
Extras: 70
The Blu-ray extras for "Rosencrantz & Guildenstern Are Dead" are a collection of insightful and thoroughly engaging interviews with the cast and director, guaranteed to delight fans and scholars alike. The 25th Anniversary Interview with Tom Stoppard is the standout, presenting an in-depth 55-minute conversation in 1080p HD where Stoppard discusses the origins of the play, its transition to film, and his broader work in cinema and theatre. Additional interviews preserved in SD from the 2005 DVD edition feature candid discussions with Gary Oldman, Tim Roth, and Richard Dreyfuss, ranging from their experiences on this film to broader reflections on their careers. These extras offer substantial value, even for those unfamiliar with the film.
Extras included in this disc:
- 25th Anniversary Interview with Tom Stoppard: Recent retrospective interview highlighting the play's origins and its movie adaptation.
- Tom Stoppard: Archive interview detailing casting and interpretation nuances.
- Gary Oldman: Archive interview discussing his role and career insights.
- Tim Roth: Archive interview on character involvement and directorial collaboration.
- Richard Dreyfuss: Archive interview exploring character perspective and career reflections.
Movie: 73
Rosencrantz & Guildenstern Are Dead, based on Tom Stoppard's acclaimed play, masterfully reinvents Shakespeare's Hamlet from the perspective of two minor characters. Starring Gary Oldman as Rosencrantz and Tim Roth as Guildenstern, this film navigates their journey to Elsinore where the duo, charged by King Claudius to uncover the reason for Hamlet's erratic behavior, face a series of comic, philosophical, and predestined misadventures. The film juxtaposes the core plot of Hamlet playing out in the background with Rosencrantz and Guildenstern's musings on existence and death. A recurring motif of a coin perpetually landing on heads expertly sets the tone, hinting at a universe devoid of free will — foreshadowing the characters' tragic demise.
Stoppard ingeniously uses dialogues and physical comedy to blend the existential pondering with playful absurdity. Rosencrantz, portrayed as an innocent and often silly inventor, contrasts sharply with Guildenstern's logical and articulate demeanor. Their identities frequently blur, reflecting the play's theme of bewildered confusion. The integration of Richard Dreyfuss as the enigmatic Player King provides additional layers of metatheatrical insight, questioning art versus reality and interpreting fate versus choice.
While Rosencrantz & Guildenstern Are Dead excels in its wit and clever visual humor, it suffers occasionally from a meandering pace, especially as scenes drag on beyond necessary engagement. Still, the film’s balance of slapstick comedy, reflective dialogue, and deadly irony makes it a compelling watch. Complemented by seamless transitions between Shakespearean text and Stoppard’s original content, the film invites viewers into a secondary layer of Hamlet’s world — highlighting their struggle to find purpose within assigned roles and their ultimate demise's inevitability with a blend of lightness and thought-provoking intensity.
Total: 57
The Blu-ray release of Tom Stoppard's "Rosencrantz & Guildenstern Are Dead" is a compelling addition to any film enthusiast's collection. The film, an inventive tragicomedy inspired by Shakespeare's "Hamlet," delves into themes of free will, existential absurdity, and the interplay between art and reality. Featuring sharp wordplay and profound philosophical insights, Stoppard brings his unique vision to the screen with a deft touch. The performances of the two leads are captivating, rendering the film engaging and entertaining.
On the technical side, the video transfer presents some inconsistencies in quality, but overall is a respectable presentation that serves the film well. The audio mix is robust, ensuring dialogue and soundscapes are clear and immersive. Notably, the Blu-ray includes an array of valuable extras, highlighted by a new interview with Stoppard himself, which adds rich context to the viewing experience.
Stoppard's plays have evolved over his career, becoming more grounded and insightful, yet this film remains a standout for its accessibility beyond theatre circles. As the only widely available feature from his oeuvre, "Rosencrantz & Guildenstern Are Dead" holds a unique position. Although Image/RLJ's presentation is reliable and the added supplements are commendable, potential buyers should note that Stoppard's distinct narrative style may not appeal to everyone. Nonetheless, this release is a noteworthy celebration of a pivotal work in modern cinema and literature. Highly recommended for those who appreciate intelligent, thought-provoking cinema.
Blu-ray.com review by Michael ReubenRead review here
Video: 70
Otherwise, contrast is good, black levels are appropriate, and the color palette establishes a suitable contrast between the earth-toned bystanders, Rosencrantz and Guildenstern, and the brighter colors...
Audio: 70
(An early example is the distant cry of a wild animal when Rosencrantz and Guildenstern are camped out in a forest.)...
Extras: 80
Thus, Stoppard speaks about his other work (in both the old and new interviews), while Roth, Oldman and Dreyfuss discuss their acting careers in general....
Movie: 70
It's not as if the Player King knows the future, but he does understand that, in a narrative work of art, "events must play themselves out to an aesthetic, moral and logical conclusion. . . ....
Total: 70
Stoppard's plays became more realistic and less evasive as his career progressed, but he has only recently become interested in translating any of the later works to film....
High-Def DigestRead review here
Video: 60
Early scenes set outdoors and at night are the most uneven, with some shots offering a rougher grain structure than others, and there appears to be some minor haloing around characters in the opening sequence....
Audio: 60
Nature ambiance is spread appropriately and even hits the surrounds with solid engagement....
Extras: 80
Likewise, Stoppard also discusses his overall experiences writing for film and the theater....
Movie: 80
As the major plot points from the original text play out in the film's periphery, we follow the narrative from Rosencrantz and Guildenstern's perspective, leading to an entirely different point of view...
Total: 60
Through clever wordplay and existential observations, the writer/director examines concepts of freewill, the relationship between art and reality, and the very nature of life and death....
Why So Blu?Read review here
Video: 60
Noise/Artifacts: There are instances of debris and scratches but it’s not too distracting considering the source....
Audio: 60
Dialogue, action, etc., are all mixed well enough through the front channels that it never feels cluttered or canned....
Extras: 60
The rest of the special features include lengthy interviews (from a previously published edition) from Stoppard, Gary Oldman, Tim Roth, and Richard Dreyfuss....
Movie: 80
It is hilarious watching Rosencrantz and Guildenstern navigate through what will become the seedy underbelly of Elsinore....
Total: 80
The Blu-ray edition is the best that we’ve got at the moment made better by the new interview with writer-director Tom Stoppard....
Director: Tom Stoppard
Actors: Gary Oldman, Tim Roth, Richard Dreyfuss
PlotRosencrantz and Guildenstern, two minor characters from Shakespeare's "Hamlet," find themselves inexplicably summoned to the Danish court. As they journey to Elsinore, they encounter bizarre and absurd situations, including coin tosses that defy probability and existential musings on identity and purpose. They meet a troupe of actors led by the enigmatic Player, who forewarns them through performances that blur the lines between reality and theater. Despite being largely ignorant of the grander narrative unfolding around them, they are enlisted by King Claudius to discover the cause of Hamlet's apparent madness. Their attempts to fulfill this mission lead to more confusion and a series of comically tragic events.
As they navigate the court's intrigues and Hamlet's erratic behavior, Rosencrantz and Guildenstern struggle with their lack of control over their own fates. They grapple with philosophical questions and the realization that they are trapped in a plot much larger than themselves, highlighted through fragmented interactions with the main characters of "Hamlet." The story increasingly delves into themes of fate, free will, and the search for meaning in a seemingly predetermined universe. Through their journey, the duo remain largely oblivious to the gravity of their situation until revelations bring home the inevitability of their roles, adding depth to their comedic yet poignant existence.
Writers: Tom Stoppard
Release Date: 08 Feb 1991
Runtime: 117 min
Rating: PG
Country: United Kingdom, United States
Language: English