In the House Blu-ray Review
Score: 60
from 2 reviewers
Review Date:
Strong package with great AV quality yet mixed extras and an engaging, thought-provoking film; both highly recommended.
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Disc Release Date
Video: 64
In The House Blu-ray presents with an impressive, vivid visual quality, maintaining natural colors and deep blacks, albeit with slight grain and underwhelming shadow detail. Its intentionally drab palette highlights character depth, with excellent contrast and detail in both settings.
Audio: 59
In The House delivers a clear, traditional audio experience with LPCM Stereo and DTS-HD MA 5.1 tracks, focusing on crisp dialogue and subtle, well-balanced music and ambient sounds.
Extra: 46
The disk features a mix of content, from insightful to filler, including costume tests, bloopers primarily in French, a look at the premiere, intriguing poster concepts, and director's rejected scenes, alongside a notable 'Making of' and technical specs on video quality.
Movie: 81
François Ozon's 'In the House' blends voyeurism and creativity, questioning reality vs. literature through a compelling narrative and complex characters, making audiences ponder the essence of storytelling.
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Video: 64
"In the House" emerges on 4K UHD Blu-ray with a proficient 1.85:1 AVC encoded transfer, accentuating a meticulous and refined video presentation. The adaptation to high definition captures a substantially sharp and detailed imagery, although encapsulating a natural color palette that might appear slightly oversaturated in certain scenes. This decision appears to intentionally echo the nuanced interior lives of its characters, with skin tones conveyed accurately, and blacks appearing deep without any indication of crushing. However, it's worth noting the film employs a more natural grain structure, which in some instances, slightly affects the shadow detail and overall sharpness, particularly in the finer details. Nonetheless, this characteristic does not detract from the visual experience but might not align with preferences for a cleaner, digital appearance.
Subtitles are presented in a simple, white font, ensuring readability without issues of blending into background scenes, alongside a translation that enhances the viewing experience without distraction. Whilst contrast levels are commendably high across varied settings, from the vividity of outdoor scenes to the subtlety of interiors, there's an intended subdued tone to the color scheme that reflects deeper thematic elements of the story. This subtle manipulation of color and light complements the smart photography and distinctively French cinematic style, characterized by lengthy shots and close-ups that frame character moments with poignancy.
The technical handling of this Blu-ray, from its delicate post-production work to its natural lighting and contrast balancing, crafts a visually appealing presentation that stands out within its genre. Despite minor caveats pertaining to grain and sharpness due to the original filmic texture, "In the House" maintains a commendable clarity and depth. This rendition not only respects the director's artistic vision but also enhances the storytelling efficacy through its visual articulation.
Audio: 59
"In the House" is graced with an audio presentation that marries simplicity with sophistication, featuring both LPCM Stereo and DTS-HD MA 5.1 audio tracks. Its sound design opts for elegance over complexity, ensuring that dialogue takes center stage with pristine clarity. This choice is evident as the dialogue predominantly occupies the center channel, showcasing a mix that's devoted to tradition without faltering in execution. The ambient sounds are the only elements that occasionally reach the surrounds, subtly enhancing the film's depth without ever overwhelming the primary audio. The mix's traditionalism is thus its strength, catering to a movie where sound plays a complementary role to its narrative and visual counterparts.
Music, though used sparingly throughout the film, is mixed with a delicate touch that maintains a perfect equilibrium, ensuring it neither dominates nor retreats too quietly into the backdrop. This balance is crucial in a film where sound design does not seek to astonish but to support, achieving a level of finesse with high frequencies that exudes confidence across both audio tracks. The absence of low-frequency effects is hardly noticeable, save for the occasional thunder roll, indicating a mix that knows its strengths and plays to them without overreaching.
The DTS-HD Master Audio 5.1 track offers subtle yet effective directionality and immersion, with Philippe Rombi's score and ambient environmental sounds providing a gently enveloping experience. Nuanced without being overly dynamic, the audio presentation ensures that from narration to dialogue, every word is anchored solidly in a mix prioritizing clarity and fidelity. Despite the restrained dynamic range, this approach befits a film where the narrative's nuance is mirrored in its sound design—a testament to an audio presentation that complements rather than competes with the storytelling.
Extras: 46
The 4K UHD Blu-Ray extras for "In the House" offer a mixed bag that will cater to different tastes, yet might leave some viewers questioning their inclusion. The presentation kicks off with somewhat odd, dialogue-free costume and lighting tests that may interest some for its showcasing of the film's aesthetic, backed by an engaging soundtrack. The bloopers struggle to cross the language barrier, presenting a compilation more akin to a series of errors than entertaining slip-ups. The premier at Grand Rex provides a candid, narration-free glimpse into the film's debut, offering a unique fly-on-the-wall perspective. While the poster concepts and deleted scenes evoke mixed feelings for being seemingly superfluous or detracting from the film's pacing as per the director's own admission, they contribute to a broader understanding of the movie's creative process. Nevertheless, it is the Making Of featurette that stands out as a must-watch, despite some low-resolution segments, providing in-depth behind-the-scenes insights into the film's production, including captivating rehearsal footage and on-set moments that highlight French cinema's charm.
Extras included in this disc:
- Making of Featurette: An engaging exploration of the movie's production with rehearsal footage and behind-the-scenes clips.
- Premiere at Le Grand Rex: A unique look at the film's debut without narration.
- Bloopers: A collection of on-set mistakes, presented in French.
- Costume Fittings: Silent footage showcasing costume and lighting tests.
- Poster Gallery: A brief display of various poster designs for the film.
- Deleted Scenes: Content cut from the final film, introduced with a note from the director.
- Theatrical Trailer: The movie's promotional trailer.
Movie: 81
François Ozon's "In the House" (Dans la Maison) emerges as a tantalizing exploration of the blurred lines between fiction and reality, delving into the morally ambiguous realm of voyeurism and creative obsession. The film invites viewers into a complex narrative that intertwines the lives of a disenchanted literature teacher, Germain (played by Fabrice Luchini), and his protégé, a student with a talent for invasive observation, Claude (Ernst Umhauer). As Claude submits essays detailing his encroachment into a classmate's seemingly mundane family life, Germain becomes uncomfortably complicit in the voyeurism, highlighting the narrative's fixation on the seductive power of storytelling and the ethical quandaries it engenders.
Ozon crafts a cinematic experience that oscillates between literary introspection and stark reality, challenging audiences to discern truth from fiction. The narrative structure, reminiscent of a play within a play, utilizes Germain's and Claude's peculiar teacher-student relationship as a focal point to scrutinize the act of creation itself. With performances that capture the intricacies of their characters' entanglement, Luchini and Umhauer lead a stellar cast through a series of provocatively ambiguous scenarios that question the nature of art and observation.
In its second act, "In the House" shifts, adopting more overtly metafictional techniques — including direct interventions by Germain into Claude's narratives — to enhance its examination of authorial intent and viewer complicity. This approach results in a film that is both intellectually stimulating and unsettling, as it forces viewers to confront their own voyeuristic impulses. Ozon’s deliberate pacing and narrative evolution culminate in a climax that both satisfies and challenges, leaving audiences pondering the ethics of storytelling and the intriguing yet often intrusive nature of human curiosity.
Total: 60
The 4K UHD Blu-ray presentation of "In the House" offers an immersive audiovisual experience that is both compelling and technically proficient, a testament to its strength right out of the gate. The picture quality is exceptional, with clarity and color reproduction that do justice to Ozon's nuanced storytelling and the film's rich visual palette. The audio presentation is similarly strong, providing an enveloping soundstage that enhances the film's atmospheric depth. While the disc is packed with additional content, including an extended Making of documentary, there's a sense that not all extras offer substantial value, leaving a mixed feeling regarding their overall contribution to the package.
"In the House" itself emerges as an intellectually stimulating piece, demanding viewer engagement and rewarding those willing to delve into its complexities. Director François Ozon plays a provocative game of narrative hide-and-seek, crafting a story that is as much about storytelling itself as it is about the characters within. The film refuses easy categorization, veering away from conventional thriller elements to explore more whimsical and introspective territory. This artistic ambition is reflected in the disc's commendable technical specifications, which serve to enhance the viewing experience of this thematically rich film.
In conclusion, the 4K UHD Blu-ray release of "In the House" is a must-have for cinephiles and fans of François Ozon alike. While it may leave something to be desired in terms of the cohesiveness and relevance of its bonus materials, the main feature's outstanding video and audio presentation—coupled with the film's invigoratingly complex narrative—makes for a highly recommended addition to any collection. This release underscores the significance of engaging with cinema that challenges conventions and rewards thoughtful participation, making it a valuable piece for those who appreciate film as an art form.
avforums review by Alan1977Read review here
Video: 70
Outlines are strong and defined, but it's the fine object detail that the grain sometimes gets in the way of....
Audio: 70
It's a decent audio presentation, and it shows confidence with high frequencies in both surround and stereo....
Extras: 50
I don't know about you, but the only time I ever see a need for a "Deleted Scenes" feature is when the Director has additional stuff hewantedto show his audience but couldn't, for whatever reason, justify...
Movie: 80
Tantalisingly playful yet morally precarious, François Ozon's well crafted tale, In The House (Dans Le Maison) delivers an unashamedly voyeuristic perspective on creative writing that holds more intrigue...
Total: 70
As far as the package goes, it's very strong out of the paddock with a great picture and sound presentation, but it begins to flap a little in terms of the additional content....
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 90
This high definition presentation offers a largely impeccably sharp and well detailed image, though Ozon has created a deliberately kind of drab palette here quite a bit of the time, perhaps to echo the...
Audio: 80
The bulk of the surround activity tends to be split between Philippe Rombi's fantastic score (which hints ever so subtly at Bernard Herrmann some of the time) and nice utilization of ambient environmental...
Extras: 50
Making of Featurette (480i; 53:35) has some really fun rehearsal footage (why is Luchini outside in the woods, or is that merely his backyard?), along with lots of behind the scenes footage (French films...
Movie: 90
As any given vignette unfolds, the audience is "creating" it along with Claude (and Germain, who typically is reading the description of what's unfolding on the screen), only to have their figurative chain...
Total: 80
In the House defies categorization, so those wanting a rehash of quasi-thriller territory, a la Swimming Pool, may be slightly put off by this film's more deliberately whimsical character (one that is...
Director: François Ozon
Actors: Fabrice Luchini, Vincent Schmitt, Ernst Umhauer
PlotA high school French teacher, Germain, discovers an unusual talent in one of his students, Claude, after assigning his class to write a paper about their weekend. Claude's essays articulate his clandestine observations of a classmate's middle-class home life. Intrigued by the voyeuristic insights, Germain becomes both mentor and enabler to Claude, encouraging him to continue his written "invasions." As Claude becomes increasingly integrated into the family's household under false pretenses—befriending Rapha, the classmate, and ingratiating himself with Rapha's parents—the lines between mentorship and complicity are blurred. Germain's initial academic interest morphs into an ethical quandary as he is drawn deeper into the adolescent's manipulative storytelling.
Meanwhile, as the written accounts ascend in intimacy and complexity, Germain's wife, Jeanne, a contemporary art gallery curator dealing with her own career frustrations, becomes an audience to Claude's stories. She is both captivated and unsettled by the unfolding narrative. Germain's obsession with his protégé's writing starts to consume him, undermining the stability of his professional life and the foundation of his marriage. The teacher's fixation on raw storytelling talent becomes a dangerous game as it exposes the vulnerability of the family being chronicled and ignites tensions within Germain's personal life. The consequences of voyeurism, influence, and the blending of life with art begin to ripple through the lives of all involved.
Writers: Juan Mayorga, François Ozon
Release Date: 10 Oct 2012
Runtime: 105 min
Rating: R
Country: France
Language: French