Guess Who's Coming to Dinner Blu-ray Review
Limited Edition to 3000 - SOLD OUT
Score: 72
from 2 reviewers
Review Date:
Though dated, 'Guess Who's Coming to Dinner' remains relevant with excellent performances, top-notch video and audio, and appealing supplements. Highly recommended.
Disc Release Date
DTS-HD MA
Video: 77
The Blu-ray of 'Guess Who's Coming to Dinner' features an AVC encoded 1080p transfer from a 4K scan, offering superb sharpness, clarity, and vibrant colors with a naturally resolving fine grain field, despite some minor drawbacks like occasional pasty flesh tones and artificial backdrops. Overall, the transfer brims with warmth, texture, and precision.
Audio: 67
Guess Who's Coming to Dinner's DTS-HD Master Audio Mono and 1.0 tracks deliver clear, well-modulated dialogue and a lush score by Frank De Vol with surprising fidelity, depth, and minimal distortion. An isolated score track in DTS-HD Master Audio 2.0 enhances the musical experience.
Extra: 66
The Blu-ray extras for 'Guess Who's Coming to Dinner' provide a substantial, high-quality look into the film’s production and impact, featuring engaging audio commentary, numerous insightful introductions, detailed featurettes on the film’s themes and participants, and archival footage celebrating Stanley Kramer's legacy.
Movie: 81
“'Guess Who's Coming to Dinner' is both a heartfelt comedy and a provocative social commentary, offering nuanced performances and a surprise light touch on contentious material. The Blu-ray edition delivers solid video and audio quality, ensuring this timeless film's impactful message and historical relevance continue to resonate strongly."
Video: 77
"Guess Who's Coming to Dinner" is presented on Blu-ray with an AVC encoded 1080p transfer in a 1.85:1 aspect ratio, reportedly from a new 4K scan supervised by Grover Crisp's team at Sony-Columbia. This transfer boasts a wonderfully organic appearance, with a fine grain structure offering appropriate texture throughout. Despite some intentionally filtered shots, especially of Hepburn in close-ups, the transfer excels in sharpness and clarity. The color palette is accurate, though it may appear slightly warm and lack heft in saturation, leading to occasionally pasty flesh tones. The increased resolution does accentuate the theatrical aspects of the production, with painted backdrops of San Francisco becoming more apparent.
The high definition transfer delivers a vibrant and crisp image that significantly enhances Stanley Kramer's social comedy. The efforts of the crew are evident in the final product, with the grain adding a lovely richness to the frame and excellent contrast producing a pronounced sense of depth. Colors, including Hepburn's wrap and Houghton's pants, are highly saturated, blacks are inky, and bright whites resist blooming. Costume textures are well-rendered, and close-ups, particularly of Spencer Tracy, reveal intricate details with exceptional precision. Although some nicks and marks appear intermittently, they are minor and inconspicuous, complementing the overall pristine digital transfer. Unfortunately, the clarity also highlights the artificiality of the backdrops, intensifying the movie's soundstage look. Nonetheless, this eye-popping transfer will undoubtedly thrill fans of Tracy and Hepburn and classic film enthusiasts alike. Great job by Sony!
Audio: 67
The DTS-HD Master Audio Mono track for "Guess Who's Coming to Dinner" offers a commendable audio experience, particularly given the film's dialogue-driven nature. This track effectively supports the film's extensive expository sequences, presenting clear and well-modulated dialogue with no discernible issues such as hiss or surface noise. The soundtrack exudes a surprising amount of fidelity and communicates the conversations and emotional nuances with distinct clarity, obviating the need for any adjustments in comprehension.
Frank De Vol's lush score, notably featuring the 1930s hit "The Glory of Love," benefits remarkably from this audio treatment, filling the room with rich resonance and depth of tone. The minor instances of pops and hint of distortion are negligible and do not detract from the overall listening experience. Moreover, for those who wish to delve deeper into De Vol’s orchestral work, an isolated score track is available in DTS-HD Master Audio 2.0, offering an enriched auditory dimension. In sum, the audio track is robust and pristine, making the most out of its mono limitations and providing a thoroughly enjoyable sonic backdrop to this classic film.
Extras: 66
The Blu-ray release of Guess Who's Coming to Dinner features a comprehensive and insightful collection of extras that enrich the main film experience with historical context and behind-the-scenes anecdotes. The Isolated Score Track in DTS-HD Master Audio 2.0 enhances appreciation for Frank DeVol's musical contributions. Film historians Eddy Friedfeld, Lee Pfeiffer, and Paul Scrabo provide an engaging and informative Audio Commentary, exploring the film's cultural impact and production details. Several introductions from prominent figures including Karen Kramer, Steven Spielberg, Tom Brokaw, and Quincy Jones, offer personal reflections on the film’s societal significance. Featurettes such as A Love Story for Today and A Special Kind of Love delve into the film’s production, with archival footage and interviews highlighting the dedication of its cast and crew.
Extras included in this disc:
- Isolated Score Track: Presented in DTS-HD Master Audio 2.0.
- Audio Commentary: Features Eddy Friedfeld, Lee Pfeiffer, and Paul Scrabo.
- Introductions: By Karen Kramer, Steven Spielberg, Tom Brokaw, and Quincy Jones.
- A Love Story for Today: Retrospective with production information.
- A Special Kind of Love: Archival recordings and interview with Houghton.
- Stanley Kramer: A Man’s Search for Truth: Overview of Kramer's vision.
- Stanley Kramer Accepts the Irving Thalberg Award.
- 2007 Producers Guild Stanley Kramer Award Presentation to An Inconvenient Truth.
- Original Theatrical Trailer.
- Teaser.
Movie: 81
"Guess Who's Coming to Dinner" remains an eloquent socio-political commentary resonating from its 1967 debut. The plot centers around an interracial couple, John Prentice (Sidney Poitier) and Joey Drayton (Katharine Houghton), who seek their parents' approval for their forthcoming marriage. Released during the peak of the Civil Rights Era, the film offers a compelling narrative against the backdrop of an America wrestling with systemic racism and newly legislated equality. Stanley Kramer’s directorial approach captivates with a subtle yet impactful examination of race relations, placing the drama within a liberal household in San Francisco. This setting allows screenwriter William Rose to expose the latent prejudices even among those who consider themselves progressive, highlighting societal hypocrisy with finesse.
The film's strength lies in its performances, particularly by Spencer Tracy and Katharine Hepburn. Tracy, in his final role, masterfully portrays Matt Drayton, balancing liberal idealism with paternal apprehension. Hepburn, who won an Oscar for her role, delivers a deeply emotional performance, often reflecting the struggle between personal beliefs and societal expectations. Sidney Poitier’s portrayal of John Prentice is both dignified and poignant, though his role sometimes feels constrained by the film's intent to present him as impeccably virtuous to foreground the issue of race. The casting choices foster a profound chemistry that underpins the film's narrative drive.
"Guess Who's Coming to Dinner" tactically introduces complex racial dynamics without overwhelming the audience, maintaining a tone that is gentle yet thought-provoking. The film navigates societal norms of its time with calculated precision, thus ensuring its messages about race, acceptance, and family unity are conveyed effectively. Although some elements might appear dated, the film’s underlying themes remain relevant, mirroring contemporary dialogues on racial equality. The compelling subplots involving characters like Tillie (Isabel Sanford) and John's father (Roy E. Glenn) add layers to its critique of both black and white perspectives on interracial relationships, revealing the multifaceted nature of prejudice.
Total: 72
"Guess Who's Coming to Dinner," despite its age, remains a poignant social commentary on interracial marriage and race relations, wrapped in a narrative that's both comforting and thought-provoking. Originally released amidst the American social upheaval of the 1960s, the film benefits from its skillful juxtaposition of controversial themes with a traditional, familiar setting. William Rose's script and Stanley Kramer's direction adeptly navigate the racial tensions of the time, making the film's exploration of societal issues accessible and compelling. The Blu-ray release does justice to the film's legacy with top-notch video quality, superb audio fidelity, and insightful supplementary content.
The film's charm lies in the stellar performances by Spencer Tracy, Sidney Poitier, and Katharine Hepburn, whose portrayals imbue the narrative with authenticity and emotional depth. While some elements may feel outdated to contemporary audiences, the underlying message remains relevant. The gentle humor and warm familial interactions, combined with pressing social themes, deliver a balanced viewing experience. The Twilight Time Blu-ray version preserves all these qualities impeccably, retaining the supplements from its 2007 DVD predecessor and enhancing the audiovisual presentation to current standards.
In conclusion, "Guess Who's Coming to Dinner" continues to resonate as a culturally significant film that thoughtfully addresses race relations through a relatable lens. Its expert craftsmanship and enduring performances make it a worthwhile revisit, especially in today's context of ongoing racial dialogues. This Blu-ray release comes highly recommended for those looking to explore or re-experience this classic film in optimal quality.
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 100
The increased resolution tends to belie some of the more theatrical aspects of the production design, like the supposed backdrop of San Francisco beyond the luxe veranda at the Draytons' palatial home,...
Audio: 80
Guess Who's Coming to Dinner's unshowy but serviceable DTS-HD Master Audio Mono track capably supports the film's long, expository dialogue sequences, as well as Frank De Vol's rather lush score (one which...
Extras: 80
Introductions offer brief but rather interesting comments from a host of different folks: Karen Kramer (1080i; 2:44) Steven Spielberg (1080i; 1:07)...
Movie: 90
While the situation with Joey's parents ultimately takes center stage, the social critique with regard to Tille and John is in some ways even more remarkable for a 1967 film....
Total: 90
While younger viewers especially will probably wonder what all the fuss was about, either in terms of interracial marriage itself or indeed of this particular film, there are still a number of supposedly...
High-Def DigestRead review here
Video: 80
Spencer Tracy reportedly grew impatient during shooting because lighting set-ups took forever, but the efforts of the crew paid off, and the resulting image brims with warmth, texture, and a palpable presence...
Audio: 80
The bigger winner here is the music score by De Vol, which not only fills the room with ease, but also possesses wonderful resonance and depth of tone....
Extras: 60
Among other things, we learn screenwriter William Rose specialized in scripts that took place over the course of a single day ('It's a Mad, Mad, Mad, Mad World' and 'The Russians Are Coming, the Russians...
Movie: 80
Of course, the issues the film tackles seem pretty tame today, but with all the racial strife currently afflicting our country in such locales as Ferguson and Baltimore, and national movements for tolerance...
Total: 80
Yet if you look beyond the social themes, you'll find exceptional performances from Spencer Tracy (in his last film), Sidney Poitier, and Katharine Hepburn that still ring true and resonate almost 40 years...
Director: Stanley Kramer
Actors: Spencer Tracy, Sidney Poitier, Katharine Hepburn
PlotJoanna Drayton, a young white woman, returns to her liberal upper-class American home with John Prentice, an African American doctor whom she has known for a brief period but with whom she has fallen deeply in love. The couple's desire to marry faces immediate challenges, not from the external world as much as from their own families. Joanna's parents, while progressive and ostensibly supportive of racial equality, are taken aback by the suddenness of their daughter's engagement and the racial dynamics it implies. They are forced to confront their own prejudices and the societal pressures of the 1960s America.
The film delves into the complexities of interracial marriage through the lens of a single day, during which John has also placed his own condition: if the parents do not approve of the union, he will leave Joanna. This ultimatum sets the stage for a dinner that is as much a test of personal convictions as it is of societal norms. The parents' internal struggle is intensified by the arrival of John's own parents, who are equally shocked and have their own reservations about the marriage. The contrasting generational and cultural perspectives on race, love, and acceptance are explored through this intimate family gathering, setting the scene for a profound exploration of themes that were both revolutionary and deeply challenging for the time.
Writers: William Rose
Release Date: 12 Dec 1967
Runtime: 108 min
Rating: Approved
Country: United States
Language: English