Blue Skies Blu-ray Review
Score: 73
from 4 reviewers
Review Date:
Blue Skies is a visually stunning Technicolor musical featuring standout performances by Crosby and Astaire, bolstered by a superb 2K restoration.
Disc Release Date
DTS-HD MA
Video: 82
Kino Lorber's 1080p Blu-ray presentation of Blue Skies amazes with a vibrant, film-like quality from a new 2K restoration. The 1.37:1 aspect ratio superbly showcases the film's lush Technicolor palette, with rich blacks and natural complexions. Minor color variations aside, fans will revel in this remarkable classic revival.
Audio: 79
The Blu-ray release of *Blue Skies* features a newly restored DTS-HD Master Audio 2.0 mono track, delivering clear dialogue and rich sound for musical numbers. Initial pressings had muted tap dance audio, resolved in corrected editions with replacement discs ensuring crisp and dynamic sound quality.
Extra: 48
Simon Abrams offers a lively and insightful audio commentary on "Blue Skies," analyzing Astaire's choreography, Crosby's approach, and production challenges, while delving into film noir connections and behind-the-scenes anecdotes, making it a must-listen for fans despite its scattered presentation.
Movie: 73
Blue Skies, featuring Bing Crosby and Fred Astaire, delivers a mixed bag—a captivating Technicolor production with stellar musical numbers like 'Puttin' on the Ritz' but hampered by a flimsy plot and underwhelming character dynamics. Despite high-quality performances and exquisite costumes, it remains overshadowed by its timeless predecessor, Holiday Inn.
Video: 82
Kino Lorber's Blu-ray release of "Blue Skies" delivers an impressive 1080p MPEG-4 AVC high-definition transfer, sourced from a meticulous 2K restoration. The presentation preserves the original 1.37:1 aspect ratio, faithfully replicating the cinematic experience intended by the original filmmakers. The black and white cinematography is exceptionally rendered, with rich, velvety blacks and vibrant highlights, particularly in sequences such as the "Puttin’ On the Ritz" number. The visual encoding avoids major compression issues, ensuring fluid motion in dance routines and maintaining the film's organic texture.
The 2K master unlocks the full potential of the film's Technicolor cinematography, capturing the lavish visuals crafted by cinematographers Charles Lang and William E. Snyder. This transfer excels in clarity and contrast, offering a vibrant, film-like image with beautifully resolved grain. Primary colors are vividly showcased, enhancing the aesthetic brilliance of Edith Head’s costumes and the intricate set designs by Sam Comer and Maurice Goodman. Despite a few instances of minimal color breathing and fluctuation, which are minor, the presentation is largely flawless, illustrating superior shadow delineation and natural flesh tones throughout.
The restoration effort revitalizes this 75-year-old classic, ensuring no significant age-related defects such as scratches or dirt specks disrupt its presentation. The intentional shadow work in several scenes remains well-defined, complementing the dynamic color palette, which includes bold reds and an array of pastels. This top-tier restoration and transfer by Kino Lorber will undoubtedly please enthusiasts and collectors, providing a splendid visual experience that honors the film's historical and artistic significance.
Audio: 79
The Blu-ray audio presentation of "Blue Skies," remastered in DTS-HD Master Audio 2.0 mono, impressively marries nostalgic charm with modern sound fidelity. This release offers a rich, clear, and well-modulated experience that complements the video restoration excellently. Robert Emmett Dolan's Oscar-nominated score, alongside the vivid reproduction of Bing Crosby's renowned baritone, is delivered with remarkable tonal depth and dynamic range. While the soundtrack successfully captures the ambient sounds like chirping birds and applause without distortion, there were notable issues with Fred Astaire's tap solos - predominantly in the earlier prints.
Initial pressings, unfortunately, presented volume inconsistencies, particularly with muted tap dance sequences. These shortcomings required action from Kino Lorber, resulting in a disc replacement initiative to correct the audio errors in Fred Astaire's dance numbers such as "Puttin' on the Ritz" and "A Couple of Song and Dance Men." Subsequent pressings now feature distinctly improved tap sounds, markedly enhancing the viewing experience. Despite this improvement, some sequences like "Heat Wave" and "A Pretty Girl Is Like a Melody" still experience slight audio lightness, suggesting room for further refinement.
Dialogue articulation throughout is commendable, and musical numbers are imbued with the warmth and richness they deserve. The earlier disruption surrounding Fred Astaire's performances was addressed; however, those lingering inconsistencies underscore an occasional disconnect in audio mixing precision. Fortunately, no extraneous background hiss or pops detract from the track. Overall, the Blu-ray’s audio quality, barring the highlighted imperfections with dance sounds, firmly positions itself as an exemplary effort to preserve history through sound in high definition.
Extras: 48
The Blu-ray release of "Blue Skies" offers a singular audio commentary by renowned film critic and author Simon Abrams, elevating its value with rich and engaging insights. Abrams, with a deep admiration for the film, dissects it as a "neurotic musical," providing a comprehensive analysis that covers everything from Astaire's dance prowess, Crosby's understated rehearsal strategy, and the production's turbulent history. He vividly narrates intricate behind-the-scenes details, highlighting potential casting changes, personal dynamics during filming, and the broader cultural context of the era. While the commentary may seem scattered at times, its depth is informative for both die-hard fans and casual viewers, uncovering the film's unique blend of drama and musicality. In addition to Abrams's insightful narrative, the disc includes a series of trailers encompassing other classic musicals.
Extras included in this disc:
- Audio Commentary by Simon Abrams: Insightful analysis of the film’s production and cultural impact.
- Road to Morocco – Trailer: Promotional clip.
- Daddy Long Legs – Trailer: Promotional clip.
- Love Me Tonight – Trailer: Promotional clip.
- Thoroughly Modern Millie – Trailer: Promotional clip.
Movie: 73
"Blue Skies," a post-World War II musical anchored by the legendary talents of Bing Crosby and Fred Astaire, offers a glimpse into an era where film thrived on song-and-dance narratives. The production, driven by an original concept from Irving Berlin, intertwines the talents of Crosby's crooning and Astaire's polished footwork with a storyline that navigates romantic complexities in an entertainment-infused nightclub setting. Despite the film’s $100M blockbuster status upon release, its barebones narrative, which follows the love triangle among nightclub owner Johnny Adams (Crosby), dance star Jed Potter (Astaire), and singer Mary O'Hara (Joan Caulfield), exposes its unwavering dedication to showcasing Berlin’s evergreen musical score rather than constructing a robust storyline. The visual and auditory allure is undeniably enriched by Charles Lang and William E. Snyder’s sophisticated cinematography and Robert Emmett Dolan’s vibrant score, ensuring the movie's technical excellence despite the narrative thinness.
The film’s polished aesthetic is completed with Hans Dreier and Hal Pereira’s captivating art direction, which complements Sam Comer and Maurice Goodman's lush set decorations, creating an opulent backdrop for Berlin's musical landscape. Wally Westmore’s exemplary makeup artistry pairs with the glamorous costuming by Waldo Angelo, Edith Head, and Barbara Karinska, imbuing each character with old Hollywood charm. Despite these visual joys, however, Caulfield's performance lacks depth, with her vocal tracks dubbed and dancing minimally showcased—a limitation noted by Astaire during production. Astaire’s standout routine 'Puttin' on the Ritz' employs remarkable visual effects, a feat representative of the film’s dedication to technical gleam over substantial narrative development.
While "Blue Skies" illuminates Berlin's musical prowess through iconic tracks like "Puttin' on the Ritz" and the Oscar-nominated "You Keep Coming Back Like a Song," its memorable highlights are undercut by a weaker plot and less engaging character dynamics compared to its predecessor "Holiday Inn." The slightly faded allure doesn’t entirely overshadow the charm emanating from Crosby and Astaire’s nuanced performances. Blue Skies remains a significant chapter in early Hollywood musicals and functions as an enigmatic time capsule blending nostalgic melody with post-war disenchantment.
Total: 73
"Blue Skies" is a Technicolor Hollywood musical that brilliantly showcases the talents of Bing Crosby, Fred Astaire, and Joan Caulfield. Not only does it feature captivating performances from its stars, but it also dazzles with classic Irving Berlin compositions like "Puttin' on the Ritz." While Crosby and Astaire's charm and chemistry attempt to inject vigor into the narrative, the film ultimately struggles to match the impact of its predecessor, "Holiday Inn." This Blu-ray edition benefits from a meticulous 2K restoration and enhanced audio, ensuring that the film's visual and auditory experience is presented in the best light possible.
The film’s conception situates itself as a connector between familiar pre-World War II nostalgia and post-war optimism, which might appeal to history buffs. Critic Simon Abrams notes the dichotomy in Astaire’s dance routines that reflect his character’s nuances, while Bing Crosby's aura of effortless grace masks his reluctance to rehearse with an illusion of superior dance prowess. Details such as these make the film an interesting study for enthusiasts of classic cinema and those interested in the behind-the-scenes intricacies of Hollywood's golden era.
In conclusion, "Blue Skies" is a must-watch for devoted fans of Crosby and Astaire, though it may not wholly captivate newcomers. While the story lacks the depth and exuberance of its iconic predecessor, it remains a testament to the era's filmmaking craftsmanship. The Blu-ray release offers a laudable presentation of this classic, making it a worthwhile endeavor for collectors of historical cinema and music aficionados seeking high-quality audio and video fidelity. Overall, "Blue Skies" is recommended for those who appreciate classic musicals and are interested in owning a piece of Hollywood history in restored glory.
Blu-ray.com review by Neil LumbardRead review here
Video: 80
The black and white cinematography looks especially pleasing with the high-definition presentation capably showcasing the wonderful visuals of the production....
Audio: 80
If one orders the title today on Amazon (or at any time in the future), the new pressings are all correct with the tap-dancing elements sounding just as crystal clear as the other audio elements on the...
Extras: 60
...
Movie: 90
and Hal Pereira (Breakfast at Tiffany's, Vertigo) is something that shines and provides a luxurious backdrop to the song and dance numbers....
Total: 80
The Blu-ray release is worthwhile for fans of the film seeing the best video and audio presentations (and a nice copy to permanently own and display on their shelf)....
The Digital Bits review by Dennis SeulingRead review here
Video: 95
Typical of studio films of the period, a process screen behind a car mock-up suggests that the car is moving along a road....
Audio: 85
Heat Wave, in particular, has a driving rhythm that builds to a dramatic crescendo as inebriated Jed dances among a chorus of girls, making his way up a long staircase and onto a bridge where he spins...
Extras: 80
Though Astaire intended to make Blue Skies his final picture before he retired, he was called upon to replace Gene Kelly in Easter Parade with Judy Garland. and went on to make Royal Wedding with Jane...
Movie: 70
In 1942, the screen pairing of Bing Crosby and Fred Astaire in the Irving Berlin musical Holiday Inn yielded big profits for Paramount Pictures and gave the world one of its most famous holiday songs,...
Total: 83
Though Astaire intended to make Blue Skies his final picture before he retired, he was called upon to replace Gene Kelly in Easter Parade with Judy Garland. and went on to make Royal Wedding with Jane...
High-Def DigestRead review here
Video: 80
The bold reds of lipstick, a blazing neon sign, and huge bouquet of roses; the subtle variations of green, from the pale tone of Olga San Juan's gown and matching boa to Billy De Wolfe's Irish-green hat;...
Audio: 80
At times, a hollow quality afflicts isolated portions of the track, and for some reason Astaire's taps are quite muted, lacking the crispness that adds syncopated rhythm to his dances....
Extras: 20
In addition to a quartet of trailers for other Kino musical releases (sadly, no preview for Blue Skies is included), the only extra is a lively and informative audio commentary by film critic and author...
Movie: 60
Though the downbeat story reflects the jaded attitude of post-World War II America, there's not enough plot to sustain it, and the cardboard characters struggle to connect not only with each other, but...
Total: 80
Blue Skies tries to recapture the magic of Holiday Inn, but this Technicolor follow-up lacks the style, charm, energy, and artistry of its black-and-white counterpart....
Home Theater Forum review by Matt HoughRead review here
Video: 90
Otherwise, the Technicolor is stunningly beautiful with the myriad costumes in the production numbers really popping off the screen and shadows darker than ever before with silhouettes of the stars appearing...
Audio: 90
Occasionally you hear echoes of them (they come off strongest in “A Couple of Song and Dance Men”), but they’re almost completely lost in the opening number and otherwise flit in and out during his other...
Extras: 40
It’s presented in a sort of scattershot way, and it’s surprising he hadn’t learned Joan Caulfield was dubbed in the movie, but fans of the film will likely want to hear what he has to say once....
Movie: 80
Joan Caulfield was fairly new to movies, and she wasn’t a natural musical talent (witness only a brief dance turn in the opening number, a solo song that involved no dancing, and a dubbed singing voice),...
Total: 80
The major problem with the audio mix of the movie seems to have been mostly rectified (though new buyers may need to be aware of older copies being sold), but otherwise this new Blu-ray release is a welcome...
Director: Stuart Heisler, Mark Sandrich
Actors: Fred Astaire, Bing Crosby, Joan Caulfield
PlotThe story begins with a charismatic entertainer and talented dancer, imbued with a pragmatic outlook on life, recounting his romantic and professional encounters to a radio host. His narrative centers around his tumultuous yet enduring friendship with a charming nightclub owner and singer. Their relationship is put to the test when they fall for the same woman, a radiant and accomplished showgirl who becomes the centerpiece of their lives. As they navigate the vibrant world of nightclubs and show business, their friendship is strained by rivalry and ambition, yet underpinned by genuine affection. The setting shifts between post-war America, bustling venues, and intimate backstage moments that reveal the personal trials behind their public personas.
The two men's creative talents lead them to prosper in their respective fields, but their shared affection for the same woman fosters tension. This woman, caught between two compelling personalities, must choose her path, balancing love with her own ambitions. Meanwhile, she deals with her evolving identity as an individual within the broader entertainment world. The narrative unfolds through lively musical numbers and intricate dance routines, which serve to highlight the emotional stakes involved. As the trio's journey progresses, issues of loyalty, dreams, and choices underscore their interactions. The plot advances through a series of ups and downs until reaching pivotal junctures that redefine their relationships and their aspirations.
Writers: Arthur Sheekman, Allan Scott, Irving Berlin
Release Date: 16 Oct 1946
Runtime: 99 min
Rating: Approved
Country: United States
Language: English, French, Spanish