The Darkest Hour Blu-ray Review
Score: 58
from 5 reviewers
Review Date:
"The Darkest Hour" offers passable mindless entertainment with slick production but dull characters; Blu-ray features stellar audio and midlevel 3D video. A rental at best.

Disc Release Date
DTS HD-MA
Video: 65
The Darkest Hour's Blu-ray 3D presentation is not exemplary but offers decent depth and separation, with a theatrically correct widescreen 2.4:1 1080p image. The native 3D brings solidity to characters and objects, although interior shots lack true depth. Vibrant colors and clarity are notable, but dark scenes suffer from brightness and contrast issues. There are minimal compression problems and aliasing effects are present but not distracting. The 3D effect is minimal with some light ghosting and a darker image compared to the 2D version.
Audio: 65
The DTS-HD Master Audio 5.1 track for 'The Darkest Hour' delivers clear and precise dialogue, strong bass, and realistic effects, though its surround usage and low-end frequencies are somewhat limited, making it a solid but not exceptional audio experience.
Extra: 45
The Darkest Hour Blu-ray extras provide an average set of additional content, including deleted scenes, a short film, and a featurette that offers insight into visual effects; the audio commentary by Chris Gorak is technical but occasionally lacks engagement, and the 3D presentation falls flat.
Movie: 33
"The Darkest Hour" Blu-ray offers an underwhelming alien invasion narrative, hampered by a weak script, uninspired characters, and unmemorable performances. While the visual and audio quality are competent, the 3D effects and extras package add little value. Comparable to Syfy TV productions, it fails to stand out in its genre.

Video: 65
The 1080p transfer of "The Darkest Hour" presents a mix of strengths and weaknesses. The widescreen 2.4:1 2D and 3D presentations are mostly region-free, offering solid technical specifications. The native 3D filming delivers characters and objects with tangible volume and depth, enhanced by careful framing that maximizes the sense of space. Establishing shots, especially of Moscow, excel with considerable three-dimensionality, while tighter interior settings lend less to the depth effect. Critical moments such as alien landings and underwater scenes are visually compelling, though not without minor drawbacks like banding in underwater sequences or softened elements during CGI-heavy scenes. The high-definition image is notably sharp in well-lit outdoor shots but slightly darker in 3D, which affects clarity in shadow-heavy sequences.
Color balance remains robust, with early scenes displaying vivid neons against the city's nightlife backdrop, though post-invasion segments see a digital grading that mutes the palette. Skin tones generally maintain natural hues against the stylized blue, gray, and black color scheme. Brightness and contrast settings achieve respectable black levels, contributing to a decent shadow detail that enhances image depth. Some video anomalies like aliasing and moiré are minimally present, but color grading is consistent for the most part. In terms of 3D effects, the presentation often falls short of expectations as it misses the immersive "wow" factor seen in exemplary 3D films. While gimmick pop-out effects are scarce, some scenes manage to surprise with subtle negative parallax effects like drifting debris and explosive details.
Overall, "The Darkest Hour" offers a reasonable visual experience that capitalizes on its native 3D production for certain standout moments but doesn't uniformly impress across the board. Without distracting compression artifacts or prevalent edge enhancement, it remains a technically sound but unevenly impressive presentation.
Audio: 65
The DTS-HD Master Audio 5.1 surround track of "The Darkest Hour" on Blu-ray provides a solid, if somewhat inconsistent, auditory experience. Dialogue is consistently clear and precise, emanating naturally from the front channels with refined vocal character and excellent room penetration. The frontal array handles the majority of the sound work with notable separation, though stereo effects are somewhat limited. The surround channels contribute to the immersive experience, particularly during heavy action sequences, gunshots, and underwater submersion scenes, though their primary role often lies in enhancing the musical score.
Dynamic range on this DTS-HD MA track is commendable, providing subtle distinction to low-level sounds and adding gravity to broader sonic events. The unique musical score by Tyler Bates benefits from clean, discrete directionality and establishes a chilling atmosphere with haunting, airy notes that deeply penetrate the soundstage. Special effects, such as debris flying around during action scenes, gunfire, building collapses, and the eerie sound of humans being ripped apart by alien creatures, are delivered with clarity and power. Although the low-end frequencies do not quite reach the depths expected of premium action tracks, particularly during effects like electrical pulses, the bass presence is sufficient to keep the audio experience engaging.
Overall, while "The Darkest Hour" does not reach the pinnacle of exemplary surround soundtracks, it offers a satisfying and immersive auditory experience. The mix adeptly balances various elements—dialogue, music, and effects—into a cohesive whole. Noteworthy moments include tremendously strong sound effects, clean mid-range handling, and intelligent channel separation that convincingly positions audio cues within the space. This soundtrack delivers a respectable performance that capably supports the film's sci-fi action narrative.
Extras: 45
The extras on the Blu-ray for "The Darkest Hour" provide a moderate range of content, focusing on the filmmaking process and extending the narrative universe. The Audio Commentary by director Chris Gorak delves into various production aspects such as shooting in Moscow, 3D challenges, visual effects, and soundtrack development. Despite some silent gaps, it offers valuable insights. The short film Survivors is an engaging addition set in the same universe, though opinions differ on its execution quality. The Darkest Hour: Visualizing an Invasion featurette offers a detailed exploration of the special effects creation process, making it a significant highlight. Additionally, there are five deleted and extended scenes with optional commentary, providing brief yet interesting character moments that supplement the main storyline.
Extras included in this disc:
- Audio Commentary: Director Chris Gorak discusses various production aspects.
- Survivors: An 8-minute short film expanding the movie's universe.
- The Darkest Hour: Visualizing an Invasion: A 12-minute featurette on visual effects.
- Deleted and Extended Scenes: Five scenes with optional director commentary.
Movie: 33
"The Darkest Hour" endeavours to set its alien invasion narrative apart by situating it in the urban expanse of Moscow. The film follows Emile Hirsch, Max Minghella, Olivia Thirlby, and Rachael Taylor as they navigate a quintessentially post-apocalyptic environment after an invisible, insidious extraterrestrial force descends on Earth. Despite the intriguing setting and initial setup, the execution leaves much to be desired. The characters are arguably paper-thin and stereotypically conceived, violating the fundamental narrative principle where viewers should care about the protagonists. Even seasoned actors like Hirsch cannot salvage the uninspired script and mediocre dialogue. The plot, which revolves around the invaders' quest for Earth's resources, lacks inventiveness and falls into the realm of cliché, mirroring numerous past sci-fi endeavors.
From a technical standpoint, "The Darkest Hour" provides an adequate yet unimpressive audiovisual experience. While the Blu-ray offers clean and clear visuals with satisfactory special effects, it does not leverage the potential of its native 3D as effectively as one might hope. The sound design follows suit—competent but lackluster and missing the immersive quality that would elevate the tension during pivotal scenes. Compounding these shortcomings are woefully inadequate extras compared to its US release, featuring only basic inclusions on an accompanying DVD, thus offering little incentive for collectors or enthusiasts.
Director Chris Gorak's foray into the realms of sci-fi thriller fails to carve out a distinct identity amidst its genre peers. The film’s concept of invisible orbs holds potential, especially in its early stages. However, coupled with a subpar script by Jon Spaihts and others, it descends into predictability as soon as burgeoning intrigue wanes. Gorak’s efforts, underscored by historical references to acclaimed directors he collaborated with, like Timur Bekmambetov, are visible in its polished visual allure but ultimately fall short of producing an engaging and memorable cinematic experience. In sum, "The Darkest Hour" straddles a precarious line between competent execution and missed opportunity, failing to reach the prowess of notable sci-fi classics.
Total: 58
"The Darkest Hour" on Blu-ray delivers a decent experience, albeit with notable shortcomings. The film itself offers basic, mindless entertainment with slick production values and occasional visual flair but is hindered by dull characters and a repetitive story structure. This prevents the movie from rising above mediocrity, as it fails to engage viewers on a deeper level. The plot, while initially intriguing, devolves into a typical B-quality sci-fi disaster thriller, characteristic of Syfy Channel offerings.
Despite its narrative flaws, Summit Entertainment's Blu-ray release offers outstanding audio quality and mid-level 3D video, elevating the overall viewing experience. The 3D transfer is commendable, although not free from minor issues. The sound design is highly enjoyable, making the action sequences more immersive. However, the package is let down by a weak assortment of supplements that do little to enhance the value of the release.
In conclusion, "The Darkest Hour" 3D Blu-ray is best suited for those in search of a casual viewing experience without high expectations. Its technical merits in audio and video make it a viable option for a rainy day rental but fail to make it memorable. While it does not ascend to the heights of sci-fi greatness, it provides an adequate level of mindless entertainment if approached with the right expectations.
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AV Forums review by Simon Crust
Video: 70
Brightness and contrast are set to give reasonable black, again the digital grading hampers any real black which, in turn, smudges over some shadow detail, but at least the setting does add a little to...
Audio: 70
Bass is reasonable, mostly to used to fill out the score or in the nightclub scene, though LF effects are somewhat limited; gunshots, occasional explosion or the rumble of the microwave gun being the best...
Extras: 20
These five scenes amount to a few seconds of extra character beats, wouldn’t have altered the film, but for such short run time, not sure that excising them adds pace, anyway their titles are: Anne and...
Movie: 40
A combination of weak script, poor science, lacklustre direction and insipid acting makes this film a chore to sit through; apart from the location there is nothing original to add to the mix as it’s all...
Total: 50
Video: 86
This high definition presentation doesn't consistently lend itself to razor sharp clarity and three dimensional depth but in most regards looks quite good....
Audio: 86
The lossless DTS-HD MA soundtrack doesn't consistently engage the entire surround platform however it has moments where it energizes the room and reproduces the source elements with aplomb....
Extras: 50
Audio commentary with director Chris Gorak (HD) Survivors - An all-new 8 minute short film following the rebel resistance around the globe....
Movie: 20
A Sci-fi thriller featuring mind-blowing special effects from the minds of visionary filmmaker Timur Bekmambetov (Wanted) and director Chris Gorak (Art Director Fight Club, Minority Report),The Darkest...
Total: 61
Screen Onkyo PR-SC5508 THX Ultra 2 Audio/Video Processor Sherbourn Technologies - 7/200 Seven Channel Amplifier Oppo BDP-93 Universal Disc/3D capable Blu-ray Player (HDMI Audio/Video)...
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Blu-ray.com review by Martin Liebman
Video: 80
The image provides an average sense of 3D depth; there's good separation between characters and objects, and viewers can roughly discern the exact spacing across a room, down a street, or through an entire...
Audio: 70
It plays with good power and authenticity, and even the sound of brass hitting pavement plays with a true-to-life flair....
Extras: 90
Audio Commentary: Director Chris Gorak discusses the history of the production, its similarities to Red Dawn, the assemblage and work of the cast, shooting in Moscow, specific filmmaking locations within...
Movie: 40
Once the initial "cool" factor of the usual alien invasion and post-apocalyptic hubbub fades away at the end of the first act, viewers are left with pretty much a series of repeating scenes that feature...
Total: 40
It's nowhere near as awful those bottom scrapers in terms of raw production value, but it's also a fine example of how a movie suffers when nobody cares about the characters....
Video: 80
While not the sharpest presentation around, given it was filmed on digital HD cameras, definition and clarity are quite good with much of the Moscow locales to see....
Audio: 80
The low-end doesn't quite reach the depths expected of the action, especially the electrical pulses, but there's a great deal of power and authority within the bass nonetheless to keep things amusing....
Extras: 20
The rest of the discussion is on the technical aspects of the production, like shooting in and around Moscow, the visual special effects, the script and learning to film with 3D in mind....
Movie: 20
And in that respect, it could be celebrated as "a great, thoroughly entertaining piece of sci-fi action," the best the cable network has produced in years, with the coolest CGI effects seen in like forever!...
Total: 40
The script comes with an intriguing concept at its heart, but the production dwindles down to a cheap, B-quality sci-fi disaster thriller with a weak storyline, terribly dull characters and a ridiculously...
Video: 80
The 3D is fairly wasted on this film except for the scenes outside, where the city streets offer a a more compelling sense of realism....
Audio: 90
The movie’s dialogue is consistently clear and intelligible throughout and even smaller details like water and dust swirling in the wind were audible....
Extras: 50
Movie: 50
He isn’t helped by the script either since the screenwriter somehow managed to both over-complicate and oversimplify the story to the point that I just didn’t care what happened to most of the characters...
Total: 70
Director: Chris Gorak
Actors: Emile Hirsch, Olivia Thirlby, Max Minghella
PlotIn Moscow, two American software designers, Sean and Ben, travel to Russia for a business venture. Upon arrival, they discover their project has been stolen by a duplicitous Swedish rival named Skyler. While dealing with the betrayal, the group attends a nightclub to relieve some stress, where they meet fellow Americans Natalie and Anne. Suddenly, the city experiences a massive blackout, and mysterious, glowing entities begin disintegrating people into ashes. The group soon realizes that they are under attack from invisible, electricity-absorbing aliens, and they must navigate the chaos to find safety.
As the group moves through the eerily quiet and devastated streets of Moscow, they forge plans to locate additional survivors and potential means of fighting back against the invisible threat. They encounter others who have managed to evade the alien onslaught and exchange vital information on how to detect and avoid the deadly entities. Fueled by desperation and survival instincts, they face numerous harrowing challenges and learn that human ingenuity and resilience might be their best weapons in overcoming the relentless extraterrestrial menace.
Writers: Jon Spaihts, Leslie Bohem, M.T. Ahern
Release Date: 25 Dec 2011
Runtime: 89 min
Rating: PG-13
Country: Russia, United States
Language: English, Russian