The Last Stand Blu-ray Review

The Blu-ray release of "The Last Stand" through Lionsgate Films showcases a high-quality AVC encoded 1080p presentation, adhering to a 2.40:1 ratio that slightly extends the theatrical version's 2.35:1 aspect ratio. As a digitally filmed production, it boasts an impressive clean and sharp image quality that brings every scene to life with vivid clarity. The attention to detail is paramount; every element, from the lushness of explosions to the fine lines on Arnold Schwarzenegger’s distinctively textured face, is rendered with a precision that enhances the visual experience. The color palette, rich and varied, oscillates between the earthy tones typical of Western settings and the more vibrant hues during action sequences, all while maintaining deep black levels that add depth to the night scenes.

The presentation benefits significantly from its strong contrast and superior shadow detailing, particularly noticeable during the film’s more dynamically shot night sequences which exhibit a clarity that outpaces the average. Director Jim Jee-Won and cinematographer Ji Yong Kim’s preference for a kinetic camera movement could have presented a challenge to maintaining visual stability; however, this release suffers no such issues. The usage of digital filming techniques contributes to the overall pristine appearance of the footage, albeit at the cost of losing the filmic texture some purists might miss. This absence of film grain gives it a slightly more polished, television-like appearance which, while a matter of taste, does not detract from the superb quality of the video itself.

However, despite the vivid detail and color rendition that elevates much of this Blu-ray's presentation, "The Last Stand" stops short of reaching reference-quality video status. This is not due to any specific flaws within the video transfer itself but rather a reflection of the inherent limitations in fully capturing the cinematic depth that traditional film stock offers. The enhanced clarity and robustness of the video are commendable, yet they come with a slight caveat for those who yearn for the granular aesthetic of film.

The audio quality of "The Last Stand" on Blu Ray, featuring a DTS-HD Master Audio 7.1 track, is a standout achievement in cinematic soundscapes. From the outset, the audio presentation immerses viewers with a precision that's both impressive and enveloping. The whip-pan sounds of vehicles, like the Corvette tearing through the desert, not only demonstrate the track's dynamic range but also showcase its ability to create a highly detailed aural environment. The mix leverages all channels effectively, surrounding the listener with well-crafted foley effects and lifelike ambient sounds such as desert insects, which add to the authenticity of the setting. Meanwhile, the LFE channel provides a robust foundation, giving gunshots and explosions a palpable weight that complements the on-screen action.

Moreover, the sound mix excels in clarity and fidelity, ensuring that dialogue remains intelligible amidst the fray. This is a testament to the mix's prioritization and balancing of elements, where even amidst a cacophony of sounds, voices are never lost. The score, while generic, is dynamically woven throughout the channels, enhancing the film's pacing and tension without overwhelming. Vehicle and helicopter sounds demonstrate exceptional imaging, moving fluidly across channels in sync with their motion on screen, creating a convincing and atmospheric soundscape that pulls viewers deeper into the action.

Despite its vigorous use of the surround sound field, the audio track does show restraint during quieter moments, offering a stark contrast that highlights its expansive dynamic range. However, it's worth noting that the track experiences some lulls during the less action-packed sections of the film. Nonetheless, these periods do little to detract from the overall aural experience, which remains as engaging and meticulously crafted as its visual counterpart. The fine mixing of levels—from the nuanced adjustment of dialogue to the carefully calibrated effects—ensures that every sound element is placed with intentionality, resulting in an auditory experience that is both thrilling and immersive.

The extra presentation of "The Last Stand" Blu-ray showcases a well-curated selection of behind-the-scenes content and special features that delve into various aspects of the film's production. The centerpiece, "Not in My Town: Making 'The Last Stand'", provides a comprehensive look at the making of the movie, highlighted by insights from producer Lorenzo di Bonaventura and a peek into key sequences. "Cornfield Chaos: Scene Breakdown" offers an in-depth analysis of the film's climactic car chase, emphasizing the logistical challenges and collaboration with General Motors. "The Dinkum Firearm & Historic Weaponry Museum Tour" is a treat for firearms enthusiasts, presenting an overview of the historical weapons used on set. Additionally, "Actor-Cam Anarchy", featuring Johnny Knoxville and Jaimie Alexander, gives a unique first-person perspective of a day on set. The disc also includes deleted and extended scenes, offering a glimpse at what could have been, enriching the overall viewing experience for fans and cinephiles alike.

Extras included in this disc:

• Not in My Town: Making The Last Stand: A detailed behind-the-scenes look featuring interviews and insights into the film's production.
• Cornfield Chaos: Scene Breakdown: Analysis of the climactic car chase sequence.
• The Dinkum Firearm & Historic Weaponry Museum Tour: A tour of the historic weapons used in the film.
• Actor-Cam Anarchy with Johnny Knoxville and Jaimie Alexander: Personal footage from the actors on set.
• Deleted Scenes: A collection of scenes not included in the final cut.
• Extended Scenes: A look at scenes that were shortened for the final version.

Arnold Schwarzenegger makes a decisive, albeit formulaic return to cinema with "The Last Stand," his first leading role since the early 2000s. Set in the small, supposedly tranquil town of Sommerton, Arizona, Schwarzenegger embodies Ray Owens, a former Los Angeles cop turned sheriff, who stumbles upon a high-octane scenario involving the escape of a notorious drug cartel boss, Gabriel Cortez. Directed by South Korean filmmaker Kim Ji-Woon, known for his kinetic action sequences, the movie attempts to blend the charm of old western standoffs with modern, over-the-top action set pieces. Despite its predictable plot and Schwarzenegger's visibly aged persona—acknowledged within the film—the movie delivers several well-executed action moments, amped up to meet contemporary action cinema expectations.

The narrative borrows elements from classics such as "High Noon" and mixes them with hyperbolic action reminiscent of John Woo's films, managed effectively by Ji-Woon's direction. The film kicks off with an amusing prelude leading to the besieged town of Sommerton, where Schwarzenegger’s character, along with a motley crew of deputies and locals, prepares to thwart Cortez’s escape. The antagonist's ludicrous escape involving a supercar and a convoluted scheme sets up a middle section filled with adrenaline-pumping chases en route to the climax. This culminates in a frantic showdown, imbued with an explosive mix of close-quarters combat and vehicular mayhem through a cornfield, showcasing Schwarzenegger’s still formidable on-screen presence despite his age.

Though "The Last Stand" marks an ambitious American debut for Ji-Woon, leveraging Schwarzenegger’s star power amidst a colorful ensemble cast, the film struggles with its own identity, weaving between homage and parody. It fails to fully embrace its premise’s potential, wavering under the weight of its assembled clichés and the ghost of Schwarzenegger’s past cinematic glories. Nevertheless, for aficionados of straightforward action flicks and Schwarzenegger’s enduring appeal, the movie offers a modicum of entertainment—albeit with lowered expectations—distinguished by its fleeting moments of inspired action choreography and the novelty of its lead’s attempted resurgence.

The Last Stand," at its core, is a mixed bag that offers a semblance of both satisfaction and disappointment in its delivery. On one hand, it proves to be a breezily entertaining film that, despite treading familiar ground under the blistering Arizona sun, manages to keep the audience engaged with its well-staged action sequences and quintessential Schwarzenegger humor, colored with his trademark one-liners and an unapologetic embrace of violence. On the technical front, this Blu-ray release shines with excellent video quality and reference-quality audio that enhances the overall viewing experience, complemented by a suite of decent supplementary features. However, expectations for an over-the-top cinematic delight might be tempered by the reality of its execution.

Contrary to hopes of a campy, so-bad-it's-good guilty pleasure, "The Last Stand" is anchored by a script that feels dry and overly familiar, with bursts of action that often lack in creativity and originality. Though there are moments where the film seemingly finds its footing and excels, they are sparse and insufficient to buoy the rest of the narrative effectively. The excellence of the disc's video and audio presentation is undeniable, propped up by a surprisingly abundant array of special features. Yet, the film itself falls short of providing a compelling reason to invest in this release as a purchase, potentially relegating it to the status of a rental for those still drawn by curiosity or nostalgia for Schwarzenegger's return.

In conclusion, while "The Last Stand" Blu-ray dazzles with its technical prowess, the film encapsulated within struggles to stand firmly on its own merits. The fusion of high-quality audiovisual elements and a smattering of engaging special features cannot fully redeem the movie's reliance on cliched plots and intermittent action highs. For enthusiasts and collectors, these attributes may warrant a space on their shelves, but for those seeking a fulfilling Arnold Schwarzenegger comeback or a consistently thrilling action flick, it may be best to approach with tempered expectations or opt for a preliminary rental.