The Worst Person in the World Blu-ray Review

Presented in its original aspect ratio of 1.85:1, "The Worst Person in the World" on Blu-ray offers a stunning visual presentation, courtesy of Criterion. The film benefits from a 1080p transfer via MPEG-4 AVC encoding. Scanned in 2K from 35mm film, the digital workflow was completed in Stockholm and London, contributing to its exceptional video quality. The presentation achieves a remarkable delineation, clarity, and sharpness characteristic of Criterion’s high standards. However, there are occasional fluctuations in dynamic range during some sequences—likely stemming from the digital transfer process—which, while noticeable, do not detract significantly from the overall viewing experience.

The color palette of the film is notably vivid and natural, with lush, well-balanced hues that maintain stability throughout. The contrast between black levels and vibrant colors enhance the image's depth, while flesh tones retain warmth and authenticity. This meticulous attention to detail ensures the visuals remain engaging and sharp, contributing to what many reviewers agree is a 'reference territory' presentation. The Blu-ray does not exhibit any notable encoding anomalies, allowing for an uninterrupted viewing experience that truly captures the director's vision.

Despite being a new release under Criterion—a rarity for their collection—no additional restoration was required due to its pristine condition. The choice of a standard 1.85:1 aspect ratio is commendable, as it fills screens effectively without compromising image quality. Overall, "The Worst Person in the World" is a testament to the expertise involved in high-definition home releases, offering a commendable viewing experience for enthusiasts and cinephiles alike. Please note, this Blu-ray is Region-A locked, necessitating a compatible player to access its content.

The audio presentation of "The Worst Person in the World" Blu-ray is delivered through a Norwegian DTS-HD Master Audio 5.1 track, with the option for English and French subtitles. The audio mix, while not elaborate, impressively utilizes subtle nuances that enhance the viewing experience. Dialogue remains consistently clear, clean, and stable throughout the film, ensuring no distractions from the narrative. Importantly, there are no noticeable encoding anomalies affecting audio quality, showcasing a well-executed technical production.

Despite initial expectations given the film's genre, the sound design proves to be more expansive and dynamic than anticipated. The Norwegian audio track offers an immersive experience that contributes significantly to the film's ambiance. Subtle directional cues and ambient sounds are effectively placed within the surround channels, bolstering the understated yet rich auditory landscape. This dynamic quality of the soundtrack stands out as an unexpected yet welcome surprise, adding layers of depth to the viewing experience for audiences regardless of linguistic fluency.

The Blu-ray of "The Worst Person in the World" offers an enriching selection of supplementary materials that are as insightful as they are technically accomplished. The package includes over ten minutes of deleted scenes, providing deeper context to the narrative with optional English subtitles for its Norwegian dialogue. The comprehensive featurette, "Making The Worst Person in the World", features director Joachim Trier and key cast and crew members discussing their artistic vision and production journey in a 51-minute segment filled with enlightening insights shot across New York and Oslo. "Behind the Scenes: Frozen in Time" explores the visual innovations of the 'still sequence', offering captivating discussions and raw footage. This is complemented by an illustrated leaflet featuring Sheila O'Malley's essay—invaluable for cinephiles and fans alike.

Extras included in this disc:

• Deleted Scenes: Four insightful scenes with optional subtitles.
• Making The Worst Person in the World: Comprehensive interviews with the creative team.
• Behind the Scenes: Frozen in Time: Exploration of unique visual techniques.
• Leaflet: Critical essay and technical credits.

Joachim Trier's "The Worst Person in the World," now available on Blu-ray courtesy of Criterion, delivers a poignant exploration of modern life’s complexities with remarkable candor. Set against Oslo’s metropolitan backdrop, the film scrutinizes the journey of Julie (brought to life with nuance by Renate Reinsve) as she navigates her tumultuous twenties and thirties. Through a series of dynamic relationships and introspective encounters, Julie grapples with the societal pressures of career and family, embodying a sense of perpetual self-discovery and dissatisfaction. The narrative cleverly addresses the emotionally unmoored outlook of many young adults today, portraying Julie’s quest for autonomy in juxtaposition with the traditional aspirations held by her partner, Aksel (Anders Danielsen Lie).

The film's technical composition is equally compelling, boasting cinematography that captures Oslo's urban charm while emphasizing the protagonist's internal conflicts. Trier's ability to blend striking visuals with a deeply personal storyline invites audiences to question societal norms and personal fulfillment. Thematically, the film investigates generational anger, cultural programming, and the evolving definition of family without sacrificing its emotional core. Although some critics argue that the film occasionally treads familiar cinematic territory, its dedication to authenticity in portraying its flawed heroine remains commendable.

Ultimately, the film invites viewers to reflect on their own life paths, evoking empathy for Julie’s choices and imperfections. By showcasing Julie’s impulsive decisions and their consequences, it delves into universal themes of identity and maturation. While Julie may not be universally likable, her relatable quest for meaning resonates with audiences, prompting introspection about the dichotomy between societal expectations and personal contentment. Trier’s film succeeds in crafting a narrative that is both a mirror and a critique of contemporary life’s challenges, anchoring its story in genuine human experience.

Joachim Trier's "The Worst Person in the World" presents a compelling exploration of existential ambivalence and the complex nuances of personal growth. With its sharp narrative and raw emotional depth, the film resonates profoundly, capturing the oft-unspoken struggles of self-discovery and interpersonal relationships. The Criterion Blu-ray release boasts a solid 2K master, ensuring that the cinematic experience remains pristine. The visual fidelity is matched by a selection of insightful extras, including interviews with Trier and his team, that further enrich viewers' understanding of the film's intricate thematic layers.

The Criterion release complements the engrossing story with technical excellence in audio and visual presentation, which is crucial for appreciating the film's mood-setting aesthetics and emotive performances. Subtle details in contrast and color bring Oslo to life, serving as both backdrop and character within this narrative. The sound design is meticulously preserved, offering audiences an immersive experience that parallels the intense personal journey of protagonist Julie.

In conclusion, "The Worst Person in the World" provokes introspective reflection as it chronicles Julie's quest for meaning amidst despair and desire. It incisively portrays the cyclical nature of seeking freedom at life's expense—foregoing meaningful connections only to confront unfulfilled aspirations. As Julie navigates her existential crossroads, viewers are left pondering her future steps: Will enlightenment grant her contentment, or will past patterns ensnare her into solitude? Joachim Trier adeptly leaves this poignant question unanswered, inviting continued reflection on Julie's life trajectory. Criterion’s Blu-ray adeptly serves this narrative with technical refinement, making it a worthy addition for those seeking both aesthetic enjoyment and substantive engagement with modern cinematic storytelling.