Effects Blu-ray Review

"Effects" is presented on Blu-ray by AGFA with a 1080p transfer in its native aspect ratio of 1.78:1, though it was originally framed at 1.85:1. The new digital transfer was meticulously created in 4K resolution using a Lasergraphics film scanner from the sole surviving 35mm theatrical print, made from the now-lost 16mm camera negative. The color grading, executed with DaVinci Resolve, aimed to maintain the film's original theatrical experience, while significant efforts were taken to clean up dust and dirt manually. Despite this, viewers will notice an extremely heavy grain indicative of its 16mm origins, substantial scratches, and occasional noise-like grain resolution issues, even outside of dark scenes.

The transfer's visual presentation is quite inconsistent. Indoor sequences exhibit a skewed yellow-brown palette which looks notably anemic, though some outdoor scenes manage to pop more vibrantly. Color fidelity and sharpness show considerable variability, often marred by persistent damage including noticeable scratches and frame fading. Although this rough presentation adds to the grindhouse aesthetic, potential viewers should be prepared for a wildly erratic experience. The film's low-budget origins and harsh production conditions are evident throughout the transfer, making it a challenging watch for those not enamored with the grindhouse genre's gritty charm.

Encoded in robust AVC on a BD-50, the film's presentation, despite the industry’s best efforts, cannot shake its checkered pedigree. The main feature’s footage displays numerous issues such as cue marks, gate scratches, exposure problems, and contrast fluctuations which highlight the limitations of the surviving elements. While dedicated fans of cult cinema and grindhouse novelties may appreciate this release for its historical value, others will likely find it less than satisfactory in terms of pure picture quality.

The Blu-ray presentation of "Effects" features a DTS-HD Master Audio 2.0 mix that largely surpasses the visual component in terms of quality. Despite its age and the challenges associated with the film's preservation, the audio track remains commendable. Conversations are delivered with clarity, although there are occasional amplitude fluctuations which can slightly impact dialogue consistency. The midrange frequencies may appear somewhat restrained, leading to less resonant sound effects than some might anticipate. However, the overall listening experience is far from problematic.

Given the film’s origins and the available source material, the presentation is surprisingly robust. The 2.0 DTS-HD format handles the score's eclectic array of instruments with commendable fidelity, producing a largely clean and engaging auditory experience. There is minimal wear on the track, preserving the integrity of the sound despite the film's low-budget production. Sound effects and background score might come across as thin at times, but overall, they contribute effectively to the narrative without overpowering it or feeling overly aggressive.

Optional English SDH subtitles are provided, ensuring accessibility for all viewers. In summary, while not perfect, the audio quality of "Effects" is quite satisfactory, offering a crisp and enjoyable listening environment that successfully compensates for some of the visual presentation's shortcomings.

The Blu-ray release of "Effects" features an impressive array of extras that enrich the viewing experience with insightful retrospectives and archival materials. Michael Felsher’s documentary, "After Effects," stands out as an in-depth, nearly hour-long featurette filled with valuable interviews and background information, alongside an optional commentary by Felsher himself. The inclusion of short films like John Harrison’s "Ubu" and Dusty Nelson's "Beastie" adds further value and depth. Moreover, the archival commentary track with John Harrison, Pasquale Buba, and Dusty Nelson offers an engaging discussion where the trio reminisces about their filmmaking journey. The AGFA's supplements, including a booklet with an essay by Joseph Ziemba, establish this edition as the definitive version.

Extras included in this disc:

• After Effects: Comprehensive retrospective by Michael Felsher.
• Ubu: Short film by John Harrison.
• Beastie: Short film by Dusty Nelson.
• Archival Commentary Track: Featuring John Harrison, Pasquale Buba, and Dusty Nelson.

"Effects," a lesser-known creation of George A. Romero's associates, embodies the essence of guerrilla filmmaking prevalent in the 1970s independent horror scene. Directed by Dusty Nelson, and produced by Pasquale Buba and John Harrison (who also stars), Effects was made on a remarkably modest $55,000 budget. The storyline revolves around a low-budget horror film crew who unwittingly becomes part of a real snuff film project. Despite this intriguing premise, the film struggles with execution, particularly in its pacing and development of suspense. Early scenes delve into an unnecessary romantic subplot and excess plot points that fail to capitalize on the film’s central horror theme. This leads to a lack of momentum, causing viewers to lose engagement before the narrative eventually takes a dramatic turn.

The cast features familiar faces for horror aficionados, including Joe Pilato, Tom Savini, and John Harrison, whose performances add a noteworthy layer to the film. Special effects, notably contributions from Tom Savini, bring a level of realism and visceral quality to the proceedings, yet the film restrains the exploitation elements some might expect from a grindhouse classic. The ambiguity surrounding the snuff film plotline emerges too late into the film, undermining what could have been a more engaging thriller from the outset. While the second half manages to generate some suspense, it feels like too little, too late as the film’s initial ambivalence dissolves into a clearer but less thrilling trajectory.

Ultimately, "Effects" holds greater value as a historical artifact than a gripping horror narrative. It stands as a testament to the Pittsburgh independent film spirit and a nostalgic piece for fans of the era's genre filmmaking. Despite its flaws, the film remains an interesting curio for those drawn to the roots of indie horror cinema and the early careers of notable genre contributors.

"Effects" is a rather intriguing piece of cinema, primarily thanks to its unique historical context and the substantial supplemental materials included in AGFA's Blu-ray release. This film, with its tangential connections to George Romero, grapples with setting itself apart from conventional expectations. Initially challenging to engage with, viewers who invest time in understanding its unconventional narrative may appreciate the craftsmanship underlying its production. Despite not being a lost masterpiece, the film holds some merit and showcases the earnest labor of its creators.

The Blu-ray release has garnered attention not only for the film itself but also for the quality of the extras, including Michael Felsher’s insightful documentary. Given that the only existing print was in poor condition, AGFA's effort in restoring and presenting this cult item is commendable. While the technical presentation can't entirely mask the inherent deficiencies of the original material, it suffices to convey the essence of "Effects" without detracting from its narrative.

In conclusion, "Effects" is yet another example of a film where its historical significance and accompanying supplements outshine the core content. Though the film struggles to sustain suspense and may disappoint audiences seeking more thrilling fare, it still finds worth through its connection to cinematic history and the detailed efforts of AGFA. The supplemental material contributes greatly to its value, making it a worthy purchase for enthusiasts of cult cinema and those interested in film history.