Property Is No Longer a Theft Blu-ray Review
La propriet� non � pi� un furto
Score: 74
from 2 reviewers
Review Date:
Complex yet compelling, *Property Is No Longer a Theft* offers insightful social commentary with strong technical merits, though its art-house style may challenge casual viewers.
Disc Release Date
Video: 81
Arrow Academy's Blu-ray of 'Property Is No Longer a Theft' features an AVC encoded 1080p transfer in 1.85:1, restored from a 4K scan of the original negative and digitally restored in 2K. The presentation exhibits a natural grain with excellent detail, though occasionally cool palette and slight detail deficits in dark scenes.
Audio: 73
Property Is No Longer a Theft features a clear LPCM 2.0 mono track in the original Italian. The sound design and Ennio Morricone's unusual score provide interesting sonics, despite occasional sync issues typical of post-looped tracks. Dialogue, effects, and score maintain very good fidelity.
Extra: 64
The Blu-ray extras for 'Property Is No Longer a Theft' feature insightful interviews with key figures like actor Flavio Bucci, producer Claudio Mancini, and make-up artist Pierantonio Mecacci, alongside a well-crafted insert booklet containing an essay and photos, all presented in sharp 1080p quality.
Movie: 69
Petri’s 'Property Is No Longer a Theft' employs a darkly comic narrative to tackle class warfare, highlighting the moral ambivalence of possession through the story of a bank clerk's vendetta against a wealthy butcher, enriched by fourth wall breaks and eccentric storytelling.
Video: 81
Arrow Academy's Blu-ray presentation of "Property Is No Longer a Theft" offers a commendable AVC encoded 1080p transfer in a 1.85:1 aspect ratio. This release benefits from a meticulous restoration by The Museo Nazionale del Cinema, Torino, and the Cineteca di Bologna, with the film scanned at 4K resolution from the original camera negative and digitally restored in 2K. The audio was meticulously sourced and restored from the optical negative, with all restoration work completed at L'Immagine Ritrovata in Bologna. The transfer features an organic appearance with a thick, natural grain field that complements Petri's dynamic cinematography, although the constant movement and obstructions within the frame might obscure some detail.
The color palette leans slightly cool, which seems intentional to preserve the theatrical experience, though some elements like flesh tones can occasionally appear wan or drab. Dark segments, such as the interstitial confessionals predominantly set against black backgrounds, exhibit minor detail deficits that don't amount to full crush but can obscure subtle tonal nuances in shadows. This transfer offers very good detail levels overall, allowing viewers to appreciate the intricacies of Petri's filmmaking style despite the inherent challenges of his peripatetic camera movements and frequent use of obstructive compositions.
Audio: 73
The Blu-ray edition of "Property Is No Longer a Theft" boasts a commendable LPCM 2.0 mono track, maintaining the original Italian dialogue. The track presents a clean and articulate audio experience, showcasing the film's distinct sound design. This is most notable during the opening montage, which captivates with its unique audio intricacies. Ennio Morricone's unorthodox score further enhances the film's soundscape, delivering an immersive auditory presentation.
Despite occasional sync issues, presumably due to post-looping—a common practice in Italian cinema—the fidelity remains high across dialogue, effects, and music. Every element is reproduced with remarkable clarity and balance, ensuring that viewers experience the film as intended by its creators. The precision in capturing the nuances of the original sound design highlights the overall excellence of this Blu-ray release.
In summary, "Property Is No Longer a Theft" on Blu-ray provides an unerring auditory presentation, underscoring its distinctive sound design and Morricone's stirring score. The LPCM 2.0 mono track effectively preserves the film’s audio integrity, offering viewers a rich and engaging listening experience free from significant issues.
Extras: 64
The Blu-ray release of "Property Is No Longer a Theft" offers a robust selection of insightful extras that delves deep into the nuances of the film and its production. Each featurette provides a rich blend of personal anecdotes and professional insights from key contributors to the film, enhancing viewers' appreciation and understanding of this cinematic piece. Highlighted interviews with actors and production team members are well-produced, providing clear audio-visual quality and engaging content. Arrow continues to maintain its high standard with additional printed material that includes an informative essay and captivating pictures.
Extras included in this disc:
- My Name is Total: An appealing interview with Flavio Bucci, who portrays the scheming accountant in the film.
- The Middle Class Communist: An interview with producer Claudio Mancini.
- The Best Man: Features make-up artist Pierantonio Mecacci, who talks about his collaboration with Petri in general and this film in particular.
- Insert Booklet: Contains an essay and pictures.
Movie: 69
Elio Petri's 1973 film Property Is No Longer a Theft serves as a searing critique of capitalism wrapped in dark comedy. The film opens with an arresting audio montage of the verb "to have," setting the stage for its examination of possession and envy—the twin pillars of capitalist society. Flavio Bucci plays Mr. Total, an unfortunate bank clerk who paradoxically suffers from an allergy to money, underlining the absurdities that permeate the narrative. Total's disoriented life takes a twist after a bank robbery, inexplicably involving a local butcher (Ugo Tognazzi), ignites his personal rebellion against societal norms. Through his escalating guerrilla tactics against the butcher, Petri's narrative exposes the moral decay inherent in all classes, subtly suggesting that both the haves and have-nots are trapped in destructive cycles.
Petri's film employs a variety of stylistic devices to underscore its themes, such as fourth wall-breaking monologues that offer philosophical digressions on class consciousness and societal inequities. These elements lend an eccentric, almost Looney Tunes-like atmosphere to the film, blending absurdity with deep critique. Notable moments like Total's obsessive theft of the butcher's belongings—including a knife and hat—amp up the film’s satirical edge while revealing the underlying neuroses driving each character. Petri’s work demonstrates how possession itself can corrupt, as evidenced by the butcher's readiness to commit insurance fraud rather than confront the reality of his situation.
Property Is No Longer a Theft extends the class warfare themes Petri explored in his preceding films Investigation of a Citizen Above Suspicion and The Working Class Goes to Heaven. The film challenges conventional dialectics, suggesting that instead of leading to synthesis, the struggle between haves and have-nots results only in entropy and moral decline. Through allusions to literary figures like Thoreau and Proudhon, Petri crafts a profound yet accessible exploration of capitalism’s corrosive effects, making for an engaging yet thoroughly thought-provoking viewing experience.
Total: 74
Property Is No Longer a Theft presents a fascinating exploration of socioeconomic disparities through a stylized, cartoonish lens. While its structure and writing sometimes falter with moments of clunkiness, the film makes insightful commentary on the division between the affluent and the impoverished. The narrative, albeit meandering, supports a thought-provoking discourse that challenges viewers to reflect on deeply rooted societal issues. Arrow Academy's Blu Ray release enhances this experience with precise attention to detail and high-quality technical execution.
Those accustomed to conventional, story-driven cinema may find the film's art-house essence somewhat challenging. It demands a sophisticated understanding and appreciation for abstract filmmaking, as its surface-level comedic elements mask a profound critique of cultural and economic inequities. However, for those willing to engage with its dense thematic material, the film offers enriching insights and an unconventional cinematic journey.
Property Is No Longer a Theft is a rather interesting film from a number of standpoints, one that has an undeniably cartoonish ambience but which is dealing in matters of almost epochal impact. The film's structure and writing is a little clunky at times, and its screed-like tendencies may tend to make it off putting for some, but this analysis of what separates the haves from the have nots makes some fascinating and cogent points. Technical merits are strong and the supplementary package interesting. Recommended.
Blu-ray.com review by Jeffrey KauffmanRead review here
Video: 90
This is a nicely organic looking presentation that has a somewhat thick but natural looking grain field and which offers very good detail levels, with an understanding that Petri's style in this film features...
Audio: 80
The film has a really interesting sound design at times, as evidenced by the aforementioned montage that starts things out, and that, coupled with a somewhat unusual score from Ennio Morricone, give this...
Extras: 50
My Name is Total (1080p; 19:46) is an appealing interview with Flavio Bucci, who portrays the scheming accountant in the film....
Movie: 70
In a way, Property Is No Longer a Theft develops some of the class conciousness ideas that were part and parcel of Petri's immediately prior film to this one, La classe operaia va in paradiso (The Working...
Total: 70
The film's structure and writing is a little clunky at times, and its screed like tendencies may tend to make it off putting for some, but this analysis of what separates the "haves" from the "have nots"...
The Digital Bits review by Tim SalmonsRead review here
Video: 95
Audio: 90
Extras: 85
Movie: 75
The third film in his “neurosis trilogy”, preceded by Investigation of a Citizen Above Suspicion and The Working Class Goes to Heaven, this pessimistic but acerbic look at class warfare takes an unusual...
Total: 86
It’s certainly not the kind of cinema that one dives into strictly for entertainment value....
Director: Elio Petri
Actors: Ugo Tognazzi, Flavio Bucci, Daria Nicolodi
PlotA timid and dissatisfied bank clerk, frustrated by the vast inequalities he witnesses daily, decides to wage a personal war against wealth and privilege. He fixates on a prosperous butcher, seeing him as the embodiment of capitalist excess and exploitation. Determined to exact his form of justice, the clerk takes extreme measures to infiltrate and undermine the butcher's world. With a growing sense of anarchic zeal, he resorts to burglary, theft, and acts designed to unravel the butcher’s opulent lifestyle. His obsession leads him into a dangerous spiral, where his actions become increasingly radical.
As he delves deeper into this life of crime, he encounters various characters from the butcher’s life, including associates and family members. The clerk’s quest becomes more convoluted as he grows increasingly consumed by his mission, teetering on the edge of sanity. Each act of rebellion further entraps him in a web of moral and ethical ambiguity, challenging his own beliefs about justice and property. The line between oppressor and oppressed blurs, resulting in a tense confrontation that forces the clerk to face the ultimate consequences of his descent into lawlessness.
Writers: Elio Petri, Ugo Pirro
Release Date: 04 Oct 1973
Runtime: 126 min
Rating: Not Rated
Country: Italy, France
Language: Italian