To Live and Die in L.A. Blu-ray Review
Score: 57
from 4 reviewers
Review Date:
This Blu-ray offers superior video and audio but forces viewers to watch extras in standard definition from the old DVD, which is included; recommended despite dated elements.
Disc Release Date
DTS-HD MA
Video: 55
While the Blu-ray release of 'To Live and Die in L.A.' is a notable improvement over the Standard Definition DVD, presenting enhanced detail in 1080p/AVC, it exhibits inconsistent black levels and a grainy, sometimes noisy image. The DTS-HD Master Audio track impresses with dynamic 80s synth-pop and clear dialogue, despite occasional tinniness.
Audio: 56
Given the limitations of the source material, the DTS-HD Master Audio 5.1 track on 'To Live and Die in L.A.' Blu-ray delivers a robust and immersive experience with clear dialogue, effective surround use, and a nostalgic Wang Chung score, though it occasionally suffers from flat bass and tinny high ends.
Extra: 53
Extras on this Blu-ray are frustratingly housed on the old DVD, not on the new disc, retaining SD format. Notable inclusions are William Friedkin's insightful yet dry commentary, the engaging 'Counterfeit World' making-of featurette, and alternate/deleted scenes with directorial insights. Despite valuable content, the packaging is disappointingly outdated.
Movie: 78
"To Live and Die in L.A." is a visually dynamic 80s thriller with action-packed sequences, particularly a standout car chase, and robust performances from William Petersen and Willem Dafoe. Despite some clichéd plot elements and dated music, its moral complexity and kinetic energy make it an underappreciated gem deserving a place in any classic movie collection.
Video: 55
The Blu-ray release of "To Live and Die in L.A." offers a notable but not flawless upgrade over its Standard Definition predecessor. Presented in the original 1.85:1 theatrical aspect ratio, the 1080p/AVC-encoded transfer is a mixed bag that highlights both the film's aged aesthetics and some modern refinements. Fine details are generally improved, though scenes often appear intentionally soft, resulting in a hazy backdrop, especially in tighter shots. Colors maintain a naturalistic palette, with some vivid exceptions like the strip club scenes, albeit with some inconsistency in black levels. These range from murky to deep, occasionally suffering from crushed shadows, particularly in nighttime interiors. A pervasive grain structure adds to the film's gritty atmosphere but sometimes edges into noise, particularly during darker sequences.
Despite some issues, this Blu-ray representation of "To Live and Die in L.A." enhances the viewing experience more than it detracts. The High Definition image displays a better clarity and color accuracy than the standard DVD version included with the release. Thankfully, the transfer avoids any detrimental revisions similar to those seen in William Friedkin's "The French Connection" Blu-ray release, though Friedkin did claim to have supervised this transfer. Overall, while lacking the pristine quality of recent high-definition releases, this Blu-ray offers a commendable presentation that respects the film's original look and appeal.
Audio: 56
The DTS-HD Master Audio 5.1 track on the Blu-ray release of "To Live and Die in L.A." is commendable considering the film's original audio sources from the 80s. Dialogue is clear and coherent throughout, dominating the front and center channels effectively. The track excels at delivering immersive soundscapes, particularly during action sequences like the standout chase and airport scenes. Surround channels provide keen directionality, enhancing moments with vehicular action and urban bustle. However, bass response is lacking, and while the mid-range sounds slightly squashed, the high end can be piercingly brash, especially noticeable in Wang Chung's electro-snare hits.
The iconic Wang Chung score and theme song are delivered with pleasing auditory breadth across the front soundstage, adding to the nostalgic value of the presentation. Surround envelopment is mild but appropriate, without any attempts at gimmicky directional effects or exaggerated bass. The soundtrack maintains a natural balance, even if it feels dynamically brittle at times. Gunshots crack nicely, and while explosions and ADR work sound a bit flat and dated – which is expected for a film of this era – the audio mix remains engaging. The DTS-HD Master Audio track surpasses the previous DVD's standard track and stands as a solid representation of this classic crime thriller's auditory experience, despite some technical limitations inherent to its original production period.
Extras: 53
The Blu-ray release of To Live and Die in L.A. doesn't offer any newly packaged extras; instead, it includes the same bonus material found on the older DVD release, which might disappoint those expecting high-definition extras. Significant extras include a detailed commentary by Director William Friedkin, offering insight into his inspiration and behind-the-scenes decisions, though it must be experienced in standard definition. The "Counterfeit World: The Making of To Live and Die in L.A." is an informative retrospective featuring interviews and behind-the-scenes footage, adding depth to the filmmaking process. Deleted scenes and an alternate ending come with featurettes that shed light on directorial choices. Additionally, the disc features a stills gallery and original theatrical trailers. Overall, the extras provide substantial content, but the lack of HD presentation is a notable shortcoming.
Extras included in this disc:
- Commentary with Director William Friedkin: A comprehensive audio commentary detailing inspirations and behind-the-scenes insights.
- Counterfeit World: The Making of To Live and Die in L.A.: A 30-minute documentary with interviews and production footage.
- Deleted Scene and Alternate Ending Featurettes: Featurettes providing context for deleted scenes and an alternate ending.
- Photo Gallery: A collection of around 60 production stills.
- Theatrical Trailers: Original trailers for the film.
Movie: 78
"To Live and Die in L.A." encapsulates the quintessential essence of 1980s crime thrillers, blending stylish direction by William Friedkin with gripping, hard-nosed storytelling. This vastly underrated film should be regarded not just as a mere cop drama but as a ground-breaking work that stands tall even decades after its release. Starring William Petersen as the daring Secret Service agent Rich Chance and Willem Dafoe as the uncatchable counterfeiter Rick Masters, the film takes viewers on a roller-coaster ride through an adrenaline-fueled tale of vengeance and justice gone awry. With taut action sequences, including a standout car chase that rivals even Friedkin's earlier work in "The French Connection," this film is filled with unexpected plot twists, a strong script, and memorable performances that add layers of complexity to its seemingly clichéd cop movie setup.
While some aspects may feel dated, the heightened tension and moral ambiguity presented by Friedkin inject timeless relevance into the narrative. Petersen’s portrayal of Chance—a rogue, rule-bending agent driven to obsession following his partner’s murder—is intense and visceral. Equally compelling is Dafoe's chilling performance, capturing Masters' menacing yet oddly charismatic demeanor. The score by Wang Chung, though divisive, manages to effectively encapsulate the film's eclectic 80s vibe, adding a powerful auditory dimension to its visual style. Beyond its stylistic flourishes, "To Live and Die in L.A." benefits from a robust supporting cast, including John Turturro, Dean Stockwell, and John Pankow.
Friedkin's adeptness in creating high-octane action sequences is at its peak here, exemplified by a phenomenally orchestrated car chase scene that sees Chance speeding the wrong way down an L.A. freeway—an ambitious and technically impeccable feat that's still impressive by today's standards. Despite any perceived flaws or dated elements, "To Live and Die in L.A." remains a gripping and complex thriller that continues to earn its place as an underappreciated gem within the pantheon of crime cinema.
Total: 57
The Blu-ray release of "To Live and Die in L.A." brings William Friedkin's iconic 1980s thriller into high definition with commendable results. Visually and sonically, the upgrade from the previous DVD version is noticeable, offering a much sharper image and clearer audio. Although not up to the jaw-dropping standards of post-millennium blockbusters, the video quality is solid, capturing the film's gritty aesthetics and the era's atmosphere effectively. The audio commentary by Friedkin is interesting but occasionally meanders, providing an insightful yet somewhat tedious experience.
However, the handling of special features leaves much to be desired. Disappointingly, the extras are confined to an included DVD from a 2003 Special Edition. This means viewers must switch to standard definition for commentary tracks and additional content, an inconvenience for those expecting a seamless Blu-ray experience. While the supplemental materials themselves are extensive and enriching, their outdated format detracts from the overall package.
Finally hitting Blu-ray after many an unnecessary delay, this US High Definition release sports superior video and audio to its previous incarnation on DVD (even if it does not stand up to post-Millennium blockbuster standards), but is a bit of an insult when it comes to the packaging of the extras. Rather than bother to actually put them (or anything new) on the main Blu-ray, instead the Studios have just included the exact original DVD release of the movie, which means that you have to sit through the entire movie in standard definition just to listen to the audio commentary, and also endure all of the visual extras in a limited standard definition format. Still, it is a good collection of extras, and having them all here certainly makes things more clear when it comes to upgrading, as you can guarantee you're not going to lose out on anything. And with the fairly reasonable retail price you should have no reservations about picking this classic up and adding it to your collection. Highly recommended.
avforums review by Casimir HarlowRead review here
Video: 80
Unless you're actively scrutinising the video, this really is a presentation that enhances much more than it detracts from your viewing pleasure, and if you slap in the original SD-DVD (which they have...
Audio: 80
The gunshots ring in your ears, the airport scene has a lot of commotion and the track provides an immersive, involving experience that easily surpasses the standard track we got for the DVD....
Extras: 80
The section dedicated to the car chase is particularly good, with Petersen talking about enjoying doing much of the driving, Friedkin prompting the staff to make a sequence better than the chase in the...
Movie: 100
So, much like the Director William Friedkin's earlier classic The French Connection, this one deserves a place in anybody's collection of classic movies, an underappreciated gem which features some taut...
Total: 90
Rather than bother to actually put them (or anything new) on the main Blu-ray, instead the Studios have just included the exact original DVD release of the movie, which means that you have to sit through...
Blu-ray.com review by Casey BroadwaterRead review here
Video: 70
Colors are very natural�there's no stylization here at all� and aside from the strong red and green lighting inside a strip club, there's nothing that stands out as particularly vivid....
Audio: 70
Ambience fills out the soundfield when called for, giving us crackling embers, barroom chatter, and L.A. traffic congestion, while channel movements are less than impressive but at least present, with...
Extras: 50
This release of To Live and Die in L.A. recycles all of the bonus material from the 2003 DVD, but instead of being ported over to the Blu-ray disc�which includes only a Theatrical Trailer (1080p, 2:06)�the...
Movie: 70
And while the film was a modest hit, and would go on to find cult status on home video, it was only a stopgap for Friedkin, whose subsequent films, with the minor exception of 2007's pyscho-horror freakout...
Total: 70
There are splotches of 1980s mold all over the thing, but if you're willing to eat around the fuzzy patches, there's a decently filling cop drama to be had....
High-Def DigestRead review here
Video: 60
For no rational reason whatsoever, Friedkin decided to impose some goofy color timing changes on the movie that left the whole thing looking like it had been colorized with a box of crayons....
Audio: 60
The explosion that opens the picture may not shake anyone's walls, but has a reasonable kick....
Extras: 40
This commentary track is a few years old and is really more of an audio essay about the director's "impressions" of the project, what drew him to the material, and his use of "consultants" (i.e. actual...
Movie: 80
Although 'To Live and Die in L.A.' was a success, the director more or less lost his marbles afterwards, and went on to make some truly terrible movies like 'The Guardian' (the one about the evil tree,...
Total: 60
It's annoying that the supplements have been relegated to an old DVD in the same case, but at least the studio bothered to include them....
AVSForumRead review here
Video: 78
The mix used the surrounds well, even if they were not so much for the soundstage panning of the car chases etc., they added needed dimension....
Audio: 82
The mix used the surrounds well, even if they were not so much for the soundstage panning of the car chases etc., they added needed dimension....
Extras: 50
Extras are on the DVD Disk in 480p Commentary with Director William Fredkin Deleted Scenes and Alternative ending Featurettes Counterfeit the World: The Making of To Live and Die in L.A. Photo Gallery...
Movie: 70
Dafoe has been asking for a down payment on a sale of bogus bills, but the amount is larger than the secret can authorize Petersen, undercover, to pay to entrap Dafoe in a "sting" operation....
Total: 70
It is a bit annoying to switch disc’s to watch special features in 480p, and to listen to the commentary track while watching the DVD version of the film....
Director: William Friedkin
Actors: William Petersen, Willem Dafoe, Jane Leeves
PlotSecret Service agent Richard Chance is a reckless operative still reeling from the death of his partner, who was killed during an investigation into counterfeiting operations in Los Angeles. Driven by a desire for vengeance and bound by his duty, Chance becomes consumed with bringing down the sophisticated and ruthless counterfeiter responsible for his partner's death. The criminal mastermind behind the counterfeit operation is an artist and genius criminal named Rick Masters, who leads a high-stakes lifestyle funded by his fraudulent activities, constantly staying one step ahead of the law.
As Chance delves deeper into the underground world of money laundering and forgery, he enlists the help of his new partner, John Vukovich, a by-the-book agent who grows increasingly uncomfortable with Chance's unorthodox methods. The pair navigate through a grimy Los Angeles underworld of strip clubs, back alleys, and illicit deals in search of the elusive Masters. Their obsession with the case leads them to take risky and morally ambiguous actions in pursuit of justice, challenging the boundaries of the law and their personal ethics. With each move, they spiral closer to a confrontation with the formidable foe and the treacherous world he controls.
Writers: Gerald Petievich, William Friedkin
Release Date: 01 Nov 1985
Runtime: 116 min
Rating: R
Country: United States
Language: English, Arabic, Spanish