FM Blu-ray Review

Arrow Video presents "FM" on Blu-ray with an AVC encoded 1080p transfer in its original aspect ratio of 2.35:1. Notably, the transfer was prepared in High Definition by Universal Pictures, reflecting the studio's escalating proficiency in transforming its catalog into high definition. While the presentation maintains a healthy and naturally resolving grain field, it shows some variance in detail levels, with certain sequences, particularly live concert footage, appearing marginally softer. Overall, the palette is refreshingly vivid, although there are few variances in color density. Minor signs of age-related wear and tear like specks and blemishes are visible but do not detract from the viewing experience.

In terms of color representation, "FM" displays a vibrant and accurate palette. The film's rugged and coarse grain pattern remains organic, enhancing the era-specific aesthetics. Though there is some noticeable "yellow chunkiness" during scenes with optical effects such as the optically printed credits and certain montage sequences, these instances are infrequent and expected. The high-definition master delivers a commendable visual presentation despite minor age-related issues such as dirt and scratches. This release significantly improves on previous DVDs, offering a visual experience that is likely the best the film will ever receive on home video. Fans of the film will find this Blu-ray transfer thoroughly satisfying.

The Blu-ray release of "FM" offers impressive audio options, featuring either LPCM 2.0 or DTS-HD Master Audio 5.1 tracks. While the disc defaults to the stereo track, both audio presentations excel in delivering clear and engaging sound quality. The 5.1 surround track notably enhances the experience with stronger midrange and lower frequencies, giving a more immersive sound. Dialogues and effects are rendered clearly, with no noticeable signs of age-related wear such as crackling or popping.

Opting for the 5.1 DTS-HD track adds a bit more muscle to the overall listen, filling out additional speakers and enriching the audio landscape. Although the stereo mix mirrors the original theatrical experience, the surround track provides a fuller experience with exceptional fidelity for the rock and roll songs featured throughout the film. Dialogue remains consistently discernable without any hiss, distortion, or dropouts, underscoring the high quality of this release's audio presentation.

The Blu Ray of "FM" offers an engaging selection of extras that delve deeply into the film's production and its cultural context. The standout features include new interviews with key figures like Michael Brandon and screenwriter Ezra Sacks, providing firsthand insights and entertaining anecdotes, such as Brandon's unexpected contribution to "Starman." Film critic Glenn Kenny also shares an informative appreciation of the film's soundtrack, highlighting the era's music and its influence. While the isolated music and effects track in Dolby Digital 2.0 might not meet audiophile expectations, it remains a noteworthy inclusion. The comprehensive image galleries and the original trailer round out a robust package that enhances the viewing experience for fans.

Extras included in this disc:

• No Static at All: An interview with Michael Brandon.
• Radio Chaos: An interview with screenwriter Ezra Sacks.
• The Spirit of Radio: An appreciation by Glenn Kenny.
• Isolated Music and Effects Track: Presented in Dolby Digital 2.0.
• Original Trailer
• Image Galleries: Production Stills, Posters, Lobby Cards and Press, Soundtrack Editions.

"FM," released in 1978, deftly captures a time when radio was the dominant force in music dissemination. Reflecting an era when FM radio represented the "cooler" side of audio broadcasting compared to its AM counterpart, the film's narrative revolves around Q-SKY, the top-rated radio station in Los Angeles. Station manager Jeff Dugan (Michael Brandon) helms a team of eccentric DJs, whose eclectic playlists contribute to the station's immense popularity. However, the film quickly veers into conflict as corporate pressures demand the inclusion of Army recruitment ads, triggering a revolt among the station's on-air talent. The plot integrates vignettes of station life rather than a cohesive storyline, yet it offers memorable moments and a slew of engaging characters and performances, notably from Martin Mull and Cleavon Little.

The film also emphasizes its era through a rich, nostalgic soundtrack featuring heavyweights such as The Eagles, Steely Dan, Linda Ronstadt, and Jimmy Buffett. The inclusion of live concert footage adds a layer of authenticity and serves as a vibrant reminder of the golden age of album-oriented rock (AOR). Despite eventual radio homogenization by corporate interests—a phenomenon briefly alluded to but not deeply explored—the film successfully encapsulates the spirit and sound of late 70s FM radio. Notably, John A. Alonzo’s direction ensures that both the cinematic portrayal of Los Angeles and the soundtrack act as lasting time capsules.

"FM" thrives due to its endearing cast and period-specific details, though the narrative's relevancy may feel dated. Nonetheless, characters such as the caustic yet nurturing Mother (Eileen Brennan) and the hip Prince of Darkness (Cleavon Little) inject life into an otherwise whimsical story. The film provides a fanciful glimpse into an industry on the brink of change and offers fleeting yet potent reflections of a bygone era.

Arrow Video's Blu-ray release of "FM" delivers a commendable restoration of this underrated 1978 gem. Despite its initial lukewarm reception, "FM" thrives on its compelling soundtrack and charming cast, capturing the essence of a bygone radio era. While the film's plot may feel sparse to some, this quality imbues it with a repeat-watchability akin to revisiting a favorite album. The cast's performances, notably Martin Mull's, help to mask some narrative shortcomings, ensuring the film remains entertaining throughout.

The Blu-ray presentation benefits from Arrow's meticulous attention to detail. The picture quality is noticeably improved from earlier DVD releases, offering a vibrant and clean visual experience. This enhanced viewing is complemented by an array of special features, including an isolated track for the film’s acclaimed soundtrack—an invaluable addition for audio enthusiasts. The technical merits of this release, from video clarity to audio fidelity, uphold the high standards expected of Arrow Video.

In conclusion, while "FM" might not reach the comedic heights of "WKRP in Cincinnati," it offsets any plot deficits with nostalgic charm and a stellar musical lineup. The supplementary materials add significant value, ensuring both new viewers and longtime fans will find merit in this edition. Arrow Video’s Blu-ray release is a definitive upgrade over previous formats and comes highly recommended for anyone looking to relive this quirky slice of radio history.