High Noon 4K Ultra HD Blu-ray Review
Score: 84
from 4 reviewers
Review Date:
Kino Lorber's 4K UHD release of 'High Noon' elevates this Western classic with a superb Dolby Vision transfer and two new commentaries, making it highly recommended for both new buyers and upgraders.
Disc Release Date
True 4K
HDR10
Dolby Vision
DTS-HD MA
Video: 85
Kino Lorber's 4K UHD Blu-ray of High Noon delivers noteworthy visual enhancements, with Dolby Vision and HDR significantly improving grayscale and image depth, despite some minor softer and flatter areas in the 1080p presentation. Overall, the dynamic range and detail make this the best version of the film to date.
Audio: 88
The DTS-HD Master Audio 2.0 track on the 4K UHD Blu-ray of High Noon delivers clear, sharp dialog and preserves its vintage analog sound quality, with a modest dynamic intensity and occasional thinness in Tiomkin’s score; overall, it's a well-balanced, clean, and satisfying audio presentation for its age.
Extra: 71
The 4K UHD Blu-ray of 'High Noon' offers two compelling new audio commentaries by Alan K. Rode and Julie Kirgo, alongside essential archival featurettes on the film’s production history, socio-political context, and editing nuances, making this a comprehensive and insightful addition for collectors.
Movie: 97
Kino Lorber's 4K UHD Blu-ray of Fred Zinnemann's 'High Noon' offers an excellent blend of technical mastery and timeless narrative suspense. The release, featuring archival programs, new audio commentaries, and more, enhances the film's real-time tension and thematic depth, preserving its status as a remarkable piece of cinema history.
Video: 85
Kino Lorber's 4K UHD Blu-ray release of High Noon presents the film with impressive enhancements, thanks to a fresh 4K master and HDR, including Dolby Vision. The native 4K presentation notably elevates the viewing experience, showcasing a crisp grain structure without compression issues, which significantly enhances the overall visual clarity. Dolby Vision adds depth and refinement to the grayscale, with blacks appearing deep and inky and whites bright yet controlled, avoiding any bloom. Grace Kelly's dress, for instance, is brilliantly reproduced with detailed textures intact. The dynamic range improvements deliver a superior sense of depth and detail, particularly visible in iconic scenes such as the sweeping pull-back shot of Gary Cooper.
In contrast, the 1080p presentation struggles to match the quality of prior releases from Olive Films and Eureka Entertainment. The 1080p visuals often appear softer and flatter, especially in outdoor footage where high-frequency information seems filtered, resulting in reduced definition. Light black crushing further exacerbates the softness and flatness in some scenes. While close-ups render the best visuals on the 1080p disc, the native 4K presentation eliminates these inconsistencies. It is suspected that better encoding and the expanded dynamic range contribute to this marked improvement in detail and depth.
Additionally, mid-range shots on the 4K Blu-ray, although generally impressive, exhibit slightly murky details and a digital tinge indicating aggressive clean-up. However, damage reduction is superb without introducing halos or artifacts. Fluidity is excellent across most of the film, save for a few spots marred by source limitations. The framing discrepancy between 1.37:1 and 1.33:1 is minimal and doesn’t impact the overall visual experience. Despite these minor imperfections, the 4K UHD presentation is a significant enhancement over previous Blu-ray versions, maintaining the film's gritty texture and timeless appeal with an overall magnificent visual upgrade.
Audio: 88
The audio presentation of the 4K UHD Blu-ray release of "High Noon" features a single English DTS-HD Master Audio 2.0 track. The clarity of the dialog is commendable, remaining sharp and easy to follow with no technical anomalies during playback. While the native limitations of the original soundtrack are evident — with dynamic intensity modest and some segments of Dimitri Tiomkin's score occasionally coming off as thin — the overall sound quality remains impressively smooth and analog, particularly in Tex Ritter's iconic opening song. The dialog maintains remarkable clarity, free of notable hiss, pops, or cracks.
Despite the soundtrack's vintage characteristics, it holds up surprisingly well for its age. There's a notable absence of the pervasive hiss often associated with older films. Sound distribution is predominantly front-heavy due to the 2.0 mix, but this does not detract from the viewing experience. Moments of musical and emotional tension, especially around high noon, are effectively conveyed with satisfactory bass; the tense drumbeats deliver richness appropriate for the era. While it may not rival contemporary soundtracks in terms of dynamic range and channel immersion, the DTS-HD preservation ensures that both the award-winning score and song retain their full range and natural quality.
Overall, the DTS-HD MA 2.0 track delivers a clean and clear audio experience that enriches the classic film’s presentation. Those appreciative of the film’s vintage essence will find that the preserved audio quality enhances rather than detracts from "High Noon’s" timeless appeal. It faithfully captures all the nuances without introducing any modern artifacts or anomalies, providing a satisfying auditory journey into this cinematic masterpiece.
Extras: 71
The 4K UHD Blu Ray of "High Noon" impresses with its comprehensive collection of extras, featuring insightful commentaries and historical context that enrich the viewing experience. Alan K. Rode and Julie Kirgo provide two distinct audio commentaries, each offering substantial scene-specific commentary and trivia, making them worthwhile for enthusiasts. The archival featurettes delve into the film's narrative structure, editing, socio-political impact, and blacklist history, providing a robust background on this classic western. The visual essay narrated by Anton Yelchin and a text-format essay by Nick James round out the offerings with deep dives into production history and critical analysis. These extras are not only engaging but essential for anyone looking to fully appreciate the cultural and historical significance of "High Noon".
Extras included in this disc:
- Audio Commentary – Alan K. Rode: Insightful scene-specific commentary.
- Audio Commentary – Julie Kirgo: Engaging scene-specific commentary.
- A Ticking Clock: Analysis of narrative structure and editing.
- A Stanley Kramer Production: Discussion of the producer’s impact and socio-political context.
- Imitation of Life: The Blacklist History of High Noon: Examination of production history and McCarthy era.
- Oscars and Ulcers: The Production History of High Noon: Visual essay on the film’s production history.
- Uncitizened Kane: Text-format essay by Nick James.
- The Making of High Noon: Critical documentary by Leonard Maltin.
- Trailer: Original trailer for the film.
- Cover: Reversible cover with vintage poster art.
Movie: 97
Fred Zinnemann's "High Noon" (1952) is a masterful Western, worthy of its classic status. Starring Gary Cooper and Grace Kelly, the film excels in utilizing real-time storytelling to heighten tension. It follows Sheriff Will Kane (Cooper) on his wedding day as he learns that the notorious Frank Miller (Ian MacDonald) is returning to town for revenge. Despite pleas from the townsfolk and his new Quaker bride (Kelly) to flee, Kane chooses to confront Miller and his gang alone—a decision symbolically captured through the film's iconic use of clocks and static shots, which methodically build suspense.
Technically, "High Noon" is outstanding. Cinematographer Floyd Crosby’s choice of washed-out skies conveys a stark realism, and Dimitri Tiomkin's Oscar-winning score impeccably underscores the film’s escalating anxiety. The screenplay by Carl Foreman, inspired by John W. Cunningham's "The Tin Star," integrates political allegory into its narrative. Some interpret Miller's gang to represent Senator McCarthy’s HUAC and Kane as Foreman himself, targeted during the Hollywood blacklist era. Critics like John Wayne denounced it for perceived communist sympathies; however, the layered storytelling remains powerfully resonant across eras.
Outstanding performances enrich the film's substance. Cooper delivers a nuanced portrayal of stoic heroism, earning him an Academy Award. Kelly's early role showcases her emerging talent, adding depth to Kane’s personal crisis. Supporting roles from Lloyd Bridges, Katy Jurado, and a young Lee Van Cleef enhance the film's compelling dynamics. Ultimately, "High Noon" is more than just a Western; it's a richly layered narrative about individualism, moral courage, and societal change. This edition, released by Kino Lorber on 4K UHD Blu-ray, preserves the film’s technical prowess and offers a set of valuable supplemental features, ensuring its legacy endures for new generations of viewers.
Total: 84
"High Noon," directed by Fred Zinnemann, stands as an iconic masterpiece in the Western genre, blending moral complexity and intense drama to create a film of enduring significance. The latest 4K UHD Blu-ray release from Kino Lorber elevates the cinematic experience, providing a notable upgrade over previous versions. The new Dolby Vision transfer respects the film's original 70-year-old aesthetic while offering enhanced visual clarity and depth. The meticulously restored image quality coupled with pristine audio ensures that every detail from this classic is fully appreciated.
The 4K presentation not only enhances the visual fidelity but also enriches the film's already dynamic tension and emotional resonance. The new release is further augmented by the inclusion of two insightful audio commentaries, providing both historical context and deeper analysis of the film's thematic elements. The comprehensive set of archival features returned from prior releases ensure this edition is thoroughly robust for collectors and new viewers alike.
"High Noon" transcends its political overtones and remains unmatched in its depiction of moral courage, human doubt, and resilience. Kino Lorber’s 4K release solidifies its status as a must-have for fans of classic cinema, offering unparalleled technical quality and compelling supplementary materials. Whether you are upgrading from previous editions or making a first-time purchase, this release is unquestionably worth adding to your collection. VERY HIGHLY RECOMMENDED.
Blu-ray.com review by Dr. Svet AtanasovRead review here
Video: 90
Please note that some of the screencaptures that appear with this article are taken from the 4K Blu-ray and downscaled to 1080p....
Audio: 100
Of course, the native limitations of the original soundtrack are easy to recognize -- dynamic intensity is modest and some of Dimitri Tiomkin's music occasionally becomes a tad thin....
Extras: 80
A Ticking Clock - in this archival featurette, editor Mark Goldblatt (The Terminator) discusses the unique narrative structure of High Noon and its editing (with some excellent comments about the presence...
Movie: 100
There is another popular interpretation which suggests that the odd conflict between Kaine and the town's residents actually reflected the division between people like Foreman and other communists who...
Total: 90
The film is rightfully placed amongst the all-time greatest classics of the western genre because of its technical qualities, which are quite simply brilliant....
Blu-ray Authority review by Matt BrightonRead review here
Video: 100
When you consider some of the glorious colors of modern-day films, watching a black and white film framed in a 1.37:1 aspect ratio might seem a bit…lackluster....
Audio: 80
While the soundtrack certainly can’t compete with that of today’s movies, the dialogue didn’t have that “hiss” that is so associated with older movies....
Extras: 70
A Ticking Clock – Assuming the film has been viewed, we all know the importance of the clock....
Movie: 0
Some call it an allegory for what was happening with the blacklistings of several movie stars, directors and others in the entertainment industry....
Total: 90
Nevertheless, Kino’s new 4K image brings the film to a whole new level and the addition of two new audio commentaries only sweeten the deal....
DoBlu review by Matt PaprockiRead review here
Video: 80
In the mid-range though, it’s not as precise, even slightly murky with a barely perceptible digital tinge that suggests some overly aggressive clean-up....
Audio: 80
The rest of the score is clearly aged, muffled at the top-end without any real support until the clock strikes noon with a tension-rising, drumbeat that produces bass aplenty for the era....
Extras: 60
On the included Blu-ray, an older 22-minute making-of joins some basic featurettes, a text essay, and a trailer....
Movie: 100
“There’s got to be a better way for people to live,” says newlywed Amy Kane (Grace Kelly), sickened by late western society’s continual churn of violence and it’s a line in any context, any era, any time,...
Total: 80
Doubt, stress, tension, and cowardice define High Noon and its elegant thriller structure....
High-Def DigestRead review here
Video: 80
Flipping over to the 4K disc, that’s not an issue and I felt that the black levels and grayscale were spot on, and if anything looked better and more nuanced than the Olive disc....
Audio: 100
This release of High Noon comes riding into town with a DTS-HD MA 2.0 track where if I was a betting man, I’d say is the same mix we heard on the Olive disc from 2016....
Extras: 80
Not content to simply rehash old extra features, KLSC brings over the five featurettes from the Olive disc while adding two of their own new commentary tracks to the show....
Movie: 100
I get Hawks not liking aspects of the story and wanting to offer his own take on the plot idea, that makes sense to me....
Total: 80
High Noon isn’t just one of the most politically notorious films of Hollywood’s golden era, it just so happens to be one of the best Westerns ever produced....
Director: Fred Zinnemann
Actors: Gary Cooper, Grace Kelly, Thomas Mitchell
PlotIn a small town in the Old West, Will Kane, the town marshal, is newly married and about to leave office for a peaceful life with his young bride, Amy. Their plans are abruptly interrupted when Kane learns that Frank Miller, a murderous outlaw he once sent to prison, has been pardoned and is arriving on the noon train to seek revenge. Despite Kane's efforts to start a new life, the looming threat forces him to confront his sense of duty and personal code of honor.
Kane decides to stand and fight but finds himself increasingly isolated; the townspeople he has protected for years are unwilling to stand with him against Miller and his gang. As the clock ticks closer to noon, the tension escalates. Kane's desperation grows as he tries to rally support, facing moral dilemmas and questioning the loyalties of those he considered allies. His young wife, a pacifist, faces her own crisis of conscience and must decide where her loyalties lie. The marshal must confront the challenges alone, preparing for a confrontation that will determine not just his own fate, but the future of the town.
Writers: Carl Foreman, John W. Cunningham
Release Date: 30 Jul 1952
Runtime: 85 min
Rating: PG
Country: United States
Language: English, Spanish