Shout at the Devil Blu-ray Review

Presented in an aspect ratio of 2.35:1 and using MPEG-4 AVC encoding, the 1080p transfer of "Shout at the Devil" arrives courtesy of Kino Lorber. Sourced from an MGM-supplied master, this edition maintains visual quality with commendable delineation and clarity. The film, presenting diverse locations, manages depth well without succumbing to problematic digital corrections. While the color balance is competent, opportunities for improvement exist; enhanced saturation in primaries could expand dynamic range significantly. Although displaying some dated elements typical of older masters, image stability remains intact with only minor nicks present.

Despite technical craftsmanship, the film's racial attitudes are considerably outdated, even for its original 1976 release. It notoriously portrays a superficial view of colonialism with racially charged imagery, reminiscent of antiquated stereotypes. These elements are starkly illustrated, such as black troops being depicted in a minstrel-show style, offering a problematic portrayal of Black South Africans. Moments like Ian Holm amusingly in brownface and Roger Moore's context-based blackface further highlight the film's insensitivity. Given that "Shout at the Devil" was partially filmed under apartheid-era South Africa, a lack of racial sensitivity permeates its presentation.

The Blu-ray release of "Shout at the Devil" features an English DTS-HD Master Audio 2.0 track, complemented by optional English SDH subtitles. The audio presentation is clear yet conveys some subtle inherited fluctuations, particularly noticeable during action-packed scenes such as shootouts and screams. Despite these minor inconsistencies, the lossless track retains satisfactory clarity and dynamic intensity, though it primarily adheres to the original master without substantial remastering improvements. Potential future enhancements might be cosmetic, indicating the current track remains robust given its historical context.

However, certain audio elements, notably the ADR, can occasionally appear prominently, reflecting common practices of its production era. While the track delivers a generally balanced mix, it exhibits a somewhat thin sound profile lacking dynamic contrast and depth. This is particularly evident in Maurice Jarre’s score, which seems less impactful due to insufficient bass extension, detracting from its intended vibrancy. Despite these shortcomings, the audio offers an adequate representation of the film’s atmosphere and aligns well with its original auditory aesthetic.

The Blu-Ray of "Shout at the Devil" offers a rich array of extras that discernibly enhance the appreciation of the film. The audio commentary by Lee Marvin biographer Dwayne Epstein and critic Steve Mitchell is a highlight. Their insightful analysis covers a broad spectrum of topics—from the film's complex production history to discussions on Lee Marvin's skills and notorious drinking habits. They delve into the film's themes, its reception, and the political sensitivities surrounding it, providing a holistic understanding of its context. Despite some minor errors, their lively dialogue keeps the commentary engaging. The included vintage trailer and the reversible cover featuring classic poster art further enrich this special release, making it a must-have for aficionados.

Extras included in this disc:

• Commentary: A comprehensive audio commentary discussing the film's production with insights on Lee Marvin.
• Trailer: A vintage, English-language trailer for "Shout at the Devil."
• Cover: Reversible cover showcasing vintage poster art.

"Shout at the Devil," directed by Peter Hunt and based on Wilbur Smith's novel, is a peculiar blend of historical drama and comedic antics that makes for a unique period action/adventure. Released on Blu-ray by Kino Lorber, this film adds to its allure with contributions from stars Roger Moore and Lee Marvin. Moore, arriving fresh off his debut as James Bond, brings a familiar charm to his role, which is contrasted by Marvin's robust and inebriated portrayal of Flynn O'Flynn. The film oscillates between tense strategies and comedic escapades, resulting in a tone that veers between Gunga Din-like adventure and an almost parody sense. This lack of consistent tone might baffle some viewers, but those open to its eclectic nature may find it compelling.

In terms of narrative, "Shout at the Devil" transpires during World War I in Zanzibar. British dignitary Sebastian Oldsmith (Moore) unwittingly partners with American ex-military black marketeer Flynn O'Flynn (Marvin). Their ivory poaching and clashes with German commander Fleischer (Reinhard Kolldehoff) lead to an escalated conflict, drawing in the British military. The resulting plot involves a thrilling mission to destroy a formidable German warship. The film draws on elements reminiscent of Bond films while maintaining a distinctly old-school adventure vibe, perhaps a testament to its conception before New Hollywood's dominance.

Despite its initial challenges in production and reception, the unedited longer version of "Shout at the Devil" offered in this Blu-ray release provides an intriguing glimpse into a transitional period of filmmaking. While modern audiences might find its tonal shifts jarring, the combination of Moore's elegance and Marvin's ruggedness presents a curious but effective dynamic. The film's humor can charm, although it may also wane at times—where its success lies is largely in one's perception and tolerance for its inherent silliness.

"Shout at the Devil" on Blu-ray presents a compelling blend of adventure and historical narrative, albeit through a lens of light-hearted antics and old-fashioned glamour. Roger Moore, traditionally a dominant presence, shares the spotlight with Lee Marvin, whose performance injects a distinct comedic element, altering the anticipated formula. The Kino Lorber release is distinguished by an excellent commentary track featuring insights from Marvin biographer Dwayne Epstein and critic Steve Mitchell, enhancing the viewing experience with valuable context and analysis.

Previously underserved in home video releases, this edition significantly upgrades over its predecessors. While the Region B Blu-ray from 88 Films in the U.K. offers additional features like documentaries and interviews, Region A audiences will find Kino Lorber's version to be a marked improvement, primarily due to its enriching commentary. The film itself, though historically inaccurate, remains an engaging piece of cinematic history—best appreciated by those with a taste for nostalgic adventure.

In conclusion, "Shout at the Devil" attempts to mirror its predecessor's success while carving out a unique identity through playful storytelling and period charm. Despite its flaws, the film serves as an intriguing relic of its era. Recommended for audiences interested in light-hearted adventure films and those fascinated by the peculiar blend of comedy and historical fiction that characterized much of mid-20th-century cinema.