Angel-A Blu-ray Review

"Angel-A" descends on Blu-ray with a theatrically correct widescreen 2.35:1 aspect ratio, using the MPEG-4/AVC codec, delivering a transfer that is commendable in many respects. The black-and-white cinematography demands rigorous contrast and deep black levels, which this transfer admirably achieves. Blacks are notably deep and inky without apparent crush, enabling fine detail in shadowy scenes, such as barroom interiors and dimly lit Parisian streets. Whites peak effectively without bleed, maintaining distinct demarcation from surrounding areas. This precise detailing is evident in panoramic cityscapes of Paris, where horizons remain crisp against discrete, well-defined buildings below.

The image quality showcases remarkable detailing in clothing textures, stitches, and frequently appearing bridges. The nightclub scenes benefit from excellent clarity, capturing bottle details, dancing patrons, and even the subtleties of toilet cubicles. Distant shots of Paris can be paused to peruse individual buildings meticulously. While the image appears slightly flat, it lacks the 3-dimensionality seen in the most exceptional transfers. Encouragingly, there are no encoding errors; no banding in grey gradients, nor blocking or noise in darker scenes. The print is commendably clean, exhibiting minimal grain consistent with its age.

However, certain portions of the transfer are less impressive due to noticeable filtering. This filtering results in missing details, especially in panoramic Paris shots, compounded by prominent edge enhancement. The color-scheme also faces issues; blacks often appear smeared and unfocused, though whites fare slightly better. Mild contrast boosting is evident but remains somewhat manageable; still, it poses a distraction in several scenes. On a brighter note, the transfer is largely free from debris, scratches, and dirt. Despite its merits, "Angel-A" on Blu-ray feels like a missed opportunity to deliver a truly top-tier high-definition experience.

Note: This Blu-ray is Region-B locked, necessitating a Region-B or Region-Free player for access.

The auditory experience offered by the Blu-ray release of "Angel-A" comes with two distinct audio tracks: a French DTS-HD Master Audio 5.1 and a French LPCM 2.0. The primary recommendation is undeniably the French DTS-HD Master Audio 5.1 track, which provides a rich and potent soundscape. While it doesn’t revolutionize surround sound, it adequately fulfills its role with clear dialogue prioritized in the center channel. The ambient effects, such as traffic, birds, and murmuring tourists, although modest, are effectively placed, creating a subtle yet immersive environment.

Dialogue in the DTS-HD MA 5.1 track remains impeccably clear and is well-balanced across the channels. Anja Garbarek's haunting score drifts through the left and right speakers, giving a poignant airiness to the sonic presentation without overwhelming other elements. The score itself is rendered with precision, highlighting higher tones while ensuring mid-range frequencies are comfortably represented. Notably, the track is devoid of any audible imperfections like pops or hisses, which speaks to its solid mastering.

While the French LPCM 2.0 track offers a decent dynamic range, it pales in comparison during intense scenes where the more enveloping DTS-HD MA 5.1 excels. The latter's intelligent use of rear channels and well-timed panning ensures a cohesive front soundstage, especially during sequences involving moving traffic. The effective subtlety of the bass complements the overall audio without being overwhelming. English subtitles are also provided, seamlessly integrated within the black bars, accommodating an inclusive viewing experience.

The Blu-ray of "Angel-A" offers a compact yet comprehensive collection of extras that delve deeply into the film’s creation. The "Making of Angel-A" featurette, guided by the charismatic Jamel Debbouze, is densely packed with insights on filming locations, set design, and long-term collaborators of Luc Besson. The "Making the Music of Angel-A" provides an engaging look at Anja Garbarek’s work on the film's surreal and immersive score. Additionally, there is a short but calming video featuring Garbarek’s music and the original theatrical trailer. Prospective viewers should be aware that all supplemental features are in PAL format, necessitating compatible playback equipment for those outside PAL regions. While a director’s commentary would have enriched the package, the included content is still highly informative and well-curated.

Extras included in this disc:

• Making of Angel-A: Behind-the-scenes insights featuring Jamel Debbouze and Rie Rasmussen.
• Making the Music of Angel-A: A deep dive into the film’s score with Anja Garbarek.
• The Video: A short, melodic music video by Anja Garbarek.
• Trailer: Original theatrical trailer with English subtitles.

Luc Besson's 2005 film "Angel-A" presents an unexpected yet compelling narrative that strays from his typical action-packed style. Instead, Besson delivers a more introspective and dialogue-driven experience that captivates viewers through its depth and character development. Jamel Debbouze portrays André, a small-time criminal embroiled in a desperate struggle to repay his debts within 24 hours, a task that puts his life on the line. The film takes a poignant turn when André, teetering on the edge of despair, encounters Angela (Rie Rasmussen), a mysterious woman who leaps from a bridge prompting André to save her. This act sets off a series of events that transform both their lives, intertwining themes of redemption and self-discovery.

Cinematically, "Angel-A" excels with its stunning black and white visuals captured by cinematographer Thierry Arbogast. Known for his previous work with Besson and other renowned directors, Arbogast masterfully highlights the timeless beauty of Paris, with the River Seine's panoramic vistas standing out as particularly breathtaking. The film achieves an almost dreamlike quality that enhances its narrative richness.

The soundtrack by Anja Garbarek complements the visuals seamlessly, adding an extra layer of allure to the overall experience. While "Angel-A" draws narrative parallels to films like Wim Wenders' "Wings of Desire" and Patrice Leconte's "La fille sur le pont," it distinguishes itself through tangible humor and natural performances from its lead actors. Despite some occasional moments where the script feels contrived, Debbouze and Rasmussen's on-screen chemistry remains engaging. Although Besson's return to form after what critics deemed successive disappointments post-"Subway" was largely fueled by strategic PR efforts, "Angel-A" nonetheless stands out for its artistic merit and engaging storytelling.

The Blu-ray release of "Angel-A" presents visually stunning black-and-white cinematography that exquisitely captures the essence of Paris. The high-definition transfer retains the film’s artistic integrity while maintaining impressive clarity and detail throughout. Unfortunately, the audio quality, while adequate for the genre, does not stand out as particularly exceptional. Dialogue is clear, but the soundtrack does not offer a particularly immersive experience. The extras package is somewhat limited, which might disappoint collectors looking for extensive behind-the-scenes content or in-depth commentary.

The Blu-ray’s packaging and presentation do mark an improvement over previous versions of the film, yet it’s evident that this release did not receive the comprehensive treatment it deserves. Fans have expressed disappointment at the lack of a more robust offering from Sony Pictures in North America, as a superior transfer by them could potentially elevate the home-viewing experience significantly. For now, the peripheral features such as interviews and minor featurettes provide some additional value but are hardly exhaustive.

As I have never seen a version of the film other than the Blu-ray release then I have nothing to compare it to. What I can say is that the visuals of Paris in black and white are beautifully rendered on this high definition release, the audio is good for what it needs to be, and the extras package whilst a little thin on the ground has everything you would really want other than a good commentary. I'm more than happy to have watched and reviewed this and hope to point a few of you in the direction of viewing it yourself. That may be a purchase for some, perhaps to complete your Besson collection or for others a rental. Either way it's a cracking watch and comes highly recommended.