The Asphyx Blu-ray Review
Score: 49
from 2 reviewers
Review Date:
A fun gothic B-horror with excellent production design and cinematography, The Asphyx is a striking Blu-ray presentation, recommended for genre enthusiasts.
Disc Release Date
Video: 63
Kino and Redemption Films' Blu-ray release of 'The Asphyx' features a fantastic 1080p/AVC-encoded transfer, maintaining natural grain structure and avoiding DNR while presenting sharp, detailed visuals with stable colors and strong contrast. The extended cut contains noticeable quality drops due to SD-sourced footage.
Audio: 53
The Asphyx’s Linear PCM 2.0 mono track is impressively clean and clear, capturing dialogue and sound effects crisply despite some volume and pitch shifts in extended scenes; however, the absence of the original Super Quadraphonic 4-channel stereo track and lack of subtitle options are noticeable drawbacks.
Extra: 21
The Blu-ray extras for 'The Asphyx' are underwhelming, offering only the film's two cuts, a theatrical trailer, and a basic stills gallery, leaving out any insightful commentary or engaging critique that could have elevated this idiotic production.
Movie: 46
The Asphyx, a British sci-fi/horror film from 1973, may suffer from poor writing, execution, and hammy acting, yet it offers a unique charm with its Victorian-era atmosphere, lo-fi special effects, and intriguing premise involving spirit photography and the quest for immortality. Despite its flaws, the Blu-ray release features a rewarding high-definition transfer, clear audio, and enjoyable campy elements that will resonate with aficionados of vintage horror and unintentional humor.
Video: 63
Kino Lorber and Redemption Films deliver a commendable video presentation for "The Asphyx" on Blu-ray. Utilizing an AVC encoded transfer, the film is presented with a 2.35:1 aspect ratio, stemming from the original 35mm negative. Two versions are offered: an 86-minute UK theatrical cut and a 98-minute US extended version. While the extended cut integrates additional footage in standard definition, leading to visible shifts in quality, the transitions are executed seamlessly. The restoration effort ensures no overt use of digital noise reduction (DNR), preserving the natural grain structure and contributing to a sharp, clean image. The black levels are notably good, offering detailed atmospheric scenes, particularly within the crypt and lab environments.
Freddie Young's cinematography shines through in the restored print, enhancing the detailed textures of costumes, props, and facial features. The palette leans toward earthy tones with strong primaries when necessary, complemented by the well-depicted ectoplasmic blues of the Asphyx. Contrast is generally stable, although occasionally high, giving some scenes an almost anaemic look. Issues such as smearing, banding, and aliasing are absent, although there is noticeable anamorphic drop-off resulting in peripheral softening and occasional greenish ghosting around objects. Despite these minor shortcomings, the quality of the theatrical cut is praiseworthy, maintaining fidelity and achieving a rich visual experience. Skin tones are accurate though naturally pallid as intended, with notable sparkle in character's eyes, particularly Powell's.
Overall, excluding the SD elements from the extended cut, "The Asphyx" Blu-ray debut is a noteworthy achievement, exemplifying Kino Lorber and Redemption Films' dedication to quality restoration. This release stands out as one of their best-looking efforts, meriting strong approval—especially for fans appreciating both its technical and aesthetic merits.
Audio: 53
The audio presentation of "The Asphyx" on Blu-ray is commendably handled, utilizing a clean-sounding Linear PCM 2.0 mono track to breathe life into this 1970s horror film. Although the original Super Quadraphonic 4-channel stereo track is considered lost, the mono track offered here more than compensates, ensuring that the film's boisterous story is presented clearly and crisply. Audio elements such as shouting, the crackle of the illuminator and lens, the eerie shriek of the Asphyx, and the sizzle and crackle of electricity are all well-rendered. The sound effects—including an explosion, police siren in the prologue, and roaring car engines in the epilogue—are all vividly audible without any disruptions.
Dialogue takes center stage in this audio mix, always perfectly balanced and easily understood without any pops, splice noises, or drop-outs typical of low-budget films from the era. Classical musical cues appear intermittently and are reproduced cleanly, adding to the atmospheric tension. However, viewers opting for the longer cut of the film may notice a slight pitch and volume fluctuation during extended scenes; this shift is noticeable but does not detract significantly from overall clarity. The dialogue remains perfectly audible throughout, affirming the audio track's high fidelity. One notable omission is the lack of subtitle options on the disc, which could be a drawback for some viewers.
Overall, "The Asphyx" on Blu-ray offers a robust and immersive audio experience that enhances its peculiar narrative, proving that even films from a bygone era can deliver potently clear and engaging sound.
Extras: 21
The Blu-ray release of "The Asphyx" offers an assortment of extras that, while limited in scope, provide a glimpse into the film's context and promotional history. Unfortunately, the absence of a commentary track featuring insights from filmmakers or critics is a significant oversight. Such inclusions could have provided valuable context and critique for what is otherwise considered a flawed production. The existing features, including the theatrical trailer and a stills gallery, are presented in high definition, which is a positive aspect, ensuring that the materials are visually accessible and preserved in good quality. However, the overall package leaves much to be desired in terms of depth and substance.
Extras included in this disc:
- Theatrical Trailer: Original promotional trailer for "The Asphyx".
- Stills Gallery: A collection of production stills.
- Redemption Trailers: Trailers for "Virgin Witch" and "Killer's Moon".
Movie: 46
"The Asphyx," a 1973 British horror film, stands as a fascinating example of the intersection of Victorian-era scientific inquiry and gothic occultism, albeit with mixed results. Directed by Peter Newbrook, the film delves into the pseudo-scientific experiments of Sir Hugo Cunningham, portrayed with hammy theatricality by Robert Stephens. Cunningham’s research, ostensibly aimed at capturing the very essence of the human soul during the moment of death, is both intriguing and farcical, blending high-concept science fiction with campy horror. The film's premise, inspired by spiritualist phenomena and 19th-century advancements in photography and electricity, attempts to tread serious ground but often stumbles into unintentional comedy.
Technically, the film is a mix of highs and lows. The Victorian setting provides a rich, atmospheric backdrop, brought to life through meticulous production design and Freddie Young's adept cinematography. However, the special effects, while charmingly lo-fi, often fail to convince, leaning more towards the quaintness of early cinema rather than the unsettling horror intended. The narrative itself is plagued by illogical character decisions and glaring plot holes, particularly in the overly convoluted climax involving makeshift guillotines and gas chambers. Despite these shortcomings, "The Asphyx" does provide moments of genuine interest and amusement for fans of the genre, particularly those with an affection for the quirks and idiosyncrasies of 1970s British cinema.
Total: 49
The Asphyx, an intriguing blend of horror and science fiction, stands as a captivating example of Victorian gothic cinema. The film, while not a forgotten masterpiece, adeptly explores themes of morality and the perils of tampering with the supernatural. Set against the backdrop of the Victorian era, the narrative delves into the era's fleeting fascination with the intersection of science and the supernatural. It is a visual delight with commendable production design and evocative cinematography that effectively enhances its eerie atmosphere.
The Blu-ray presentation of The Asphyx is particularly notable for its exceptional quality. The high-definition transfer underscores the film's meticulous production values, bringing to life the rich textures and intricate details of its period setting. The audio quality also holds up well, maintaining the clarity and atmospheric nuances that are pivotal to the film’s eerie impact. While special features may not be abundant, what is included provides valuable context and insight that will be appreciated by enthusiasts and newcomers alike.
In conclusion, The Asphyx offers a captivating watch for those interested in gothic horror and period pieces. Its successful marriage of morality-driven horror with Victorian scientific curiosities makes it a unique addition to any collection. Whether you are a fan of Hammer Horror, steampunk aesthetics, or early explorations of supernatural themes, this Blu-ray is highly recommended for its striking presentation and engaging narrative.
avforums review by Chris McEneanyRead review here
Video: 70
Opting for the extended cut, you will find that, going along with the oddball nature of the movie, itself, and the ramshackle approach its makers have taken towards their cack-handed tale, the scenes that...
Audio: 60
However, as with the drastic change in image quality during the extended scenes, there is a noticeable difference in the audio too....
Extras: 40
This is definitely a case where you want to hear someone else make a comment upon what turned out to be such an idiotic production, to perhaps glean if it does, in fact, have anything of genuine worth...
Movie: 40
Although something of a cult curio, this period saga of soul-guzzling banshees, warped photography and cursed immortality is so badly written, executed and acted that I am still stunned to believe that...
Total: 40
Blu-ray.com review by Casey BroadwaterRead review here
Video: 90
The 35mm print is practically spotless aside from a few blink-and-you'll-miss-'em white specks, and as usual from Kino, you can expect an image that hasn't been slathered in DNR or artificially boosted...
Audio: 80
Dialogue is the focus here--it's always well-recorded, balanced in the mix, and easily understood--but there are also some surprisingly potent effects for a film of this age, like the shrill screaming...
Extras: 10
Stills Gallery (1080p) Redemption Trailers (1080p): Includes trailers for Virgin Witch (1:51) and Killer's Moon (2:32)....
Movie: 60
The Asphyx kind of loses it in its last act with some glaring narrative holes and few ridiculous decisions on the part of the characters--like, why would Sir Hugo use a guillotine and a gas chamber on...
Total: 60
An old-fashioned morality-driven fright film about the dangers of playing God, The Asphyx is no forgotten masterpiece, but it is a fun piece of gothic b-horror that explores the short-lived Victorian-era...
Director: Peter Newbrook
Actors: Robert Powell, Robert Stephens, Jane Lapotaire
PlotIn late 19th-century Victorian England, a scientist named Sir Hugo Cunningham discovers a way to photograph the soul, which he believes manifests at the moment of death as an ethereal entity called the Asphyx. Driven by grief after the tragic deaths of his fiancée and son, Sir Hugo becomes obsessed with furthering his research. His experiments reveal that capturing an Asphyx can grant immortality to whoever controls it. With the help of his adopted son, Giles, and his daughter, Christina, he builds a complex apparatus to trap these spirits.
As Sir Hugo's obsession grows, he begins subjecting himself to dangerous experiments, believing that achieving immortality justifies any risks. The ethical boundary between scientific pursuit and moral responsibility becomes increasingly blurred. Tensions rise within the family when they realize the potential consequences of tampering with life and death. The pursuit of eternal life threatens to unravel not just their relationships but also their very humanity.
Writers: Christina Beers, Laurence Beers, Brian Comport
Release Date: 01 Feb 1973
Runtime: 83 min
Rating: PG
Country: United Kingdom
Language: English