Topper Takes a Trip Blu-ray Review

The Blu-ray presentation of "Topper Takes a Trip" by MVD Visual and VCI delivers a noteworthy AVC encoded 1080p transfer in the 1.41:1 aspect ratio. The transfer maintains a commendable visual quality, notably free from the bizarre encoding anomalies sometimes associated with VCI. The elements are in remarkably good condition with only minor flecks and nicks present. Despite a minimal grain field throughout, which may not entirely please traditionalists expecting heavier grain especially in old style optical effects like long-held dissolves, the overall video quality is praiseworthy. Rear projections and special effects sequences keep grain to a light and consistent level without any unexpected spikes.

Sharpness and resolution are consistently high, resulting in detail-rich exterior shots where the architecture of locations, such as hotels, display fine touches clearly. Textural elements and close-ups retain their minutiae, adding to the film’s visual appeal. While contrast is decent, enthusiasts may find blacks slightly lacking in depth, resulting in a gray scale that produces a somewhat flat spectrum. This deficiency in black and white density hampers the overall image depth at times. There is some compression noise (mosquito noise) noted, particularly on larger screens, yet it remains largely unobtrusive. Overall, though some elements like color depth and contrast could benefit from improvement, this Blu-ray transfer provides an authentic and visually pleasing representation suited to both casual viewers and discerning cinephiles.

The audio presentation of the Blu-ray for "Topper Takes a Trip" features an LPCM 2.0 mono track that adequately supports the film's limited sound design. Though somewhat boxy, the audio reproduction handles dialogue competently, remaining clear and intelligible throughout. The score can sound brash at higher registers, but it maintains a suitable mid-range fidelity, ensuring cleanliness and minimal hiss. Notably, there's a subtle presence of loose sync issues, particularly during the early divorce court scenes, which may be slightly distracting but ultimately do not detract from the overall auditory experience.

Despite its age-related limitations, the PCM mono track preserves a natural quality that complements the film's ambiance. The minor score is delivered with enough integrity to keep the listening experience enjoyable while remaining free from significant damage. Additionally, the dialogue benefits from a natural stage echo, enhancing its clarity and ensuring that the audience can follow conversations without difficulty. These technical attributes collectively present a respectful audio restoration, serving the classic nature of "Topper Takes a Trip" adequately.

The Blu-ray release of "Topper Takes a Trip" includes a modest but quality selection of extras, enhancing the viewing experience for fans and collectors. While the included extras are somewhat minimal, they maintain a nostalgic charm, reflecting on classic elements of cinematic promotion and presentation. The trailer for "Topper Takes a Trip" and its sequels are automatically played upon disc boot, though they are not easily accessible through the menu system—an aspect that might slightly inconvenience some users who prefer direct navigation. However, this classic trailer encapsulates the era's promotional style, offering a delightful glimpse into the film's original marketing.

Extras included in this disc:

• Trailer: Automatically plays at disc boot-up; captures the promotional essence of the era.

"Topper Takes a Trip" sustains the lighthearted charm of its predecessor, although it notably misses Cary Grant's charismatic presence. The film opens with Marion Kerby (Constance Bennett) attempting to mend Cosmo Topper's (Roland Young) troubled marriage, despite ironic complications from his wife Clara's (Billie Burke) divorce proceedings. This somewhat sitcom-driven sequel diverges from its original narrative arcs, notably shoehorning flashbacks from "Topper" and overlooking key plot resolutions. Nonetheless, Bennett’s return injects buoyancy into each scene, balancing against Young’s reserved performance, creating comedic juxtaposition.

The film’s episodic structure encapsulates the essence of screwball comedy, where Topper’s encounters are peppered with unwittingly humorous predicaments, largely driven by Marion’s ghostly interference. Despite its modest runtime of 80 minutes, the narrative occasionally meanders with reactionary humor, which eventually finds its stride in capturing whimsical escapades. Topper’s explanations for his peculiar behavior – driven by Marion's invisibility – inject the needed screwball awkwardness, most notably in scenes of ranting hotel staff and perplexed bartenders.

Supporting performances contribute substantially to the film’s comic timing. Franklin Pangborn’s portrayal of a snooty hotel manager and Irving Pichel as a sarcastic divorce lawyer offer memorable bits of character comedy. The film is imbued with naughtily suggestive, but still innocent humor—consider scenes where Topper loses his trunks at the beach or ends up clumsily involved with a hotel maid. The backdrop of the French Riviera adds minimal substance; it principally serves as a stage for punchline setups and physical comedy routines. Overall, despite its narrative shortcuts and predictability, “Topper Takes a Trip” is harmless fluff providing late Depression-era escapism through gentle humor and nostalgic innocence.

"Topper Takes a Trip," a classic comedy sequel, brings back the magical chemistry of Roland Young, Constance Bennett, and Billie Burke. Young reprises his Academy Award-nominated role with commendable finesse, ensuring the film’s charm endures. Bennett embodies Marion beautifully, balancing allure with deft comic timing. Notably, Burke's portrayal stands out as she effortlessly channels her signature ditzy elderly lady character, adding a delightful layer to the narrative.

Despite its thin storyline revolving around preventing a divorce, the film manages to deliver laughs consistently. Viewers seeking technical excellence will find satisfaction, as this Blu-ray release from VCI is one of their finer efforts. The picture quality, while impressive, could benefit from a more pronounced and natural grain field to enhance its vintage appeal.

In conclusion, "Topper Takes a Trip" remains a recommended watch for its engaging performances and nostalgic charm. While improvements in visual fidelity could elevate the experience further, it stands as a commendable preservation of a classic.