Made for Each Other Blu-ray Review

The Blu-ray release of "Made for Each Other" from Kino Lorber Studio Classics marks a significant improvement over previous editions. Advertised as derived from a 2K scan of the restored fine grain master, this MPEG-4 AVC-encoded BD-25 offers a film-like experience in its original theatrical aspect ratio of 1.37:1, although labeled as 1.33:1 on the packaging. Despite some minor imperfections in the source material, such as light scratches and little damage marks, the overall presentation is more than satisfactory. The average video bitrate stands at 26747 kbps, providing a solid visual experience, with deep and robust black levels contributing to a generally watchable and enjoyable viewing.

The transfer exhibits consistent film-like characteristics that cinephiles will appreciate, though not without some minor setbacks. Slight unsteadiness, minor dirt, debris, and occasional flickering appear intermittently but are not overly distracting. In moments where the restoration triumphs, the black and white imagery shines with great clarity, offering viewers an experience that ranges from very good to exceptional. Despite its flaws when compared to other SIP productions like "Intermezzo: A Love Story," "Made for Each Other" delivers substantial visual quality that merits attention.

Accompanied by eight scene selections for its 92-minute runtime, this Blu-ray edition stands out even with its occasional blemishes, reflecting the possible condition issues with the extant master. Overall, while there’s room for improvement in scratch and tramline removal, this release remains a commendable choice for fans of classic cinema seeking enhanced visual fidelity.

The Blu-Ray audio presentation of "Made for Each Other" is characterized by its DTS-HD Master Audio Dual Mono track (1559 kbps, 16-bit). The uncompressed audio ensures that spoken words are delivered with remarkable clarity, particularly on the high register, making dialogue both intelligible and crisp. Notably, Kino has effectively minimized any audible hiss, resulting in an overall satisfying auditory experience. Additionally, the optional English SDH subtitles can be easily toggled via the menu or remote, adding flexibility for viewers.

Presented in DTS-HD MA 2.0 lossless format, the monaural audio was decoded by my receiver to the center channel. This setup ensures that dialogue is consistently clear and well-pronounced, maintaining a balanced presence within the audio mix. Importantly, this track avoids any distracting age-related artifacts, showcasing a commendable preservation effort. The balanced mix contributes to an immersive experience that respects the historical context of the film while offering modern clarity.

The Blu-ray release of "Made for Each Other" delivers a noteworthy assortment of extras that enhance the viewing experience. The highlight is an engaging audio commentary by film historian Lee Gambin, who provides an unscripted yet insightful exploration of the film's production, cast, and historical context. Gambin's commentary intriguingly navigates topics like James Stewart’s friendship with Henry Fonda, adding depth and perspective. Complementing this is the original theatrical trailer, presented in its original, unrestored glory, and several additional trailers that give a nostalgic glimpse into other KLSC offerings. This collection offers fans a rich context for understanding the film and its time.

Extras included in this disc:

• Audio Commentary by Film Historian Lee Gambin: An unscripted, witty analysis of the film’s production and cast.
• Original Theatrical Trailer: An unrestored trailer originally shown by United Artists.
• Bonus Trailers: Additional trailers for KLSC titles including Nothing Sacred, No Highway in the Sky, and I'll Be Seeing You.

"Made for Each Other" (1939) stands as an intriguing blend of screwball comedy and domestic melodrama, showcasing the evolving film genre landscape of its time. Despite being labeled the last of the screwball comedies by Life magazine, the film leans into melodrama in its final act, following editorial changes prompted by lukewarm test screenings. This narrative shift was influenced by a real-life event involving David O. Selznick's brother, which adds a weighty climax to an otherwise light-hearted setup. The screenplay, crafted by Jo Swerling and supplemented by Rose Franken and Frank Ryan, is a testament to its era's storytelling preferences: grand moments over subtlety.

The film features standout performances from James Stewart and Carole Lombard, whose on-screen chemistry is comfortably functional rather than electrifying. Lombard shines even in a role limited by the script, while Stewart, in a year that defined his pre-war persona with films like "Mr. Smith Goes to Washington," navigates a role that feels slightly off-kilter. Directed by John Cromwell, the movie's 93-minute runtime reflects an efficient pace, yet Stewart reportedly found Cromwell less effective compared to directors like Frank Capra, leading to inventive methods during challenging emotional scenes.

Supporting performances by Charles Coburn and Lucile Watson are robust, albeit occasionally veering into the exaggerated due to the script's demands. Coburn’s portrayal as Judge Doolittle introduces conflict for Stewart's character, while Watson embodies the disapproving mother archetype with vigor. Ultimately, while "Made for Each Other" may not be among Selznick’s most polished productions, it remains a film of interest for its historical significance and its glimpse into the developing careers of its iconic leads.

"Made for Each Other" (1939) provides a captivating look at James Stewart in his quintessential everyman role, accompanied by Carole Lombard, whose departure from her usual comedic roles while still excelling in humor proves intriguing. The film meshes screwball comedy with melodrama, though the latter doesn't sustain as effectively towards the end. There is limited exploration of Stewart’s character in his legal profession, which some may find wanting. Regardless, the dynamic between Stewart and Lombard creates an appealing on-screen synergy that elevates the narrative.

The film's Blu-ray release showcases an impressive 2K scan, offering the finest visual presentation seen to date, albeit bearing occasional print blemishes. The audio quality stands out with an excellent lossless presentation, enhancing the viewing experience. Supplementary content includes a commentary by Lee Gambin that, while rambly at times, offers valuable insights into the film's cast and crew, contributing richness to the understanding of the production background.

In conclusion, this Blu-ray is a noteworthy acquisition for enthusiasts of classic cinema and admirers of Stewart and Lombard. While "Made for Each Other" may not be a mainstay masterpiece in their filmography, its charm and caliber earn it an appreciative nod. For lovers of vintage films, particularly those fond of Stewart's and Lombard's early work, this disc is a commendable edition.