Intolerance Blu-ray Review

The Blu-ray presentation of "Intolerance" from Cohen Film Collection showcases a commendable AVC encoded 1080p transfer in the original 1.33:1 aspect ratio. Leveraging the restoration work of Kevin Brownlow and David Gill from the 1989 Thames Silents Restoration, Cohen Group has enhanced this classic with a further 2K scan and digital restoration. While purists may note some inherent issues such as scratches and missing frames, these are significantly mitigated compared to previous releases. Notably, the repeated frame strategy to accommodate the silent film's fps into the Blu-ray's 24 fps progressive format is tactfully handled, yielding minimal motion issues for the majority of viewers.

Transcending the limitations of its time, this transfer delivers an impressive level of detail and precision, albeit not reaching crystal-clear modern standards. The varying tints, such as sepia, blue, and reddish-purple, are effectively reinstated, although grain visibility fluctuates across different tinted sequences. This nuanced restoration preserves the film's historical authenticity while enhancing visual quality—scratches, for instance, are now minimal enough to be virtually unnoticeable from a normal viewing distance. Density and contrast remain slightly variable, contributing to an occasional quasi-flicker effect, but there is no evidence of artificial sharpening or digital alteration. Overall, this release stands as the best-looking version of "Intolerance" available on home media.

Composers Carl Davis' exceptional score for "Intolerance" is offered in both DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 formats. Davis demonstrates remarkable compositional prowess by constructing his score almost entirely on a C minor motif, expanding and contracting over the film's duration in compelling ways. Known for his work such as on "The World at War" and various Buster Keaton projects, Davis here avoids pastiche, instead blending tone and image into a coherent auditory experience. His strategic use of the Dies Irae during critical moments adds to the overall atmospheric immersion. Particularly noteworthy is the 5.1 surround mix, which fully engages all channels to deliver a rich, resplendent sound.

The DTS-HD Master Audio 5.1 mix stands out as the preferable choice due to its robust fidelity, superior midrange, and expansive dynamic range. This mix immerses the listener, allowing Davis' score to breathe with a full-bodied presence that elevates the dramatic undertones of the film. Although the DTS-HD Master Audio 2.0 mix provides a satisfactory listening experience, it falls short compared to the enveloping quality of the 5.1 mix. With these sound options, the Blu-ray offers an audio presentation that enhances the viewing experience of this silent film to its fullest potential.

The Blu Ray extras provided in the second disc of "Intolerance" exhibit a commendable blend of historical insight and restoration efforts. While the quantity of the supplements may seem limited, their depth and quality are remarkable. Viewers are treated to re-edited versions of significant segments such as "The Mother and the Law" and "The Fall of Babylon," both scoring notable improvements in video quality and accompanied by scores from the Mont Alto Motion Picture Orchestra. Kevin Brownlow’s insightful interview adds a layer of historical context and entertaining anecdotes. Notably, new essays by editor Richard Porton and historian William M. Drew offer further analysis, enhancing the educational value. This careful curation provides substantial engagement for both film enthusiasts and scholars.

Extras included in this disc:

• The Mother and the Law: 1919 re-edit of the modern story with enhanced score.
• The Fall of Babylon: Re-edit focusing on the Babylonian sequences.
• Three Hours That Shook the World: Observations on Intolerance: Insightful interview with historian Kevin Brownlow.
• 2013 Restoration Trailer: Promotional trailer showcasing the restoration.
• New Essays: Analytical works by Richard Porton and William M. Drew.

D.W. Griffith's "Intolerance" stands as one of the monumental achievements in silent cinema, encapsulating a remarkable display of technical brilliance and narrative innovation. This colossal production, running over two hours, presents an ambitious cross-cutting technique that unfolds four distinct stories from varying historical epochs, each commenting on the theme of intolerance. From the Babylonian conflict in 539 BC to the crucifixion of Jesus, the St. Bartholomew’s Day Massacre in France, and a modern tale of industrial strife, Griffith interweaves these narratives to stunning effect. Utilizing towering sets and thousands of extras, especially in the Babylonian segment, Griffith brings grandeur and scale to the screen that was unprecedented at the time.

Despite its groundbreaking techniques, "Intolerance" initially confounded audiences with its complex structure and lengthy runtime, leading to its financial failure. However, it undeniably pioneered many cinematic conventions still in use. Griffith’s decision to intercut between the stories—a precursor to modern montage—allowed each tale to resonate collectively rather than individually. The use of tracking shots, dolly shots, and crane shots demonstrated his innovative use of the camera. The thematic focus on universal intolerance across diverse eras, enhanced by nameless characters like "The Dear One" and "The Boy" symbolizing broader human experiences, showcased Griffith’s narrative ambition.

The film's modern storyline is particularly compelling, depicting a young couple's plight against ruthless capitalists and a morally rigid society. Although some historical sequences might feel artificial, the piece’s historical significance is inarguable. Griffith’s orchestration of these grand narratives into a cohesive whole remains an essential study for any film scholar. In a time when spectacle often outweighs substance, "Intolerance" exemplifies how intricate storytelling and visual opulence can coexist, leaving a lasting impact on the art form itself.

The Blu Ray release of D.W. Griffith's "Intolerance" is a testament to the enduring legacy of this cinematic milestone. The visual restoration is commendable, bringing an unprecedented clarity and depth to this 1916 epic. Details in the intricate set designs and grand historical spectacles are vividly rendered, showcasing the film's monumental scale and artistic ambition. The high-definition transfer reveals nuances previously obscured in older editions, greatly enhancing the viewer's appreciation for the film's technical achievements and narrative complexity.

The audio presentation, while constrained by the limitations of the original score, has been carefully enhanced to faithfully reproduce the orchestral arrangements. While some purists might note the absence of additional audio features such as commentary tracks, the included booklet essays provide valuable context and analysis that enrich the viewing experience. These scholarly contributions help bridge the century-long gap between modern audiences and the film's initial release, offering insights into Griffith's directorial choices and the historical significance of "Intolerance".

Yes, you must see "Intolerance" at least once if you have any interest in the history of film. The good news is, with this often stunning restoration, chances are you're going to watch it again. While I wish this release had included some kind of commentary (there are two good essays in the insert booklet), otherwise this is a topflight release and one of the most impressive high-definition presentations of a silent film I've yet seen. Highly recommended.