Blaxploitation (1972 – 1973) Blu-ray Review

The "Blaxploitation (1972–1973)" Blu-ray set delivers notable upgrades in video quality, with three of the four films benefiting from new 4K restorations and all presented in their original aspect ratios. While the HD images on these discs are not without their flaws—including persistent grain, occasional dirt, and sporadic softness—they are a significant improvement over any prior home video releases. The faithful retention of grain and subtle imperfections contributes to an authentically filmic presentation that preserves the character and intent of the original materials. However, it’s important to note a key point regarding historical integrity: The original title cards for The Legend of Nigger Charley have been digitally altered, which raises concerns about erasing elements of cinema history, despite understandable sensitivities.

Each film’s transfer displays a unique visual profile. Detroit 9000, presented in 1080p from a high-quality source, offers stable grain, strong color primaries, and pleasing detail, although the image can be soft and debris is occasionally present. Super Fly T.N.T. appears in 1080p from a new 4K scan in 1.85:1; while mostly clean, detail falters in shadowed scenes and the third act print shows notable degradation. The Legend of Black Charley features a 1.85:1 1080p presentation from a 4K restoration, marked by occasional overexposure and low contrast but impressive detail in skin textures and costumes. The Soul of Black Charley, sourced from a new 4K restoration in 2.35:1, is intentionally rougher—retaining heavy grain, strong black levels, and vibrant primaries that suit its earth-toned palette, with close-ups highlighting detailed textural work.

Overall, the video presentation succeeds in authentically showcasing the gritty aesthetic of these iconic films, balancing technical enhancement with respect for their original visual style.

The Blu-ray presentation of "Blaxploitation (1972–1973)" features English 2.0 mono LPCM audio across all included films, maintaining the integrity of the original soundtracks. The clarity of dialogue is notably consistent and clean, with no discernible hiss or popping artifacts, contributing to a robust listening experience. While the nature of mono limits the spatial dynamics, the tracks exhibit an impressive degree of cleanliness and presence, especially when compared to earlier releases.

Musical elements and sound effects are purposefully integrated within the mono soundstage, offering appropriate impact and sharpness. In titles like "Super Fly T.N.T." and "The Soul of Black Charley," dialogue sits prominently above well-balanced musical cues, preserving the distinctive funk and soul-driven scores integral to the films. There are minor variances in overall volume and fidelity between some titles—for instance, "The Legend of Black Charley" presents lower overall levels but retains sharp dialogue detail, while its sequel displays higher clarity and improved balance between music and effects. Throughout, the audio is free from major age-related flaws, presenting a more engaging and authentic archival audio experience.

Imprint's Blu Ray release of "Blaxploitation (1972–1973)" features a carefully curated selection of extras that enhance contextual understanding of the films and era. The commentary tracks, led by respected critics such as Mike Sargent, Josiah Howard, Mikel Kovel, and Bryan Reesman, deliver incisive discussions on production history, cast and crew insights, cultural impact, and the complex legacy of the blaxploitation label. Supplemental interviews—most notably Josiah Howard’s deep dive into the term “blaxploitation” and Fred Williamson’s reflections—provide scholarly and personal perspectives on the genre’s evolution and resonance. The inclusion of theatrical trailers and rare radio spots adds authentic promotional context to the set. While the extras are not abundant, their quality and relevance offer both educational value and entertainment.

Extras included in this disc:

• Audio Commentary by Mike Sargent: Detail-rich track on film production, cast, cultural impact.
• A Brief History of Blaxploitation: Josiah Howard examines the genre’s history and terminology.
• Radio Spot: Original radio promotion.
• Audio Commentary by Mikel Kovel: Insight from an expert on blaxploitation cinema.
• Theatrical Trailer: Archival promotional material.
• Audio Commentary by Bryan Reesman & Mike Sargent: Joint perspective on genre highlights.
• Audio Commentary by Mike Sargent (on multiple films): Critical examination across titles.
• The Legend of Fred Williamson: A Blaxploitation Hero: Interview with Fred Williamson analyzing the genre’s impact.

Blaxploitation (1972–1973) assembles four pivotal films from the emergence of the blaxploitation genre, each distinct in subject yet unified by recurring themes of race, self-determination, and social conflict. Detroit 9000 stands out as a tense procedural delving into the complexities of race relations within a changing American city. White detective Danny Bassett and Black Sergeant Jesse Williams navigate a high-stakes robbery against the backdrop of Detroit’s fractured political and social landscape, offering a layered portrait of urban tension in early-1970s America. Solid performances, twists, and an immersive atmosphere mark the film as a compelling entry in the genre.

Super Fly T.N.T., helmed by star Ron O’Neal, takes the iconic Priest to Rome in an attempt to rejuvenate life outside his hustler past. While ambitious in scope and introspective in tone, the film diverges from what made its predecessor sharply resonant, often losing focus amidst foreign backdrops and existential meanderings. The result is a languid pace that struggles to recapture the energy and soul of Super Fly, though O’Neal’s commitment to further exploring Priest’s psyche is evident.

The Legend of Black Charley and its sequel, The Soul of Black Charley, push into new territory as Westerns led by Black protagonists. The original sees Fred Williamson’s Charley—one of cinema’s first Black Western heroes—leading escaped slaves toward freedom, challenging genre conventions and illuminating rarely depicted connections between African American, Native American, and biracial communities. The sequel builds on these foundations with Charley confronting the legacy of the Confederacy and his own evolving identity. Both films feature rousing action and vibrant photography, distinguished by strong performances and their cultural significance as vehicles for representation during the Civil Rights era. Collectively, these films serve as crucial artifacts of cinematic history, bridging entertainment and incisive commentary on American identity.

Imprint’s "Blaxploitation (1972–1973)" Blu-ray collection stands out as a significant archival release, finally bringing four notable films from this pivotal era to the high-definition format for the first time. This collection gathers important but often overlooked works in the genre, providing viewers with rare access to films that have long deserved wider recognition. While the set does lean towards showcasing the standout "The Legend of Nigger Charley," each title makes a relevant contribution to the portrayal of Black identity and the fierce battles against systemic oppression that defined the blaxploitation movement.

Technically, the Blu-ray presentation is commendable. The transfers elevate these films, restoring their visual impact and authenticity after years of limited availability. Supplementary bonus features enrich the experience, offering valuable context and rewarding longtime fans and newcomers alike. Despite not having reached the pop culture heights of genre standards like "Shaft" or "Coffy," these films merit renewed attention, both as cultural artifacts and as entertainment.

In conclusion, Imprint’s collection serves as an ideal entry point for those interested in exploring the blaxploitation genre or urban cinema more broadly. The set’s historical value, coupled with its robust technical treatment, makes it a compelling addition to any film enthusiast’s library.