To Live and Die in L.A. 4K Ultra HD Blu-ray Review

Kino Lorber's 4K UHD Blu-ray release of "To Live and Die in L.A." offers an exceptional visual presentation that is a testament to the capability of modern remastering techniques. Sourced from a new 4K scan of the original 35mm camera negative, this edition boasts pristine detail and clarity. The native 4K resolution, encoded in HEVC (H.265) codec, provides a significant upgrade over previous releases, capturing every texture and subtlety in the film's visuals. Utilizing a BT.2020 color space and incorporating both Dolby Vision and HDR10, the disc delivers remarkable color depth and vibrancy, particularly in its representation of the 80s neon aesthetic. Skin tones remain natural, and urban environments are vividly portrayed with fine balance, offering rich blacks and glowing highlights without any loss of detail.

The remaster is distinguished by a near-immaculate clean-up of grain and other imperfections, with only minute instances of grain instability and occasional focus inconsistencies, likely attributable to the original cinematography. Overall contrast levels benefit from the dynamic high-range grade, enhancing the smog-tinged look of 80s L.A. Cinematographer Robby Müller's work shines through with textures that preserve the film's intended look while providing finer object detail and depth compared to previous 1080p iterations. The Dolby Vision further augments the visual experience, especially in darker scenes where the superior detail is apparent, even though some might prefer the slightly punchier neons of the Blu-ray release.

In terms of visual fidelity, "To Live and Die in L.A." has never looked better at home. The film’s grain is managed exceptionally well, aided by a mostly artifact-free encode that permits a natural, filmic presentation. Any minor remaining speckles or single-frame scratches present are exceedingly few and do not detract significantly from the viewing experience. This meticulous remastering ensures that the video presentation complements William Friedkin's direction and Müller's atmospheric cinematography, making this 4K release a definitive version for collectors and cinephiles alike.

The audio presentation of "To Live and Die in L.A." on the 4K UHD Blu-ray sustains the high standards set by its previous Blu-ray iteration. Offered in both English DTS-HD Master Audio 2.0 and English DTS-HD Master Audio 5.1, it caters to both purists and those seeking a more dynamic experience. While the film was originally released in Dolby Stereo—presenting a four-channel surround mix matrix encoded into two channels—both the 2.0 and 5.1 tracks here offer impressive soundscapes. The 2.0 track provides excellent front-and-centre coverage, prioritizing dialogue while still delivering on effects, car engine roars, and Wang Chung’s standout score. However, the 5.1 track further enhances the experience by expanding the dynamic range and creating a more immersive environment, making gunshots more impactful and car chases more exhilarating.

Technical performance remains robust across both formats. The dialogue is consistently clear without anomalies, and the track showcases a commendable balance between vocal clarity, effects, and score distribution across all channels. The default 5.1 mix takes full advantage of the lossless format's increased dynamic range, providing low-frequency effects (LFE) that add depth to Wang Chung's music and augment the intensity of crashes and gunshots. It's worth mentioning that while the 5.1 track might sound almost like a discrete encoding of the original four tracks from the Dolby Stereo mix, it offers better channel separation and slightly enhanced bass, adding a touch more depth to both music and effects. Nevertheless, both tracks are fluid and free from damage, capturing the essence of mid-Eighties film sound while integrating modern enhancements.

Overall, whether you prefer the more concentrated 2.0 DTS-HD Master Audio or the enveloping 5.1 experience, this release stands out for its meticulous preservation and subtle enhancement of an already excellent audio presentation, making it hard to choose between two exceptional options.

The 4K UHD Blu Ray of "To Live and Die in L.A." comes richly packed with archival supplemental materials, making it a standout edition for fans and film scholars alike. William Friedkin's audio commentary is a highlight, providing deep insights into the production, casting processes, and technical aspects such as the innovative use of a Louma crane. Interviews with cast members, including William Petersen, Debra Feuer, and Dwier Brown, offer candid reflections on their experiences working under Friedkin’s direction. The set also includes engaging features on the film's scoring by Wang Chung and the stunt coordination led by Buddy Joe Hooker. Additionally, a comprehensive making-of documentary and other valuable materials like deleted scenes and alternate endings enhance the package.

Extras included in this disc:

• Audio Commentary by Director William Friedkin: Comprehensive insights into the film's production.
• Taking a Chance: Interview with Actor William Petersen.
• Renaissance Woman in L.A.: Interview with Actress Debra Feuer.
• Doctor for a Day: Interview with Actor Dwier Brown.
• So in Phase - Scoring To Live and Die in L.A.: Interview with Composers Wang Chung.
• Wrong Way - The Stunts of To Live and Die in L.A.: Interview with Stunt Coordinator Buddy Joe Hooker.
• Counterfeit World - The Making of To Live and Die in L.A.: Detailed documentary on the film's production.
• Deleted Scene and Alternate Ending with Introductions: Extra scenes with director's comments.
• Radio Spot: Vintage promotional material.
• Trailer: Remastered theatrical preview.

"To Live and Die in L.A." (1985) stands out as a quintessential representation of the L.A. noir genre, masterfully directed by William Friedkin. Capturing the visceral grit and neon vibrancy of 1980s Los Angeles, Robby Müller’s cinematography and Wang Chung's pulse-pounding soundtrack elevate the ambiance to almost tangible levels. Friedkin's narrative follows Secret Service Agent Richard Chance, portrayed with unyielding intensity by William Petersen, who becomes ensnared in a relentless pursuit of the elusive counterfeiter Rick Masters, played menacingly by Willem Dafoe. The plot meticulously dissects themes of obsession, morality, and the blurred lines between law enforcement and criminality.

The film's action scenes, particularly the groundbreaking car chase through L.A. freeways, rival iconic sequences from classics such as "Bullitt" and Friedkin’s own "The French Connection." Petersen's unbridled energy mirrors his character's determination, while Dafoe’s methodical villainy offers a stark contrast. Supporting actors like John Pankow, as Chance’s increasingly disillusioned partner, and John Turturro enrich the narrative’s complex moral landscape. Friedkin’s direction ensures that every character is steeped in ambiguity, creating a world where ethical simplicity is merely an illusion.

Friedkin’s meticulous attention to authenticity is evident; the film's raw portrayal of L.A.’s underbelly is both gritty and artistically mesmerizing. The interwoven plotlines unfold with relentless momentum, showcasing Friedkin’s acute understanding of tension and pacing. The film’s downbeat tone is accentuated by Wang Chung’s score, encapsulating the decade's zeitgeist while heightening the movie's relentless drive. "To Live and Die in L.A." remains an essential neo-noir thriller, a testament to Friedkin’s ability to push conventional boundaries and deliver an immersive cinematic experience that is both profoundly engaging and visually stunning.

William Friedkin's "To Live and Die in L.A." stands as a pinnacle of the L.A. noir genre, masterfully encapsulating the dark, atmospheric allure of the 1980s. Through its neo-noir narrative, visual flair, and pulsating soundtrack, the film emerges as a staple among the director’s impressive catalog, which includes the seminal "The French Connection." Secret Service Agent Richard Chance's relentless pursuit of a ruthless counterfeiter unfolds against the vibrant backdrop of Los Angeles, providing an organic, immersive experience that few films of its era can rival.

Kino Lorber's 4K UHD release meticulously rejuvenates this classic, offering a pristine 2160p video presentation complemented by Dolby Vision HDR. The disc achieves reference-quality standards in both video and audio fidelity. Additionally, the release consolidates all previously available special features—excluding only a Still Gallery—making it an encompassing package for collectors. With a blend of sharp visuals and enriching audio, the film’s gritty essence and intense stylizations are captured more vividly than ever before, ensuring an immersive viewing experience that honors Friedkin’s original vision.

Though there are no newly produced extras unlike previous versions, Kino Lorber’s assembly of comprehensive supplemental content from past releases enriches this edition. Whether it's the insightful audio commentaries or behind-the-scenes features, fans will find plenty to appreciate. For those who own previous editions with unique extras like Carlotta Films’ impressive packaging or Shout! Factory’s Still Gallery, the decision to upgrade may hinge on personal preference towards the complete feature set available here.

To conclude, "To Live and Die in L.A." is an outstanding slice of L.A. (neo-)noir, a frequently overlooked highlight of Friedkin's filmography and star William Petersen’s career. This 4K release from Kino Lorber offers an exceptional audiovisual experience and a trove of extras that make it an essential addition for fans. Highly recommended.