Touch of Evil 4K Ultra HD Blu-ray Review
Score: 90
from 3 reviewers
Review Date:
Touch of Evil's 4K release: a must-see, lavishly restored masterpiece with rich extras.
Disc Release Date
True 4K
HDR10
Dolby Vision
DTS-HD MA
Video: 90
Eureka and Kino Lorber dazzle with their 4K Blu-ray releases of 'Touch of Evil,' offering unmatched technical proficiency and restoration that accentuate its noir aesthetic through exceptional detail, HDR, and Dolby Vision, making each version a definitive cinematic experience.
Audio: 84
Touch of Evil's audio restoration renders clear, stable mono tracks across versions, with no distortion or age signs, enhancing dialogue and score with current tech, impressing even on high volumes.
Extra: 97
Eureka's 4K set features the 1998 Reconstructed, 1958 Theatrical, and Preview Versions of 'Touch of Evil' across 2 discs, with extensive old and new special features and commentaries.
Movie: 97
Orson Welles's 'Touch of Evil' endures as an influential film noir, celebrated for its innovative filmmaking, powerful performances, and thematic depth, despite its controversial changes and reception over the years.
Video: 90
Touch of Evil's 4K UHD Blu-ray release, presented by Eureka in the UK and Kino Lorber in the US, delivers a meticulously restored visual experience that is as compelling as it is technically impressive. Utilizing a 3840x2160/24p BT.2020 image encoded with the HEVC (H.265) codec, each version of the film—Theatrical Cut, Reconstructed Cut, and Preview Cut—offers viewers a choice in how they experience this classic, each presented in the original widescreen aspect ratio of 1.85:1. Enhanced with Wide Color Gamut (WCG), High Dynamic Range (HDR), and Dolby Vision, the restoration vividly brings out the nuanced textures and inky blacks of the film's iconic noir cinematography, while maintaining an organic film grain that contributes to its timeless aesthetic.
Detail in every scene is rendered with exceptional clarity, showcasing the intricate backgrounds, skin textures, and costumes with a depth that surpasses previous formats. This clarity extends across daylight and darker scenes alike, with daylight shots displaying remarkable sharpness and night scenes benefiting from enhanced shadow detail and grayscale gradients, without losing to digital manipulation or compression faults. The consistency in image quality across the three cuts underscores an unwavering commitment to preserving the film's artistic integrity, with differences in technical proficiency largely indistinguishable. The use of original print scans for the 4K restoration adds a layer of authenticity, respecting the film's historic cinematic values while embracing modern technological standards.
This 4K UHD presentation is distinguished not just by its visual fidelity but also by its careful treatment of film grain and the balanced grayscale, ensuring a filmic appearance that resonates with both purists and new audiences. Although some inherited density fluctuations remain, they do little to detract from the overall quality of the restoration. Dolby Vision/HDR grading magnifies the visual impact, especially in indoor scenes with ample lighting, expanding darker nuances and enriching the visual texture without overshadowing the film's noir aesthetics. In essence, both Eureka and Kino Lorber have delivered an exemplary restoration that honors Orson Welles' vision, rendering Touch of Evil in a quality that is both a technical marvel and a tribute to its enduring legacy in film noir.
Audio: 84
The audio presentation of "Touch of Evil" on the 4K UHD Blu-ray has been meticulously restored, showcasing the film's riveting soundscape across three distinct versions. Utilizing the DTS-HD Master Audio 1.0 mono tracks, each version--the Reconstructed, Theatrical, and Preview cuts--delivers a remarkably stable, clear, and consistent auditory experience. The restoration work breathes new life into the original mono recordings, sourced from a combination of the theatrical version (MAG – DME SET1955468), preview version print (SET107951), and additional sources for the Reconstructed Version (1998). Despite the historical limitations of the source materials, this modern audio restoration ensures that dialogue, score, and effects are presented with an impeccable balance, devoid of muffling, muting, or distortion.
Notably, the audio's clarity and stability are commendable attributes that significantly enhance the viewing experience. The English DTS-HD Master Audio 2.0 Mono track demonstrates an exceptional preservation of sound quality, with no evidence of age-related instability. Voices remain crisp and well-prioritized amidst the ambient sounds of the film's setting. The jazzy score particularly benefits from this restoration, with clean horns and a stable treble that maintain their integrity even at peak levels. The soundtrack’s dynamics are impressively maintained throughout, showcasing a remarkable blend of mid and upper registers that defy the film’s original era.
Analyzing the technical aspects further reveals marginal spec differences between various releases, highlighting the dedication to achieving optimal sound quality regardless of region. Both Mono 2.0 and Mono 1.0 tracks are utilized to respect and preserve the original sound design, ensuring that every whispered dialogue line and sweep of the score is as engaging as intended. Despite inherent limitations in the source material's range, the DTS-HD track smoothly delivers drum beats and bass lines, offering an auditory experience that is as immersive as it is faithful to Orson Welles's visionary work. This careful attention to detail in the audio restoration not only pays homage to "Touch of Evil's" legacy but also sets a standard for how classic films can be revitalized for contemporary audiences.
Extras: 97
Eureka's 2-disc 4K UHD Blu-ray set of "Touch of Evil" delivers an unprecedented restoration across three versions: the 1958 Theatrical, the Preview, and the 1998 Reconstructed cuts, each on their dedicated 4K disc with an assortment of carefully curated extras. Commentary tracks are version-specific and feature a mix of archival and new insights from industry professionals including Charlton Heston, Janet Leigh, Rick Schmidlin, and notable critics such as Tim Lucas and Imogen Sara Smith. The inclusion of both vintage and newly commissioned interviews alongside informative featurettes enhances appreciation for Orson Welles' noir masterpiece. The archival "Evil Lost and Found" and "Bringing Evil to Life" provide behind-the-scenes looks at the film’s production, restoration, and historical significance. This set surpasses previous editions with its depth of content and preservation of technical details, making it an essential addition for cinephiles.
Extras included in this disc:
- Reconstructed Version Commentary with Charlton Heston, Janet Leigh, and Rick Schmidlin (1999)
- Reconstructed Version Commentary with Rick Schmidlin (2008)
- Theatrical Version Commentary by F.X. Feeney (2008)
- Preview Version Commentary by James Naremore and Jonathan Rosenbaum (2008)
- Bringing Evil to Life: Archival Featurette
- Evil Lost and Found: Archival Featurette
- NEW Interview - Matthew Sweet on Touch of Evil
- NEW Interview - Tim Robey on Touch of Evil
- NEW Interview - Kim Newman on Touch of Evil
- Book: Including writings by Welles and others, images, essays, artwork, technical credits (100 Pages)
- Trailer: Vintage trailer for Touch of Evil
- Commentary One: Exclusive new audio commentary by critic Tim Lucas
- Commentary Two: Exclusive new audio commentary by critic Imogen Sara Smith
Movie: 97
Touch of Evil," Orson Welles' cinematic masterpiece, has long stood as a beacon of film noir, defying the typical confines of its era with a blend of audacious cinematography and compelling narrative that eagerly embraces complexity and moral ambiguity. The movie thrusts viewers into a murky border town setting teeming with vice and shadow, where the line between right and wrong blurs amidst the dusty streets and dimly lit facades. Central to its plot is the clash between Charlton Heston's earnest Mexican narcotics official, Mike Vargas, and Orson Welles' monumentally corrupt American detective, Hank Quinlan, whose grotesque tactics and larger-than-life presence dominate the screen. Esteemed for its technical prowess, the film captivates from its opening sequence—a virtuosic unbroken shot that escorts us across the U.S.-Mexican border, setting a tone of relentless tension and imminent doom.
At the heart of “Touch of Evil” is not just a story of crime and investigation but a deep dive into character study, particularly of Quinlan, portrayed masterfully by Welles himself. The character’s descent into the depths of corruption and moral decay offers a sharp critique of the glorified, macho detective archetype, infusing the narrative with a modern sensibility that resonates with contemporary audiences' familiarity with flawed anti-heroes. This sophisticated approach to storytelling is complemented by Russell Metty’s dramatic cinematography and Henry Mancini’s atmospheric score, both of which amplify the film's dark, stifling ambiance. The performances are uniformly compelling, with Heston navigating the limitations of his role to deliver a stalwart performance and Welles embodying Quinlan with haunting gravitas. Supporting roles, including Janet Leigh’s resilient Susan and Akim Tamiroff’s menacing Uncle Joe Grandi, enrich the narrative tapestry.
Notably, "Touch of Evil" exemplifies Welles' innovative artistry and enduring influence on cinema, particularly in its bold narrative structure and technical execution. Despite challenges in its production history and various editorial changes over the years, each iteration of the film—whether the compromised studio cut or the later attempts at restoration closer to Welles’ vision—retains an undeniable power and artistry. Its thematic concerns with justice, corruption, and cross-border dynamics remain profoundly relevant, ensuring its place not merely as a product of its time but as a timeless exploration of the darker facets of the human condition and societal dysfunction. Whether viewed through the lens of its iconic opening shot, its complex character dynamics, or its rich atmospheric detail, “Touch of Evil” stands as a flawed masterpiece, emblematic of Welles’ genius and the enduring appeal of film noir.
Total: 90
Orson Welles' cinematic masterpiece, "Touch of Evil," is revolutionized in its UK Ultra HD Blu-ray debut. Eureka Entertainment's release, as part of The Masters of Cinema Series, is a collector's dream, featuring a limited-edition set that includes a hardbound slipcase and a 100-page collector's book. This definitive package offers an unprecedented viewing experience with three versions of the film, each restored in native 4K, complemented by Dolby Vision HDR and meticulously restored audio. These enhancements ensure that the film's iconic, groundbreaking camerawork and eccentric noir storytelling are presented with unparalleled clarity and depth. Spread across two 4K discs, the release also includes an extensive array of extras, appealing to both new audiences and seasoned collectors.
The release is meticulously crafted to showcase the film in its best light yet, with Universal's restoration efforts bringing out the sumptuous details of Welles' vision. The presentation of this boundary-pushing narrative—rich in controversial themes like sexuality, drugs, and violence—is more vivid and engaging than ever before. With "Touch of Evil's" exotic camerawork and b-level noir storytelling, this release captures the film's distinctly modern essence, making it a critical addition to any collection. As a testament to its exceptional quality, it may very well be this year’s standout home video release, marking a significant pinnacle in the film's home video lifecycle.
In conclusion, this 4K UHD Blu-ray release of "Touch of Evil" is not just another addition to the saturation of film classics in the market; it is the ultimate version that brings together impeccable restoration with rich supplementary content. It is a testament to the care and devotion invested into preserving cinematic history. Whether for longtime fans or newcomers exploring the depths of film noir, this release unravels the complexities of Welles' masterpiece in its full, unabridged magnificence, promising to be an essential centerpiece for any aficionado's collection.
avforums review by Casimir HarlowRead review here
Video: 90
Unlike Eureka's preceding set, there's less visibility here around the specifics of the 4K restoration but possibly the original prints are the same as were used for the HD transfer over a decade ago,...
Audio: 90
Touch of Evil has similarly undergone an audio restoration, with the DTS-HD Master Audio 1.0 mono tracks gloriously rendered for each slightly different version (the Reconstructed Version is culled from...
Extras: 100
The extra features are split across the two discs too (particularly in respect to the Commentaries, which are Version-specific), and include all the old Eureka Blu-ray extra features (which was a mighty...
Movie: 100
Whether you watch the shorter original theatrical release, with its faster pacing, less daring editing, and alternative soundtrack; the longer preview version, with its unnecessary exposition scenes, slower...
Total: 100
a delicious package Eureka's 4K release is an unsurprisingly impressive, lavish package, delivering three cuts of the film, all restored in native 4K with Dolby Vision HDR and restored audio, split across...
Blu-ray.com review by Dr. Svet AtanasovRead review here
Video: 100
Obviously, the inherited density fluctuations looked practically the same in 1080p and native 4K. Furthermore, a lot of highlights are handled better in native 4K, and again the difference is noticeable...
Audio: 100
I viewed the Theatrical Cut in native 4K during the day and had the volume turned up a lot, so I can categorically state that the middle and upper registers are as good as you can expect them to be....
Extras: 100
4K BLU-RAY DISC TWO: RECONSTRUCTED CUT Evil Lost and Found - this archival program contains additional short comments addressing the production history of Touch of Evil -- including the various versions...
Movie: 100
However, the more Quinlan tries to frustrate Vargas, the more interested the Mexican agent becomes in the case....
Total: 100
The film's three versions, all expertly restored in 4K by the folks at Universal, look marvelous in their native resolution, which means that this 4K Blu-ray release from Kino Lorber will close its cycle...
DoBlu review by Matt PaprockiRead review here
Video: 100
Texture flows from the frame, revealing the messy locations, facial detail, and whatever else this camera negative originally captured....
Audio: 80
There’s no range to speak of, although drum beats and bass smoothly flow from the DTS-HD track....
Extras: 100
Finally, alongside the reconstructed cut, a 17-minute featurette detailing the studio’s requests and various additions....
Movie: 100
Other than dated fears over marijuana, Touch of Evil’s back-and-forth tussle concerning international jurisdiction, turning the depressed, chain-smoking American cop into a villain, plays as if it were...
Total: 95
Touch of Evil’s exotic, groundbreaking camerawork is matched by eccentric, b-level noir storytelling that’s wholly captivating and still distinctly modern....
Director: Orson Welles
Actors: Charlton Heston, Orson Welles, Janet Leigh
PlotIn a small town on the U.S.-Mexico border, a bomb explodes, killing two people as they drive into the United States. The incident calls for an investigation, drawing in Mexican narcotics investigator Mike Vargas, who is on the American side of the border with his new American bride, Susan. As Vargas begins to uncover the nuances of the crime, his path entangles with that of Hank Quinlan, a veteran American police captain with a reputation for solving cases through unconventional and often questionable methods. The explosion becomes the backdrop to a larger narrative, as Vargas postpones his honeymoon to pursue the truth.
As Vargas delves deeper into the case, he becomes increasingly ensnared in a web of corruption, finding himself at odds with the morally dubious Captain Quinlan whose tactics seem to exacerbate the situation rather than resolve it. At the same time, Susan finds herself isolated and vulnerable, navigating dangerous circumstances at a desolate motel. Tensions escalate as the couple's personal safety, as well as their relationship, are compromised amidst the conflicting interests of law enforcement and local crime elements. The interplay between justice and corruption lays the foundation for a gripping tale of suspense and moral complexity.
Writers: Orson Welles, Whit Masterson, Franklin Coen
Release Date: 23 Apr 1958
Runtime: 95 min
Rating: PG-13
Country: United States
Language: English, Spanish