Between the Lines Blu-ray Review

Cohen Film Collection's Blu-ray presentation of "Between the Lines" boasts an AVC encoded 1080p transfer in 1.85:1, highlighted by a new 2K restoration. The restoration results in an appealing indie aesthetic that aligns well with the film's production values. The visual presentation offers a commendable balance, despite the primary setting in the film’s ramshackle office. The color palette maintains a slightly pinkish hue, but the colors pop effectively, adding depth to the visual experience. Detail levels are consistently good, sometimes excellent, preserving an organic appearance devoid of excessive digital manipulation.

While the transfer is generally clear and well-defined, there are minor fluctuations in clarity and overall definition. Some darker scenes exhibit a notable decrease in sharpness, and certain moments display desaturation with a pronounced grain field—for example, screenshot 19. However, these are isolated cases and do not detract from the overall quality of the presentation. This video transfer generally stands out for its authenticity and adherence to the original cinematic experience, making it a solid release from Cohen Media Group.

The audio presentation of "Between the Lines" is intentionally modest yet effective, delivered via an LPCM 2.0 mono track that serves the dialogue-centric narrative well. Dialogue clarity is paramount for a talk-heavy film such as this, and this presentation excels in that regard, ensuring every conversation remains sharp and comprehensible. The urban backdrop is authentically captured with various ambient sounds, providing a convincing sense of place. The lack of distortion, dropouts, or other audio damage underscores a meticulous mastering effort that respects the original soundscape.

Particularly noteworthy are the film’s musical interludes, notably featuring Southside Johnny and the Asbury Dukes. Here, the volume levels are carefully calibrated to provide an engaging auditory experience without overpowering the dialogue. Scenes featuring the hustle and bustle of city life—such as the hawker selling newspapers—are enhanced with well-balanced ambient sounds like car engines, horns, and distant sirens. This creates an immersive experience that draws viewers into the urban milieu without detracting from the primary focus on dialogue.

The Blu-ray edition of "Between the Lines" offers a rich selection of supplementary materials that enhance the viewing experience with insightful perspectives and historical context. The standout feature is "Conversations from the Quad," a compelling interview with director Joan Micklin Silver, moderated by Shonni Enelow from Fordham University. This segment provides in-depth insights into the film's production and Silver's directorial approach. Additionally, the disc includes both the original and restoration trailers, providing a fascinating comparison between the film's initial release and its meticulous restoration. These extras collectively enrich the viewer's appreciation of the film and its historical significance.

Extras included in this disc:

• Conversations from the Quad: Making Between the Lines: Engaging interview with Joan Micklin Silver, moderated by Shonni Enelow.
• Restoration Trailer: Brief yet telling introduction to the restored version.
• Original Trailer: A nostalgic glimpse into the film's original release.

Between the Lines, directed by Joan Micklin Silver and released in 1977, explores the waning days of a fictional Boston alternative weekly newspaper, The Back Bay Mainline. The narrative revolves around the inevitable corporate takeover by millionaire mogul Roy Walsh (Lane Smith), who intends to revamp the paper and lay off its most outspoken staff members. These journalists, portrayed as erstwhile 1960s radicals, grapple with the fear that their glory days are fading, and this central conflict lends a touch of authenticity and relevance to the story.

The film excels thanks to its vibrant ensemble cast, featuring early performances from future luminaries like Jeff Goldblum, John Heard, and Lindsay Crouse. Goldblum’s portrayal of rock critic Max Arloft adds an intriguing layer, bridging cultural gaps between the counterculture ethos of the 60s and the increasingly commercialized late 70s. Although some aspects and philosophies presented in the film may appear outdated, these elements are offset by compelling interrelationships among the characters, which Joan Micklin Silver develops with significant nuance.

While Between the Lines does share thematic DNA with films like FM, particularly in terms of counter-culture resistance to corporate encroachment, it stands apart in its personal vignettes and character-driven drama. The film’s kitchen-sink realism is highlighted by Harry Lucas (John Heard) and his complex dynamics with photographer Abbie (Lindsay Crouse), alongside various subplots involving supporting actors like Bruno Kirby and Marilu Henner. Despite occasional datedness and tonal irregularities, the cast's effective performances ensure that Between the Lines remains breezily engaging and a fascinating snapshot of its era.

The Blu-ray release of "Between the Lines" showcases Joan Micklin Silver's adept storytelling and character development within a quaint, yet introspective, narrative concerning an alternative newspaper group in 1970s Boston. The film, while not heavily emotionally resonant as Silver's "Hester Street," offers enjoyable small-scale pleasures with its dynamic and colorful cast. Despite the counter-culture revolutionary vibe feeling somewhat dated for the era portrayed, the character-driven examination of personal and career trials remains engaging. The ensemble cast, including talents like Jeff Goldblum and Stephen Collins, delivers robust performances marked by occasional improvisation, illustrating their versatility and depth.

Particularly noteworthy is the technical execution, with cinematographer Kenneth Van Sickle's work providing a visually pleasant experience reminiscent of previous collaborations with Silver. The documentary "Conversation From the Quad: The Making of Between the Lines," included in the Blu-ray extras, provides insightful behind-the-scenes perspectives. Joan Micklin Silver shares her creative process, selection of the script by Fred Barron, and casting methods, highlighting Jeff Goldblum's unorthodox but impressive audition. The feature emphasizes the collaborative nature of filmmaking, lauding the crew's contributions to achieving the film's authentic and relaxed atmosphere.

In conclusion, "Between the Lines" may not capture the emotional depth of some of Silver's other works, but it stands as a testament to her ability to create compelling character studies against a backdrop of cultural transition. Its enduring charm and humor make it a delightful watch. With solid technical merits from Cohen's release, this Blu-ray edition is highly recommended for its combination of entertainment value and historical insight into 1970s counter-culture and journalism.