Zeroville Blu-ray Review

"Zeroville" is presented on Blu-ray with a 1080p AVC-encoded transfer in a 2.40:1 aspect ratio, meticulously handled by MVD Visual. The transfer emerges from a purportedly digital intermediate that seems to be at a 2K resolution, inferred from the Red camera's involvement. The visual presentation is commendable, though not entirely groundbreaking. It is characterized by superior clarity and detail, particularly in the brightly lit outdoor Los Angeles scenes where the vibrant palette truly flourishes. The film's cinematography, courtesy of director James Franco and Bruce Thierry Cheung, features an array of stylistic elements, including intense red lighting schemes that occasionally impact fine detail levels. Despite these quirks, the presentation retains a high level of quality throughout.

Interior shots, often shrouded in unconventional hues, might not capture the same level of detail as their outdoor counterparts but still hold their ground with impressive visuals. The use of black and white interstitials punctuates the film's narrative, adding an intriguing layer to its artistic expression, especially during the metaphysical segments. While the film does not achieve reference-quality status, its detail and texture are impressive, with most scenes reflecting crisp resolution that excels on Blu-ray.

The release sustains high-definition clarity with its transparent AVC encoding on a BD-25 disc, running a total of 96 minutes. Franco's directorial approach includes exotic and at times over-driven digital cinematography, enhancing the cinematic homage to vintage Hollywood through dazzling scenes. Compression is effectively managed, ensuring that the inherent beauty of the cinematography remains intact. While it may not be the pinnacle of video quality, "Zeroville" offers an engaging visual experience that resonates with fans of inventive cinematography.

The "Zeroville" Blu-ray audio presentation impresses with its DTS-HD Master Audio 5.1 and LPCM 2.0 tracks. The 5.1 DTS-HD MA audio track is distinctive for its depth and spatial layering, enhanced by the film's source cues and snippets from classic soundtracks. These elements gain an immersive quality in the surround sound configuration, with outdoor scenes and group sequences capitalizing on side and rear channel engagement. The dialogue remains consistently clear, bolstered by the track's clean audio delivery. The optional English subtitles are conveniently available for those who prefer or require them.

Johnny Jewel’s intriguing score and music resonate with superior clarity and fidelity in the 5.1 mix, which exhibits excellent channel separation and robust bass response. Dialogue intelligibility is maintained throughout, complemented by impressive dynamic range and depth that exceed typical independent film audio standards. Creative utilization of surround channels reflects the film's inventive editing techniques, enriching the auditory experience.

Additionally, a secondary LPCM 2.0 stereo track is provided for viewers seeking a simpler audio presentation, though it lacks the punch and depth found in its 5.1 counterpart. English SDH subtitles are available in a yellow font, thoughtfully positioned partially outside the scope presentation to optimize visibility.

Overall, the audio offerings in "Zeroville" not only support but enhance the cinematic experience, making them noteworthy for both clarity and creativity.

The Blu-ray release of "Zeroville" by MVD Visual offers a limited selection of extras. While the disc includes a couple of trailers for "Zeroville" itself and additional trailers for other titles in their catalog, it lacks substantial special features. The absence of a director’s commentary, especially considering the involvement of notable figures like James Franco and Megan Fox, feels like a missed opportunity to delve deeper into the film’s creative process. The technical presentation of these extras is straightforward, with one "Zeroville" trailer presented in high definition and the other in standard definition, alongside high-definition trailers for other films from MVD Visual. Overall, the supplemental features may leave enthusiasts wanting more in terms of engaging content and insightful commentary regarding the film.

Extras included in this disc:

• Zeroville Trailer 1: HD presentation.
• Zeroville Trailer 2: SD presentation.
• Action USA Trailer: In HD.
• Falcon Rising Trailer: In HD.
• Camino Trailer: In HD.

Zeroville, helmed by James Franco who wears multiple hats as both director and star, is an ambitious, albeit flawed ode to 1970s Hollywood. The narrative draws from Steve Erickson's acclaimed novel, channeling its surreal essence while adding Franco's distinctive artistry. The film intriguingly juxtaposes the film industry's romanticized past against a gritty reality. Franco's commitment is evident in his portrayal of Vikar, an ingeniously eccentric character who traverses Hollywood's glitzy yet grim landscape with the emblematic tattoo of Elizabeth Taylor and Montgomery Clift, symbolically linking his journey with A Place in the Sun's tragic romance.

The film plunges viewers into a whimsical narrative that rests heavily on meta-references to cinema history, offering numerous delights for cinemaphiles. However, these references can sometimes prove alienating for a general audience. Supporting performances from Megan Fox and Will Ferrell provide engaging layers, despite Seth Rogen's occasionally discordant, satirical take on the Hollywood archetype. The plot navigates Vikar's rise from a fresh set builder to a filmmaker in an industry witnessing seismic shifts. His affair with Soledad (Fox) serves as an emotive anchor though often muddled by the film's lack of narrative cohesion.

While Franco ambitiously attempts to weave a tapestry of dreamlike storytelling akin to Jodorowsky's The Holy Mountain or Tarantino’s Once Upon a Time in Hollywood, Zeroville’s execution falters. The screenplay lacks finesse, with some subplots showing potential but remaining underdeveloped. The delays in release and the intervening controversies surrounding the director further obscure its impact. Ultimately, Zeroville stands as a passionate tribute to an era, scattered with cinematic brilliance yet unable to fully translate its homage effectively. Best appreciated by movie enthusiasts versed in classic cinema lore, the film resonates as an experimental reflection on filmmaking itself—inviting, if not challenging its audience to partake in its idiosyncratic celebration of Hollywood.

"Zeroville," directed and starring James Franco, offers a quirky homage to the rich tapestry of 1970s Hollywood cinema. The narrative, while ambitious, attempts to weave a tale that blends the fantastical with historical elements. However, its unique storytelling style often leads to a convoluted plot that might appear self-indulgent rather than cohesive. The film’s strongest appeal lies in its all-star cast, which showcases notable performances that resonate with cinema enthusiasts and those passionate about film history. Despite its narrative shortcomings, the film remains an intriguing watch for those interested in cinema’s golden eras.

From a technical standpoint, the Blu-ray release of "Zeroville" stands strong, showcasing solid audiovisual quality that enhances the viewing experience. The transfer maintains proficient levels of clarity and color fidelity, capturing the intended essence of a retro cinematic feel. Sound design also complements the film’s unique atmosphere by maintaining clear dialogues and dynamic soundscapes. While the Blu-ray doesn’t reinvent the wheel in terms of additional content, it provides a competent presentation for both casual viewers and ardent collectors.

In conclusion, "Zeroville" stirs curiosity with its eclectic mix of fantasy and reality but struggles to maintain a coherent identity, much like the hidden chord symbolized by Leonard Cohen. Its appeal largely resides in its nostalgic tribute to a bygone era and the dedication of its cast. Those interested in a well-produced Blu-ray may find satisfaction in its technical merits, even if the narrative journey feels like it has taken one too many detours.