Bad Company Blu-ray Review

Kino Lorber's Blu-ray presentation of "Bad Company" employs an MPEG-4 AVC-encoded BD-25, maintaining the original theatrical aspect ratio of approximately 2.39:1. Unfortunately, the transfer appears derived from the same master used for the 2003 Touchstone DVD, lacking any significant restoration or remastering efforts. Consequently, the video presentation is marred by various film artifacts and a general sense of datedness. Although the image is sharper with richer colors compared to a standard upconverted DVD, the overall quality is merely satisfactory. Notably, contrast and background detail are subpar—exemplified by visible deficiencies in specific screenshots. Despite some clear delineation in close-ups, occasional edge enhancement and artificial sharpening are evident, resulting in a video-like look rather than a true filmic quality.

The 1080p 2.39:1 transfer reflects only minor improvements over its DVD predecessor, delivering an average bitrate of 22052 kbps. Close-up shots exhibit good clarity, but mid-range and wide shots often appear soft and uninspired. While colors are reasonably vivid, they lack striking impact, and black levels are adequate yet leave much to be desired. The source elements are in decent condition with only mild speckling present. Despite being competently shot by Director of Photography Jack Green, the visual presentation fails to fully capitalize on this, resulting in an overall lackluster experience. Kino has also provided a limited eight chapter breaks for navigation.

The audio presentation for the Blu-ray release of "Bad Company" is offered as a DTS-HD Master Audio 2.0 track at 1559 kbps and 16-bit. While this mix maintains dialogue clarity adequately, occasional low and slurry speech by characters such as Frank Langella may require an increase in volume to fully discern. Carter Burwell's score is moderately represented across the front speakers, ensuring a balanced and immersive auditory experience. The sound effects possess some degree of separation and discreteness, although the overall dynamic range leaves room for improvement. Notably, there is an absence of hiss or age-related auditory artifacts, showcasing a clean execution despite its basic nature.

It is worth mentioning that Kino Lorber opted not to utilize the original 5.1 mix from Touchstone's DVD release, which could have significantly elevated the listening experience had it been converted into a lossless format for this edition. Optional English SDH subtitles are conveniently available for those requiring additional clarity, accessible through both the main menu and remote control. Ultimately, while the current DTS-HD MA 2.0 track performs competently, it reflects a missed opportunity for a more robust and dynamically rich presentation that would have better complemented this classic film.

The extras on the Blu Ray release of "Bad Company" may not be extensive, but they offer valuable insights and engaging content for fans. The audio commentary by director Damian Harris provides an informative look at the production, despite some occasional gaps. The Animated Stills & Behind-the-Scenes Gallery offers high-resolution images from the ad campaign and on-set production, accompanied by Carter Burwell's score, adding a rich visual and auditory experience. Additionally, the original theatrical trailer and a series of bonus previews round out the supplementary material effectively.

Extras included in this disc:

• Audio Commentary by Director Damian Harris: Insightful commentary with some gaps, providing production details.
• Animated Stills & Behind-the-Scenes Gallery: Collection of high-res promotional and on-set images with score.
• Original Theatrical Trailer: Full-frame, video-sourced trailer.
• Malice Trailer: Preview for another title.
• Consenting Adults Trailer: Preview for another title.
• China Moon Trailer: Preview for another title.
• Deceived Trailer: Preview for another title.
• Shattered Trailer: Preview for another title.

Damian Harris's Bad Company is a genre-spanning espionage thriller that boasts a compelling cast led by Laurence Fishburne, Ellen Barkin, and Frank Langella. Despite its promising setup, the film's complex plot, penned by mystery novelist Ross Thomas, can be dense and challenging to follow. Fishburne's portrayal of CIA operative Nelson Crowe, embroiled in a web of blackmail and deceit, anchors the narrative with a cool, calculated demeanor. His interactions with Barkin, who plays the sultry and duplicitous Margaret Wells, provide the primary allure of the film.

The labyrinthine storyline centers on Crowe's assignment with The Grimes Organization, an industrial espionage group led by Vic Grimes (Langella). The film's narrative unfolds at a deliberate pace, especially in the initial 45 minutes which are heavy with exposition and seemingly straightforward twists. However, patience offers rewards as the film's second-half reveals deeper layers, transforming what might initially seem hammy into a craftier plot.

Bad Company thrives on its high-concept pitch—a blend of erotic thriller, film noir, and spy intrigue. While it may not offer immediate satisfaction due to its dense storytelling and slow initiation, strong performances and aesthetic choices by Andrew McAlpine and cinematographer Jack N. Green ensure the film remains engaging. Despite its uneven reception and brief theatrical run, the chemistry between Fishburne and Barkin, coupled with the stylish execution of Harris’s vision, make the viewing experience worthwhile for those willing to navigate its intricate narrative.

"Bad Company" remains an often overlooked yet stylistically distinct noir film from the nineties. Despite its narrative complexities and occasional pacing issues, the film benefits from compelling performances by Laurence Fishburne and Ellen Barkin, who elevate the otherwise dense plot with their arresting dynamic. The film’s visual appeal, marked by attractive cinematography, helps to navigate through its multiple subplots. The final act particularly redeems an otherwise slow beginning, making the early patience worthwhile.

Kino Lorber Studio Classics brings "Bad Company" to Blu-ray with a serviceable transfer that leaves room for improvement. While the uncompressed 2.0 stereo audio is adequate, some enthusiasts may miss the richer experience provided by a 5.1 Surround mix. The video quality, lacking a new 2K scan of the 35mm print, shows some age-related artifacts, which detract from the overall viewing experience. On the positive side, Kino Lorber includes a new commentary track by director Damian Harris and a well-curated photo gallery, adding substantial value for collectors and fans of the film.

In conclusion, "Bad Company" may not stand as a pinnacle of the spy thriller genre, but its merits, particularly in acting and final act intrigue, make it a worthwhile addition to fans' collections. Despite the less than stellar technical presentation on this Blu-ray release, the film's substance and included extras render it worth a watch. Therefore, we give it a measured recommendation for those who appreciate the film's unique qualities.